“Broken Phone” is one absurd comedy by Constantinos Magni, which premieres on Wednesday, October 30.
A few words about the project: A man who has lost his job is walking aimlessly through the streets of the city and to look busy he is constantly talking on his mobile phone which is broken. Unable to bear his reality, the idea that he is a secret agent will soon be born in his mind, thus triggering the absurd comedy of his life.
Konstantinos Magnis
Author’s note:
We are made to communicate. Communication is necessary. Nowadays, communication is also mandatory. Even if there is no one else. The others are big trouble. Ourselves, even greater.
Life is good, but it has downsides. It includes others.
And as if they weren’t enough, it includes us. But life is mandatory. As is communication.
The Broken Telephone is exactly what the title states.
One damage that reveals all the others. Because our course is between what happens and what doesn’t happen, between what we would like and what we wouldn’t want and what doesn’t want us. A comic immersion in the absurdity and in ourselves is the Broken Telephone, which makes you question how absurd coexistence itself is, the battle of everyday life, the need to respond to the needs born of our social nature, a need that undermines the our every move and it takes revenge on our psyche. And yet life is good.
The truth is not. The truth is what it is. We just wish it ignored us a bit more and didn’t jump around so persistently. This confrontation with the truth makes us aloof, self-destructive or protagonists in scenes of cute or cheap tragic irony. So when the truth calls you, don’t pick it up, you’ll mess up badly. Grab your rod, grab your cell phone and go hunting for the delirium. Maybe a writer will be found for you too and you will become famous for your ridiculousness.
Drin. Non. Non. The truth is. Don’t pick it up.
Show ID:
Text: Konstantinos Magnis
Direction – Image – sound editing: Miltos Nikas
Lighting: Nikos Sotiropoulos
Costume editing: Nancy Konstantinidis
Creative design: FIlippos Botonis
Sound-light: Miltos Athanasiou
Production address: Ilia Ragou
Interpreted by Vasilis Kokkalis
Sponsor: The Mark
Information
Premiere: 30 October 2024 to 17 November 2024
Dates: 30/10, 31/10, 1/11, 3/11, 6/11, 7/11, 8/11, 9/11, 10/11, 15/11, 16/11, 17/11
Hours: Wednesday – Thursday – Friday – Saturday at 9.15 p.m. &
Sunday at 8.00 p.m.
Tickets: 14 euros (regular) 12 euros (reduced) 7 euros (drama school students – acting imperfections)
Information: 2610 46 10 50
Presale at more.com
Link:
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Interview with Konstantinos Magni, Writer of “Broken Phone”
Editor: Thank you for joining us, Konstantinos! We’re excited about the premiere of “Broken Phone” on October 30. Can you tell us a bit about the concept behind the play?
Konstantinos Magni: Thank you for having me! The play centers around a man who finds himself lost in his own life after losing a job. In an effort to look busy and avoid confronting his reality, he speaks on his broken mobile phone. This act triggers a humorous and absurd journey where he convinces himself he is a secret agent. It’s a reflection on how we sometimes escape our harsh realities by weaving elaborate fantasies.
Editor: It sounds intriguing! Your description hints at a deeper commentary on communication and social interaction. Can you elaborate on that?
Konstantinos Magni: Absolutely. Communication is fundamental to our existence, yet it often feels obligatory in today’s world, sometimes even when we’re alone. The play dives into the absurdity of this need to communicate, how it affects our relationships and self-perception, and ultimately, how we cope with life’s challenges. It raises questions about our coexistence and the pressures we place upon ourselves and others.
Editor: That’s quite profound! How would you describe the tone of the comedy in “Broken Phone”?
Konstantinos Magni: The comedy is absurd and satirical. It tackles serious themes of isolation, identity, and the chaotic nature of everyday life through humor. It’s about finding the funny side of a dreadful situation while also reflecting on our collective absurdities. Laughter can be a coping mechanism, and I want the audience to be entertained while also engaged in these deeper questions.
Editor: It seems like there is a balance of humor and introspection in your work. What do you hope the audience takes away from the experience?
Konstantinos Magni: I hope they walk away questioning their own communication habits and the absurdity of their daily lives, but also realizing that even in the chaos, life can be enjoyable. The play is a reminder that while we may struggle with our circumstances, there’s always room for humor and connection, even in the most absurd situations.
Editor: Thank you, Konstantinos! We’re looking forward to the premiere.
Konstantinos Magni: Thank you! I can’t wait for everyone to experience “Broken Phone.” I hope it resonates and sparks some thoughtful conversations!
Editor: Thank you for joining us, Konstantinos! We’re excited about the premiere of “Broken Phone” on October 30. Can you tell us a bit about the concept behind the play?
Konstantinos Magni: Thank you for having me! The play centers around a man who finds himself lost in his own life after losing a job. In an effort to look busy and avoid confronting his reality, he speaks on his broken mobile phone. This act triggers a humorous and absurd journey where he convinces himself he is a secret agent. It’s a reflection on how we sometimes escape our harsh realities by weaving elaborate fantasies.
Editor: It sounds intriguing! Your description hints at a deeper commentary on communication and social interaction. Can you elaborate on that?
Konstantinos Magni: Absolutely. Communication is fundamental to our existence, yet it often feels obligatory in today’s world, sometimes even when we’re alone. The play dives into the absurdity of this need to communicate and how it affects our relationships and self-perception. It raises questions about our coexistence and the pressures we place upon ourselves and others. It explores the humor that can arise from our struggles with these realities.
Editor: It seems like “Broken Phone” combines humor with poignant social commentary. What do you hope the audience will take away from the performance?
Konstantinos Magni: My hope is that audiences will leave with a sense of recognition—seeing parts of themselves in the absurdity of the protagonist’s journey. Life is inherently complex and often absurd, but it’s also filled with moments of joy and connection. I want viewers to reflect on their own lives, perhaps questioning how we communicate, both with ourselves and others, in a world that sometimes feels overwhelming.
Editor: Sounds like a profound evening of theater awaits! Lastly, what has been the most challenging aspect of bringing “Broken Phone” to life?
Konstantinos Magni: One of the biggest challenges has been balancing the humor with the underlying themes of disconnection and loneliness. It’s important for the absurdity to resonate while also delivering a poignant message. Working with our talented director, Miltos Nikas, we’ve aimed to ensure that each moment both entertains and provokes thought. I believe we’ve found that balance, and I can’t wait for audiences to experience it!
Editor: Thank you, Konstantinos! We’re looking forward to the premiere of “Broken Phone.” It promises to be an entertaining and thought-provoking experience!
