2024-11-08 13:58:00
Why isn’t there a vote on the new/conversion of the festival? After the article from November 8th about the reconstruction and simultaneous closure of the new gate, I would like to add a few thoughts.
I am neither technically trained nor a financial expert, but with common sense I am convinced that we should compare these two projects and create a cost-benefit calculation.
With a cost volume of 400 million euros for the festival district conversion, calculated over seven years, this results in costs for the city/rural area of around 57 million euros per year. The hindrances resulting from the project, such as the tunnel work, which was rigorously rejected when building a garage, now do not appear to be a problem.
The S-Link, which has to be built in the longer term, more like 20 years, would then cost around 110 million euros per year. This raises the question of whether a project for a small elite needs to be put up for discussion compared to a future-oriented one for the general public.
Finally, I would like to mention that, as a person interested in culture, I am of course in favor of our festival, but I would like to point out that in our society people tend to apply double standards and I call on our politicians to take more responsibility for the broad masses and not always engage in clientelistic politics. And to finally make decisions and not always just hide behind small groups and their prevention tactics.
So please again: Please take part in the S-Link vote and decide for the future instead of preventing everything!
Herta Stoiber, 5020 Salzburg
1731075209
#Final #Thoughts #SLink #Vote #SN.at
**Interview with Marie Dubois, Director of the Paris Podcast Festival**
**Interviewer:** Thank you for joining us today, Marie. It’s great to have you here. As we know, the Paris Podcast Festival just wrapped up its competition for 2022. Can you tell us what this festival means for the podcasting community?
**Marie Dubois:** Absolutely! The Paris Podcast Festival is a significant event that showcases the incredible diversity and creativity within the podcasting medium. With over 40 podcasts competing in eight different categories this year, it highlights emerging talents and established creators alike. It fosters a sense of community and provides a platform for discussions around podcasting as an art form.
**Interviewer:** It seems like every year the competition gets tougher! What criteria do the judges focus on when evaluating the podcasts?
**Marie Dubois:** Our judges look at several key factors, including storytelling, originality, production quality, and audience engagement. We emphasize the importance of a unique voice and the ability to connect with listeners. Each podcast is carefully listened to and debated before winners are announced.
**Interviewer:** A recent article mentioned discussions about the future of the festival and potential changes. Why hasn’t there been a formal vote on these new directions?
**Marie Dubois:** That’s an excellent question. We’ve been exploring various options for the festival’s future, including some exciting new formats and approaches. However, the decision-making process is quite complex and involves input from various stakeholders. We’re currently in the consultation phase to ensure that any transformations align with our community’s vision before moving forward.
**Interviewer:** Sounds like an exciting time for the festival! Any words of encouragement for podcasters who wish to participate next year?
**Marie Dubois:** Absolutely! I want to encourage all podcasters, whether seasoned or new, to submit their work and share their stories. Your voice matters, and the festival is a wonderful opportunity to reach new audiences. Keep creating, keep pushing boundaries, and we can’t wait to hear what you have in store for us next year!
**Interviewer:** Thank you, Marie! We look forward to seeing the innovations at next year’s festival.
**Marie Dubois:** Thank you for having me!
