2024-03-29 11:48:58
The semi-cool Sweet Generation In 2017 it took on the dimensions of an okay EP. In quantitative terms, an ascetic approach, which (with a running time of 41 minutes shows a few lengths) Heavy Metal Black Belt in some phases, despite a clearly visible upward trend in terms of quality, it wouldn’t have hurt.
Then, namely, if Nice Guy of The Year (as reasonably inspired Bastard!-Variation) as well as the better one Quit Your Dayjob repeating their titles really annoyingly to standard compositions incessantly or the competent one I‘m So Cute Boy a run-of-the-mill riff can’t be saved by a good chorus. If it’s slightly funky Done Done Guillotine loses in its overly detailed playing time or the metal-affine Scorpions reminiscence Super Strike Despite the right ingredients, it doesn’t really want to work, it’s disorganized and disorientated, and it’s quite tiring.
Fast forward to these moments Electric Eel Shock their well-known program is once once more filled with blemishes, which this time do not lead to any failures, but at least partially overshadow how damn well the Japanese still do their job as tireless rockers (and now one has to say: once more!) – and more than that that she with Heavy Metal Black Belt even potentially recording one of their most compelling albums in a long time.
There brings Scum Vader with a groove and a snappy hook Black Sabbath-Formula contributes to hard rock, rips Metalheads Just Want to Have Fun – High School was Metalteria neatly rushing in an appropriately raw sound as a mat-swinging homage (even if the stop-and-go passage of “just wanna“At the latest in the bridge his advantages are overexcited) and presses Lost in Sweden from the melodic, laid-back AOR beginning to the solid soloing anthem pedal and time in parts a new side of the band beyond AC/DC and Van Halenbefore Up and Down dancing stacks: trumps especially in his initial phase Heavy Metal Black Belt veritable, underpins its silly side with powerful substance – and then at least still resembles a lesson in how dynamic, motivated and entertaining an autopilot operated with the necessary skills can be, through and through, fun.
Khop Kun Ka then reminds vaguely how Electric Eel Shock Danko Jones 2003 in Graz Orpheum pushed them to the wall when it came to their enjoyment of playing. The heavier, leisurely accelerating one Giri Giri BoyIt simply makes people want to celebrate simplisticism as an agenda. The tröger told Mama Got Hurry has an extremely relaxed chorus. And So Much 80s lives up to its title, even if the number is certainly symptomatic of the entire work of the killer instinct of in-house classics like Rock’n’Roll Can Rescue the World simply missing.
Because the 30th anniversary album by Akihito Morimoto, Kazuto Maekawa and Tomoharu “Gian” Ito is one that can definitely make you fall in love with the trio like Tokyo once more, there is hardly any objective rounding up between the points in the rating guilty conscience. The really wonderfully tasteful eye cancer artwork does the rest.
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