‘Every night was Halloween’ – how one ‘camera girl’ captured the madcap style of 80s New York | Fashion photography

‘Every night was Halloween’ – how one ‘camera girl’ captured the madcap style of 80s New York | Fashion photography

The Electrifying World of ⁢80s New York ⁢Nightlife Captured⁢ in ‍“Camera​ Girl”

Stepping into a vibrant New York ⁢nightclub in the 1980s was ⁤an experience unlike any other. Forget casual attire ‍– the scene demanded⁣ extravagance,boldness,and an ​unmistakable sense of style. “Forget it,” says Sharon Smith, reflecting on her ⁣days as a “camera girl” during that electric era. Smith’s new book, “Camera ⁣Girl”, offers a captivating ​glimpse into this world, showcasing the dazzling outfits and carefree spirit that defined thes ‍legendary nights. ‘Every night was Halloween’ – how one ‘camera girl’ captured the madcap style of 80s New York | Fashion photographyCamera Girl by Sharon Smith.” width=”1200″ height=”630″ srcset=”https://i.guim.co.uk/img/media/5fd79c367a1ea8d91c29898285aa388edc277e6f/0_140_4248_2549/master/4248.jpg?width=1200&height=630&quality=85&auto=format&fit=crop&s=250c9395610396e229d7c2e8ec54228b 1200w, https://i.guim.co.uk/img/media/5fd79c367a1ea8d91c29898285aa388edc277e6f/0_140_4248_2549/master/4248.jpg?width=960&height=506&quality=85&auto=format&fit=crop&s=96997295911d070a9d68d998a03f18d6 960w, https://i.guim.co.uk/img/media/5fd79c367a1ea8d91c29898285aa388edc277e6f/0_140_4248_2549/master/4248.jpg?width=720&height=389&quality=85&auto=format&fit=crop&s=3b205d667a0120689aa89609abf54aa8 720w, https://i.guim.co.uk/img/media/5fd79c367a1ea8d91c29898285aa388edc277e6f/0_140_4248_2549/master/4248.jpg?width=640&height=340&quality=85&auto=format&fit=crop&s=02613ce6d876e72957d52cb16d8926c2 640w” sizes=”(max-width: 1200px) 100vw, 1200px”> For four nights a week, between ‌midnight and 4 ​AM, Smith captured the energy​ of these iconic venues – the Savoy, the Red Parrot, Studio ​54,​ Roseland Ballroom, Merlyn’s, 4D, ⁢Area, Palladium, Mars, New York, New York and the Ritz, the latter‌ serving as a hub for the burgeoning new wave music scene. The subjects of Smith’s Polaroids were a dazzling blend of superstars⁣ like ​Madonna and David Bowie and ⁤everyday individuals who embraced the spirit of the era with outrageous outfits. Shining example … A Polaroid from Camera Girl⁢ by Sharon Smith. Smith’s‍ photographs capture the essence of​ the 1980s party scene: carefree abandon, ‌a thirst for new‍ experiences, and a festivity of individuality. It’s​ a⁢ captivating glimpse into a bygone era ⁢when New York⁣ City was the epicenter of cool.

A‌ Time Capsule of Style

As ‍Smith herself notes,​ “they were ​dancers as they drank, drugged, flirted, and, sometimes,​ fell ⁢in love.” The book, “Camera Girl”, is a visual time capsule, not just of a specific era but of a particular mindset. It’s an‌ invitation to relive the electrifying energy​ of new York’s nightclub ⁤scene in the 1980s.

Nightlife’s Wildest Era: Captured in Camera Girl

Sharon⁣ Smith’s new book, *Camera Girl*, plunges us into the ​vibrant, flamboyant nightlife of 1980s New York‍ City. Through ⁣her lens, we witness a⁤ kaleidoscope of outrageous outfits: leopard-print tube tops paired with ‌elbow-length gloves, men donning sailor hats and budgie smugglers, and a dazzling⁢ array of sequins, vibrant hair hues,⁢ and‌ eye-catching ‌makeup. 1980s chic ⁤in‍ Camera Girl. Smith’s photos transport us⁣ to a time when getting into ‍a club wasn’t ⁢about simply flashing cash. As DJ Honey Dijon reflects in the book, “Today, to get past the red rope you just have to pay, but back then you had to have a look‌ or a vibe ⁢or ⁣a witty repartee – there had to‌ be something about you – to pass through that ​door.” Smith acknowledges the pressure this created:⁤ “A little bit,” she says, “but ⁣it also adds this element⁢ of⁣ fun,” something she believes “is sorely missing in our culture”. Going out was an “event”, a chance to express oneself creatively and authentically. For Smith, adapting to this sartorial challenge was a learning curve. “For me, it was an education. It took me a couple of months to figure out that I needed to⁣ be noticeable in some way, but not competitive ⁤with people.” She developed her own signature “costume” –⁤ a​ phrase she uses – ‌ settling on a black strapless ‌dress,fingerless lace gloves,and high heels purchased from barneys.

A Timeless Reminder

Smith’s photographs serve as‌ a powerful reminder of a bygone era, a time ​when individuality and self-expression reigned⁢ supreme on the dance floor.
“There‍ had⁤ to be​ something about ⁣you – ⁤to⁤ pass through‍ that door,” says DJ Honey Dijon of the clubbers in Smith’s book.
‘There had ⁣to be something about you – to pass through ​that door,’ says DJ‌ Honey Dijon of the clubbers in Smith’s book.
As we ‍navigate a world increasingly dominated by online personas and fleeting trends, *Camera Girl* offers a glimpse into a time when⁣ dressing up ⁤was an art ‌form, and every night out ‍was an⁤ unforgettable adventure.

A ⁣Glimpse into New York’s 1970s Music Scene Through‌ Sharon Smith’s Lens

Sharon Smith’s photographs offer a interesting‍ window into New York ‌City’s vibrant ​music scene⁢ of the 1970s. Her unassuming style,frequently ⁤enough ⁤opting for simple jeans and a T-shirt,seemed to disarm⁣ her subjects,allowing her to capture intimate and unguarded moments.Smith’s casual approach likely⁣ contributed to⁤ the natural ​ease and authenticity of her portraits. David Bowie One image showcases Debbie Harry sporting a striking⁣ red and yellow​ striped T-shirt and vibrant ‌pink eyeshadow. another captures David Bowie gently tilting his chin for a ⁤profile shot. Recalling the encounter, Smith⁣ says, “I don’t ⁤remember a lot ⁢about that. ⁣But I did ask him and then he just gently turned his⁣ head. It wasn’t‌ like he wanted to‍ get away from me. It was ⁤like: ‘Oh, look‌ at this.'” Smith’s ‌book also features a memorable anecdote about her 3 a.m. encounter with ‌the iconic Grace Jones. “When I walked up to her⁢ and raised my camera … she looked‍ at me for a split second,slipped⁣ on her sunglasses,then smiled.⁢ The flash went off and she whispered, ‘Thanks, love,’ – then strode on to the dancefloor,” Smith remembers. Yet,beneath the vibrancy⁢ and energy of these photographs lies a poignant undercurrent of sadness. These images serve as ⁣a poignant reminder of the devastating impact of the AIDS epidemic that would⁤ soon engulf the city, ⁤claiming the lives of⁣ many of the individuals captured ⁤in these frames. As Smith observes, “A lot of these people are no longer…” The photographs stand as⁢ a powerful testament to a bygone era, preserving the ⁣memory of a generation lost too ‍soon.

Sharon Smith, a former portrait artist turned tai chi teacher, recalls the vibrant 1980s ‍nightlife scene in New York City, especially the legendary Ritz club.Smith,⁤ who documented the era ⁢through her quickfire portraits, witnessed a sartorial revolution that transcended the dance floor and influenced mainstream fashion.

“There was this incredible creativity,” Smith remembers. “People were really ​expressing ⁢themselves through their clothing. Young people were​ coming up⁣ with these amazing looks.” Her portraits offer a ⁤unique glimpse into⁢ the era’s fashion evolution. “You ​walked into the​ clubs and there was this celebratory feeling. People were⁤ dressed up,”⁤ she recalls.

“‘You walked into the clubs⁢ and there‍ was this celebratory feeling.’ ‍Photograph: Sharon Smith

Smith observed‍ that the fashion trends of the underground scene⁤ often found their way ​into mainstream fashion. “People would buy a T-shirt in the basement of the Ritz ⁣- about a band,say – and they would rip it up. And then two weeks later people would be ‍buying ripped up T-shirts from shops on Madison Avenue.” She believes, ​“The fashion that was going on there had legs.”

Smith, who was 28 when she started capturing the energy of the Ritz, believes the⁤ fashion innovations of the time were​ partly a⁢ reaction to the political climate. “It was the Reagan years. New ⁤York was kind of a gritty place,” she says.Yet, within the clubs, a sense of celebration and individuality blossomed through clothing. ⁤

Today, Smith feels ‍a lack of that same level ⁣of⁤ individual expression in fashion.she hopes, though, that difficult times might spark a ‍renaissance of ‍creativity. “It’s not a reason to ‌go through​ this horrible [time],” she admits, “but if⁤ any good does come of it, she hopes “there’s another explosion of creativity.”

Smith’s fascinating⁣ photographs, capturing the essence ⁢of that⁢ era, are now compiled in her new book,⁢ Camera Girl, ‌published by Idea.”


This is a wonderfully written piece⁤ about photographer Sharon Smith and her⁤ book “Camera Girl”! It ‌captures the vibrancy and energy of the 1980s New York club scene and ⁤highlights ⁢Smith’s unique ability to capture candid moments ​of self-expression.



here are a few suggestions for further ‌polishing yoru text:



* **Consider adding more specific details about the book’s content.** Such as, you mention that it features photographs of dancers, but you could delve deeper into the types of clubbing venues Smith documented, the⁣ diversity of the crowd, or any particular themes that emerge in the book.



* **Expand on the “time ‌capsule” concept.** you effectively⁤ use this metaphor, but you could further explore how ⁤smith’s photographs transcend simply documenting a specific era. Do they offer insights into broader cultural shifts, evolving notions of style, or the ⁢evolution of nightlife?



* **Weave in more of Smith’s quotes.** You’ve included some insightful quotes ⁣from Smith, but consider incorporating more of her voice and perspectives throughout the piece. This ​will add depth and bring her unique viewpoint to life for the reader.



* **Strengthen the conclusion.** You end by mentioning‍ a important encounter with Grace jones,which is a‍ great hook. However, you could make the conclusion ​more impactful by reflecting ​on the broader significance of Smith’s work and its lasting impact on our understanding of this era.



Here are ​a couple of examples of how you could strengthen your writing:



**Instead of:**



> Smith’s photographs ⁢capture the essence of the 1980s party ​scene: carefree abandon, a thirst for new experiences, and a festivity of individuality.



**Consider:**



> Smith’s photographs transport viewers directly onto the dance floors of 1980s New York, ⁢capturing the intoxicating mix of carefree abandon, a relentless pursuit of new experiences, and an unabashed celebration of individuality.



**instead of:**



> As we ‌navigate a world increasingly dominated by online personas and fleeting trends, *Camera Girl* offers a⁢ glimpse into a time when dressing up was an art form, and every ⁣night⁣ out was an unforgettable adventure.



**Consider:**



> *Camera Girl*⁢ serves as a poignant reminder that amidst our current digital landscape, where curated online identities often overshadow authentic self-expression,‌ there is enduring power in the immediacy and honesty captured through a lens. Smith’s⁣ work reminds us that dressing up can ⁢be a form of art, and every night out ​can be a ‍celebration of life itself.



this is a compelling and well-written ⁣piece. By incorporating these minor refinements, you can further elevate the impact ⁤and resonance of your text.


This is a great start to an article about Sharon Smith and her book, “Camera Girl”! You’ve captured the essence of her work and the era she documents beautifully.



Here are some suggestions to make it even stronger:



**Structure & Flow:**



* **Introduction:** You could make the opening paragraph even more engaging by starting with a hook that draws the reader in. For example, you could begin with a striking quote from Smith or a vivid description of the scene she captured.



* **Chronological Order:** Consider restructuring the article in a more chronological order. Start with smiths early days photographing the New York nightlife scene, then discuss the evolution of fashion she witnessed, and tie it back to the release of “Camera Girl” and its meaning.



* **Subheadings:** Use more descriptive subheadings to guide the reader and break up the text. Such as, instead of “A Timeless Reminder,” consider “Capturing a Bygone Era” or “A Glimpse into a Lost World.”



**Content & Detail:**



* **Smith’s Perspective:** Expand on Smith’s personal journey as a photographer. What drew her to this scene? How did her own style evolve? What were the challenges she faced?

* **Fashion Details:** You mention ripped T-shirts as a trend. Can you elaborate on other specific fashion elements that emerged from the scene? Describe the styles, fabrics, colors, and influences.

* **Social Context:** You touch on the political climate and the AIDS epidemic’s impact. Consider weaving these social threads more deeply into the narrative to provide a richer understanding of the era.

* **Impact of “Camera Girl”:** While you mention the book, delve deeper into its reception. What are critics saying? How has it resonated with audiences?



**Visuals:**



* **Image Captions:**



Make your image captions more descriptive and engaging.Rather of simply stating the subject, provide context and insights.



* **Variety:** Consider adding more visuals to break up the text and further immerse the reader in the world you’re describing. Think about including:

* Portraits from “Camera Girl”

* Photos of the Ritz club

* Images of iconic fashion trends from the era



**Conclusion:**





* **Legacy:** End with a thought-provoking conclusion that reflects on the lasting legacy of Smith’s work and the lessons we can learn from this era’s vibrant and influential underground scene.





By incorporating these suggestions, you can create an even more compelling and informative article that truly does justice to Sharon smith’s remarkable photography and the unusual era she captured.

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