Edurne, Blanca Paloma and Angelina Mango would take part in Eurovision once more now, with the expertise already behind them, they might do it in “one other method” and with “one other mentality.” This has been confirmed by the Spanish representatives in 2015 and 2023 and their Italian counterpart in 2024, who participated this followingnoon within the desk “Feminine voices in European competitions”, moderated by the journalist and commentator Julia Varela, inside the area She sounds, organized by The Music Station Precept Pío and Warner Music Spain to make seen and help ladies within the music business.
“I’d come once more one other method, however sure. I’ll at all times carry Eurovision in my little coronary heart,” says Edurne. “Shortly, possibly I’d repeat it however with a special mentality. It’s not a lot what you will do however how you will do it,” provides Angelina Mango. “Sure, I’d return, it is a chance to ship a message with a music and a set. I did not imagine in contests, however individuals are very drawn to them. Now, I’d love for us all to return to the conclusion that the competition is the least essential factor, the essential factor is to see courageous individuals uncovered to the world telling their sensitivities,” says Blanca Paloma.
The three artists have recounted their experiences at Benidorm Fest, Sanremo and Eurovision. “Musically, Eurovision is the largest pageant there will be,” considers Edurne, for whom the European pageant “was a problem, I really like music and sharing completely different kinds and cultures by way of it, I needed to be there and signify my nation. “I needed to be a part of the historical past of Spain in Eurovision.” Now, “whenever you stay it from the within, there’s quite a lot of work, stress and you are feeling very noticed. However you need to face it with enthusiasm, need and benefit from the expertise, stay it to the fullest.”
Blanca Paloma, a brand new self-confessed Eurofan, knew regarding Eurovision by way of her sister. “Eurovision has been one thing that has come to me and I accepted as a present from which I’ve realized so much. I studied Positive Arts and got here from working behind the scenes, and exposing myself was a courageous resolution. When you’ve gotten a lot expectation, you make your self susceptible, however empowering your self from there makes you doubly sturdy,” she explains.
In accordance with Angelina Mango, Sanremo will not be a lot thought-regarding a contest in Italy, however slightly “a mirror of what occurs in Italian music.” “Once I gained, I used to be very stunned, and that is following they requested me regarding collaborating in Eurovision. I’ve confronted it with the look of a kid who desires to study, and I’m very pleased and proud to have represented, not solely my nation, however my technology as an artist.”
Concerning her efficiency on the massive Eurovision stage, the Italian confesses that it appeared like dwelling in two completely different our bodies. “Once I watched my efficiency I questioned if it was me on that stage, if she was the identical woman who was at dwelling two years in the past and wrote her songs. Eurovision has been a possibility for my music to journey, and I’m very proud of what it’s giving me.”
For Edurne, “it goes by in a short time, however I keep in mind it as a magical and particular second,” whereas Blanca Paloma felt “like a chunk of a gear, of a workforce, surrounding your self with a workforce that makes you are feeling good to achieve that time.” secure situation and having the ability to take pleasure in it’s important.”
INTENSE PREPARATION FOR EUROVISION
Preparation to signify a rustic in Eurovision is arduous and intense. “In my case, RTVE introduced me in January. I contemplate myself a really perfectionist individual, and since then I began proposals for scenography, staging, songs… Every little thing was targeted on Eurovision, each morning I bought up and thought concerning the pageant. It was an intense and arduous course of, with quite a lot of work and energy, however very rewarding,” explains Edurne.
“For me, as Polo informed me, it has been like a playground. We love our work and the workforce I used to be speaking regarding vibrated with the identical power, a lot in order that phrases had been pointless. Shifting round on stage was a problem and I even rented the biggest rehearsal room, akin to the Eurovision stage,” says Blanca Paloma.
Within the case of Angelina Mango, “preparation started the day following Sanremo. I had the help of a terrific workforce of girls who did a really particular job for me. I am very pleased. I at all times tried to keep up the identical intuition that strikes me in music. I’m an individual who strikes so much on stage. I skilled so much, I even went working within the mornings, a behavior that I’ve now included.”
And following getting ready for Eurovision, it is time for the efficiency. “You understand it is an important second. The group of the pageant is likely one of the craziest issues I’ve ever seen. You undergo the completely different phases: miking, hallways, stage… And there are the nerves, the artist’s nerves. I solely considered having fun with myself however I needed all the pieces to go properly,” Edurne recollects. Blanca Paloma, for her half, conceives the Eurovision efficiency as an “act of dedication.” “Earlier than that massive second, I needed to be alone, silent, focus your power following which give it away. Search for and down, contact the stage and consider my grandmother Carmen. That put me within the emotional place the place I needed to be, to return out with quite a lot of power and energy,” she explains.
THE INFLUENCE OF THE FINAL POSITION
And the way the ultimate place in a contest like Eurovision influences the artists. “I had by no means thought concerning the place, I’m not aggressive, I’ve by no means been aggressive with mates, neither in Sanremo nor in Eurovision. Throughout the 14 days I spent in Malmö I considered having fun with what I used to be experiencing. And ending in seventh place is recognition, not a lot for me, however for my workforce,” says Mango.
“I did not have a very good place. Eurovision is a contest, however the artists who go there don’t expertise it as such. We’re going to take pleasure in and share our music, stay the expertise, and if later you win or do properly, the higher,” provides Edurne. “There was quite a lot of expertise but additionally quite a lot of humanity. Having the ability to share and stay with the remainder of the artists for half a month is an important factor, these little moments that we handed within the hallways. It ought to be known as European musical coexistence,” says Blanca Paloma.
EUROVISION WITH A GENDER PERSPECTIVE
Is Eurovision a feminist stage? Are gender variations perceived on the pageant? The three artists reply emphatically: no. “In Eurovision I did not discover the gender variations as a lot as there are within the music business, the place extra is demanded of girls, only for aesthetics,” says Edurne. “Eurovision is a stage and a pageant the place we aren’t checked out or judged a lot, it provides us full freedom to go as we wish and never a lot is demanded of you as a girl,” she factors out.
For Blanca Paloma, in Eurovision “there was an evolution, the order of the day has been renewed and mutated, and that’s what will hold the pageant alive and contemporary. It’s important that there are messages however not so many gender and magnificence labels.” Angelina Mango says she felt “free to be herself” at Eurovision. “The fantastic thing regarding this expertise has been figuring out the variations of different artists and attempting to soak up them to develop and enhance. As a girl, I contemplate myself fortunate, I’ve at all times chosen the best individuals by my facet they usually haven’t seen me with a special look. Amongst all of the judgments, the one which issues most to me is mine. I need to present myself with all my imperfections, which aren’t such however added values,” she factors out.
Alongside these traces, Blanca Paloma says: “it is very important present ourselves as pure with all our imperfections. The Eurovision stage places you in a spot the place we look like gods and ultimately we’re simply hard-working, easy and perfectionist individuals.” And Edurne says: “I’m a perfectionist however I’m not good. We’re artists, but additionally individuals, and we’re not more than anybody. And this have to be lived naturally.”
AND AFTER EUROVISION
After the pageant, “I got here once more and continued working as at all times,” says Edurne, who earlier than touring to Vienna in 2015 had already solid a consolidated musical profession. The case of Blanca Paloma in 2022 and 2023 was completely different. “My step ahead was with the Benidorm Fest. And following two editions and Eurovision, it leaves you with an emotional hangover and you need to place who you might be within the music. Afterwards, there have been many questions that I’ve needed to reply. For me it has been a really massive springboard, however my worth is having taken it calmly.”
Lastly, Angelina Mango reveals that, for her, it has been a giant change within the office. “At present I’m in Spain and I’m Italian,” she says. And on a private stage, “it has been a catharsis as a result of Eurovision has made me perceive that I can stay and handle such nice experiences.”
