In Faisalabad’s Story Art Gallery, an exhibition of calligraphy was organized on the occasion of the month of Ramadan with the title of ‘Rusim Al Khat’.
In Faisalabad, calligraphy-based artworks of 12 international and national calligraphers were exhibited in Faisalabad.
Titled ‘Rusal Khat’, which will continue till April 28 The curator of this exhibition, Fariha Altaf, said that the exhibition contains letters of Aslam Dogar, Bin Qalandar, Ejaz Yousufi, Fariha Ghaffar, Mohsin Raza, Muhammad Ashraf Hira, Mudassar Ali Zeeb, Nisar Ahmed, Rafat Ali, Shafqat Ali, Warda Tariq and Zubair Akram. The work done in Diwani, Khat Nastaliq, Khat Thulat and Khat Kufi were presented.
He said: ‘The specialty of these artists is that the work is done in classical style as well as in modern calligraphy.’
The exhibition was inaugurated by senior artist Adnan Baig. He told Independent Urdu that even when there was no script or organized language in the world, man used to express himself by making different objects or shapes on the walls of caves.
He said: ‘Old scripts of Arabic are still written in caves. That is not the script. Those three are still alive, meaningful and in which the ‘Musnad’ is noteworthy.’
He said that the most popular Arabic script in history is the Kufi script and many companions used to write in the same script.
According to Adnan Baig, later teachers created different disciplines, created different scripts and this process is still going on.
He said that it is like there are many streams of Sufism and each stream has a different discipline.
For the beauty of the word, the teachers created geometrical forms, their aesthetic values were taken to such a level of perfection that new experiments are now very difficult, but there are definitely some works in this exhibition today that are an extension of this and They also have new experiences.’
Faisal Jamal, the founder of Storia Art Gallery, said that there is no doubt that every verse of Allah in the Quran is beautiful.
“Whoever brings it in letters, writes it, whoever brings the word of Allah in calligraphy has a beauty of its own, it cannot be described, the viewer can absorb it. , can take off, read can see, it has its own importance.’
He said that every artist has a different personality in his own way.
‘He takes out from his mind, what is inside him, onto the canvas, paper or whatever medium he is writing on. It has its own style. Everyone has different styles.’
According to Faisal, the calligraphy exhibition was organized especially in Ramadan because it is the holy month and all the artists participating in the exhibition have expressed their feelings through their work.
‘Just as there are different styles of reciting around the world, so there are styles of calligraphy.’
Many well-known personalities and artists of the city were also present to witness the exhibition who not only appreciated the beautiful work of the artists but also appreciated the organizers for organizing this special exhibition in Ramadan.
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**Interview with Fariha Altaf, Curator of the ‘Rusal Khat’ Calligraphy Exhibition**
**Interviewer:** Thank you for joining us today, Fariha. Can you tell us a bit about the inspiration behind the ‘Rusal Khat’ exhibition in Faisalabad?
**Fariha Altaf:** Thank you for having me! The exhibition was organized to celebrate the holy month of Ramadan, which is a time for reflection and appreciation of artistic expression. Calligraphy holds a special place in Islamic culture, and we wanted to showcase the beauty of this art form through the works of both national and international calligraphers.
**Interviewer:** The exhibition features works from twelve different artists. What makes their contributions unique?
**Fariha Altaf:** Each artist brings their own style and perspective. The collection includes traditional approaches like Diwani and Khat Nastaliq, as well as more modern interpretations. This blend not only honors the classical roots of calligraphy but also reflects contemporary trends, making the exhibition appealing to a diverse audience.
**Interviewer:** You mentioned the various styles of calligraphy. Can you elaborate on how they differ and why they were chosen for this exhibition?
**Fariha Altaf:** Certainly! Each style reflects different cultural and historical contexts. For instance, Kufi is known for its angularity and was widely used in early Islamic texts. Nowadays, artists often experiment with these forms, adding personal flair while maintaining the integrity of the original styles. By including various scripts, we aim to show the evolution of calligraphy and its relevance today.
**Interviewer:** The exhibition was inaugurated by senior artist Adnan Baig. What insights did he share about the history and significance of calligraphy?
**Fariha Altaf:** Adnan Baig provided a profound context. He highlighted that calligraphy has roots in humanity’s earliest forms of expression, long before organized writing systems existed. His reflections on the evolution of scripts, particularly the Kufi script, emphasize that calligraphy is not just art; it’s a living history that continues to influence and inspire.
**Interviewer:** What do you hope visitors take away from the ‘Rusal Khat’ exhibition?
**Fariha Altaf:** I hope visitors will appreciate the intricate beauty of calligraphy and its deep connection to Islamic heritage. More than that, I want them to recognize the ongoing dialogue between traditional and modern artistic expressions. Calligraphy is evolving, and I believe this exhibition will inspire artists and enthusiasts alike to explore its possibilities.
**Interviewer:** Thank you, Fariha, for sharing your insights with us.
**Fariha Altaf:** Thank you! I invite everyone to come and experience the exhibition, which runs until April 28.
