2024-02-28 01:46:20
The artist Farouk Hosni was absent from the ceremony for distributing his awards for culture and arts, and it was said in the media that reported the news that the absence was due to emergency circumstances.. The great artist did not want to be absent from the ceremony completely, and his estimation was that if his emergency circumstances were to make him absent physically, then he would not be less than a word that he would send. Recorded to be broadcast to attendees…and this is what happened.
Those who followed the details of the ceremony know that the circumstances it went through would have called for the celebration to be postponed for some time, had not Farouk Hosni refused to postpone it, and insisted that the prizes be distributed to the winners on the pre-determined date, and at the forefront of them was the writer, Professor Sanaa Al-Baisi, who the awards administration decided that She was honored by giving her the Personality of the Year Award.
The emergency circumstances that the winner of the Arts and Culture Awards went through were nothing but a health problem that struck him and prevented him from attending, but for reasons he saw, he decided to keep the news of his illness and not broadcast it, even though he spent more than a month in the treatment phase, and even though he spent some of the month receiving medication in his home. Others were in the hospital under intensive care once, and outside intensive care once…and still are.
He treated the illness as a special matter that concerned him and did not concern anyone else, and this is true in one aspect of it, but the other aspect is that the illness of an artist like Farouk Hosni concerns all those concerned with the affairs of culture or arts in the country, because he was not an ordinary minister when he occupied the most important position of the ministry. In Al-Mahrousa, but he was an exceptional minister in his performance… and so was his vision that governed the performance throughout his time at the head of the Ministry of Culture.
If you described the Ministry of Culture as the most important in El Mahrousa, this is not an exaggeration of anything, nor is it, of course, an underestimation of the status of the rest of the ministries in the government.
As for why it was like that, it was because a great leader of the size of Charles de Gaulle saw it that way, and when he called the government to a meeting in Paris under his chairmanship, Andre Marlot, the Minister of Culture, would sit directly to his right, and if the men of protocol would draw his attention to the arrangement he chose for the ministers to sit in During the meeting, he responded and said that there was nothing wrong with the arrangement, and that this arrangement was the correct arrangement for the Minister of Culture. He surprised them even more by adding that it was more correct for him to sit to the right of the Minister of Culture.
He believed that the Ministry of Culture was a sovereign ministry par excellence, and in his published memoirs he only described this ministry in this capacity. He was saying that intentionally and with sound understanding. Otherwise, what is the most appropriate description for a ministry whose mission is to shape people’s consciences and minds?
If you review Farouk Hosni’s performance throughout his years in the ministry, you will discover that this Gaullist meaning was always present in his mind, and that he was exercising his mission as a minister knowing that he was responsible for a sovereign ministry in the sense that De Gaulle understood it. Therefore, his illness is a public matter that must be treated. We care regarding it, and it is never a private matter.
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