• In the beginning, let’s agree that Talal Maddah is an artist of one version that will not be repeated, and Abu Bakr Salem Balfaqih is a great artistic value, and the amounts of a shift in the history of Saudi singing, and add what you want from the expressions of admiration following or before “My beloved country” and “O my country, I pray.” With this initiation, I wanted to cut off the suspicious phrases that abounded in this tweet: “Muhammad Abdo did not curse or insult, and he did not detract from anyone, so why do you take his words out of context? He is fair to himself, and this is one of his most basic rights, his respect, love and appreciation for Talal Maddah and Abu Bakr Salem, may God have mercy on them. Because I know their attitudes towards the Arab artist. The point at the end of the line. As for the point from the beginning of the line, it is concerned with you, who flocked from all sides to attack fiercely once morest Muhammad Abduh. In fact, most of you did not hear the dialogue and did not know what Muhammad Abduh said. Nevertheless, they completed the trend with words that contain malice, which made me ask whether Muhammad Abdo to this degree causing you troubles? I am talking here regarding those who called themselves the elite, who elaborated on framing their passion in terms, half of which are from Marquis and the other half from Sartre. Or the throat of Muhammad Abdo..?!
• Muhammad Abdo did not underestimate Talal, nor did Abu Bakr Salem as much as he talked regarding another melody and melody, and this is the point of contention in which we may disagree with the Arab artist, but not to the degree that makes our soft power Muhammad Abdo the focus of distortion from both hip and bear , and I say hue and bear; Because the expressions of most of them departed from the critical path and from the blame for targeting Muhammad Abdo in his art, awareness and culture, which is for those who understand the artist’s message and its impact realize that (above the clouds) alone responds to their philosophical absurdity.
• I see that Muhammad Abdo is an artistic encyclopedia that should be framed with what it deserves, and we do not allow the pens and tongues of them to fall into it in every location that falls and with words slips and slips if we mention it half of their trend made once morest Muhammad Abdo will rebound on them and repeat its moment (Shaht faces).
• Muhammad Abdo has an artistic value and a high national stature. We grew up with his patriotic voice while he sang regarding the homeland and with his throat that does not age and we cannot be satisfied that he turns between their confused letters into black phrases that appear to be a defense of what they see as a mistake that Muhammad Abdo fell into and whose interior is hatred once morest Muhammad Abdo without knowing why. ? But I know and I am sure that the Arab artist does not see them.
• Finally: Your laugh is nothing but the songs of Mohamed Abdo..!
