2024-11-09 17:44:00
Series premiere Cro-Magnon Amazon Prime Video wakes up Debate surrounding tragedy that marked a generation of Argentines. Nearly two decades after the massacre at a former bowling alley in Buenos Aires, 194 people died and thousands injuredproduction resurrected that fate December 30, 2004.
Suffice it to say, opinion is divided as to those who view the series as a work. Opportunities to remember and raise awarenessand those who consider it a form of re-victimized. While some relatives and survivors are grateful that the series keeps the memory of the victims alive, others are skeptical that it method and Topic handling become one trading platform It is appropriate to address such a delicate issue.
Dictators don’t like this
The practice of professional and critical journalism is a fundamental pillar of democracy. That’s why it bothers those who think they have the truth.
“I am a Cro-Magnon survivor. My old man, my uncle and I were all there that day. I don’t feel like it’s a burden in my life. Now I have a habit of looking for the exit when I enter a place. Or I’ll call security when someone is in a bad mood in public. I know this better than the stage. I see it as a teachinglike what happened to me but could happen to anyone,” he said in the book 2022 Recital photographer Facundo Suarez, known as the “Irish”, was interviewed by the media El Planteo.
The story of the Cro-Magnon father who had to bury his six-year-old son twice
After the premiere of the Cromañon series, photographers and survivor He shared his views on social networks and highlighted the country’s reconstruction process during the tragedy. “The portrait of the place itself, what we saw that night and what we experienced was very similar, at least to me. I felt the smell, the brokenness and the crying directly”, Suárez writes in “X,” noting that He doesn’t feel like he identifies with any of the characters.
and concluded: “You know, of all that’s going on, that’s less than a tenth of the cost of charging every day.”. The Organization of Survivors and Relatives of Victims of the Croon Tragedy (NNCC) retweeted Facu Suarez’s publication on Instagram.
Don’t tell us about Cro-Magnon Also made one release According to Amazon Prime, ahead of the show’s “soon” premiere, they posted on social media “inspired by the events surrounding a night we won’t forget.”
“We believe people are speaking positively about Cro-Magnon A child who doesn’t know what Cro-Mañón is will discover its existence and become interested in the subject.Try to find more reliable information through other means”, emphasizing the statement expressing its position on the novel’s “titled with the word ‘Cromanu’.”
“From our organization We deny the generation of economic income Something that still hurts us all today. We do not believe that memories must be produced at any cost,” they said, declaring: “We understand that this can heal the wounds for those of us who have experienced memories intimately in some way. For this reason We offer mental health assistance programs, For survivors and family members.
Traces of life in post-Cro-Magnon cities
Additionally, they point out that they have a book called “Voices, Times, Truths” “if you really want to understand the origins, before, during and after of Cro-Magnon”. “Proceeds from this book go entirely to the welfare of survivors,” they said. Likewise, the organization weighed in on the thank you to the family at the end of the series, calling such a gesture pointless. “Our life is not a movie. This is real life,” the text concludes.
Opinions between viewers and survivors
In NNCC publications, you can read reviews from survivors and share their thoughts on Amazon novels. Some of the phrases: “We must talk about what happened to us, but not with made-up stories”; “The wounds never stop hurting, we must raise awareness, raise awareness and remember, but Documentaries will be a more suitable audiovisual tool”. Another user, who identified herself as a survivor, said she watched the series and was distressed because “she thought she had gotten over it.
Debate over the morality of the show has also arisen on Elon Musk’s platform. “One of my sister’s friends died inside. She was 15 years old.. I remember the anger and sadness of that summer, and it was a huge blow to those of us who were making a living watching bands at the time. Over the years, meeting people has taught them the story of the Cro-Magnon people”, one X user tweeted.
“The new generation (post-2001, people already in their 20s) don’t know what Cromañón is. It’s fiction and it definitely has a thousand flaws, but Help stories not be forgotten Those who have not experienced this know this,” another online user commented.
It is worth remembering that this year will mark the twentieth anniversary of the “Republic of Cromagnon”, the worst bowling alley tragedy in the history of Argentinian rock, and noting that this tragedy had a full impact on recital culture, since since then, Changes occurred at the organizational level, with greater responsibility for mass activities.
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**Interview with Facundo Suarez, Cro-Magnon Survivor and Photographer**
**Interviewer:** Facundo, thank you for joining us today. Your experiences during the tragic Cro-Magnon nightclub fire have shaped not only your life but also the discussions surrounding it. How do you feel about the recent release of the Amazon Prime series based on that night?
**Facundo Suarez:** Thank you for having me. It’s a complex topic. On one hand, I appreciate that the series brings the memory of the victims back into the public eye. It raises awareness about safety issues at venues, which is crucial. But on the other hand, I worry that it might be seen as exploiting our tragedy for entertainment.
**Interviewer:** You mentioned you don’t identify with the characters portrayed in the series. Can you elaborate on that?
**Facundo Suarez:** Yes, I found that while the show captured some of the trauma and chaos of that night, it didn’t fully encapsulate the lives of those affected. My experience is unique, and while the series may resonate with some, I fear it may not honor the complexity of our individual experiences. It’s hard to feel represented when the reality was so raw.
**Interviewer:** What has been the response from other survivors and victims’ families regarding the series?
**Facundo Suarez:** The responses have been mixed. Some survivors are thankful for the attention it brings, hoping it can help prevent future tragedies. Others, including myself, feel that turning our pain into a dramatized show commodifies our suffering. It’s a delicate balance between remembrance and re-victimization.
**Interviewer:** In your social media posts, you shared some visceral memories of that night. Can you describe what you hope viewers take away from the series?
**Facundo Suarez:** I hope viewers come away with an understanding of the real impact of such tragedies—how they ripple through families and communities. It’s not just about the event itself, but the long-lasting scars it leaves on people’s lives. We need to prioritize mental health support for survivors and maintain open dialogues about safety in public spaces.
**Interviewer:** You also mentioned your organization’s efforts to support victims and their families. What kinds of initiatives are you involved in?
**Facundo Suarez:** We focus on providing mental health assistance and resources for survivors and families affected by the tragedy. We have a book called “Voices, Times, Truths,” which narrates the events to educate and bring forth the true stories of those impacted. The proceeds go directly to supporting our initiatives, which I believe is a more respectful way to remember our past.
**Interviewer:** Thank you for sharing your perspective, Facundo. Your insights contribute greatly to the understanding of tragedies like Cro-Magnon.
**Facundo Suarez:** Thank you for having me. It’s essential to keep the conversation going, not just for remembrance but for future prevention.