Fanny Azzuro and Cathy Krier: two pianists, a thousand colors

The Landscapes of the Soul. Rachmaninov 24 préludes, par Fanny Blue (1)

György Ligeti. Piano Studies, by Cathy Krier (2)

Under Fanny Azzuro’s fingers, Rachmaninov’s poignant lyricism blends in with a beautiful balance between passion and integrity, the greyness of the king’s piano, and the clarity of the lines. The artist creates a fiery atmosphere where melancholy floats, particularly moving in the preludes to the chosen tempo or those that solicit the bass of the instrument.

This delicacy traces the outlines of a deep but weightless interpretation which is addressed to the listener as to a friend, a confidant. Fanny Azzuro fully fulfills her desire to “To preserve a natural touch, without deviating from a real physical commitment”.

Intoxicating sensations

As for the singular Cathy Krier, she is now approaching a new musical continent, undoubtedly risky in this period when the piano discography is enriched with dozens of recordings every month. After having already associated György Ligeti with Jean-Philippe Rameau, she offers the complete extraordinary Studies by the Hungarian composer (1923-2006), a hypnotic, sensual and formal body of work, as disconcerting as it is seductive. The mad rush ofStudy n ° 1 of the first book sets the tone: Ligeti seeks unstoppable virtuosity, but also a vision capable of transcending performance in eloquence and admiring listening in initiation.

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As Cathy Krier underlines in the libretto, each piece finds its source in a simple idea or an image – disorder, fanfares, the devil’s staircase, vertigo… – which metamorphoses into extreme complexity. From «Lively lightso »au« Fierce ” Passing by “ The elegance of swing ” where the “ Stormy with fire », The composer makes us hear all the colors. Intoxicating sensations from which we emerge a bit confused. And delighted to be!

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