Emanuela she loved appearing, she dreamed of the spotlight, entertainment, the world of cinema, like many teenagers she was easily influenced and prey to illusions and false promises. Perhaps it is just another piece of a disappearance that is too cumbersome and destined to remain so, but the parliamentary commission of inquiry into the disappearance of Emanuela Orlandi continues to collect any useful element to trace at least the exact profile of the 15-year-old Vatican citizen who disappeared into thin air on 22 June 1983. On Thursday, Monsignor Valentino Miserachs Grau was heard – at the time, teacher of choral singing at the Tommaso Ludovico da Vittoria music school attended by Emanuela – and her then classmate Regina Martusciello, it’s not exactly true, in reality Emanuela played the flute, the other practiced choral singing. During the audition it emerged that Emanuela had fallen in love, reciprocated, even though at that age neither of them had taken the first step, with a young guitarist Alberto Laurenti who later became a musician of value, who wrote and played for many famous authors from Franco Califano to Renato Zero, to Gabriella Ferri, still on the crest of the wave today (also listened to in the past). It’s not that infatuation that remained secret, but rather the fact that Alberto and Emanuela, together with a young audio engineer, Marco De Lellis, belonging to a family very close to Sister Dolores, director of the school, formed a group. De Lellis’ sister, Patrizia, knew Emanuela.
