2023-06-24 14:01:50
Last Tuesday, June 20, he returned to the billboard tarascones, one of the great successes of the previous season. And there is no doubt that this return is at the request of the public (and for only eight weeks!) listen to the text of Gonzalo Demaria has no waste in the skin of these four great actresses: Alejandra Flechner, Paola Barrientos, Eugenia Guerty and Susana Pampín sparks are drawn with the direction of Ciro Zorzoli.
Already from the first moments everything is laughter in the audience, while the clueless spectator is tying up what happened in that house who gossips, before the play began: a murder! Hurry gestures and with a visible corporate actionThe friends Zulma, Martita and Estela hardly exchange words but their looks, their postures and their hands are more than eloquent to express that something happened at her friend Raquel’s house, that takes time to appear and ends up offering the great revelation at the end of the work.
In the middle we attend their charlaswe listen to your prejudices and we see their weaknesses while having tea. They are four packaged ladies whose lives, each one of them, offers a lot of cloth to cut… and turn into shreds. But everything from humor, mischief And till a little bit of blackness, something that the young audience who is going to see them loves and bursts out laughing.
Returning to the performance of these wonderful actresses, they are contributing data and vertiginity to the plot, as their personalities are revealed. the great alexandra Fletchner it is wonderful like Martita and she amazes (although she shouldn’t because she always teaches acting) when she has a kind of monologue qualifying servitude with the most common and imaginative epithets. The viewer holds back his laughter to continue listening to it (because of course they do real theater, without microphones). Eugenia Gerty is the one more physics does his performance, breaking the body and going from one place to another while her Estela surprises once more and once more. Paola Barrientos shows off his gifts for comedy showing the one who maybe it’s the most authentic of the four in small gestures and attitudes that are often the ones that trigger the tragicomedy. And the Big surprise It’s Susanna pampínunrecognizable in her Raquel, altered at the beginning and who later finds her center until the final confession.
Without a doubt the director demanded them thoroughly (because you know they can give that and more) achieving uAn impeccable, fun job that leaves you thinking, while all the time there is talk of two more characters, one omnipresent and the other that is almost part of the set. A beautiful staging Cecilia Zuvialde, supported by lighting That is Sirlin and a locker room of Magda Banach which serves to underline the idiosyncrasy of these four characters, putting together a complete combo of enjoyment.
If you didn’t see it, take advantage of these functions in the Metropolitan Theater (Av. Corrientes 1343, CABA), the Tuesday at 20. You will not regret it. Find more information regarding tickets here.
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