Consquences Converge in a Compelling “Sisterhood Above All”
This episode of “Dune: Prophecy” puts consequences front and center – and it’s all the better for it.
“Sisterhood Above All,” the third episode, suffers no shortage of fallout. From Tula’s decision to put Lila through the Agony to Vorian Atreides’ calculated spread of rumor – true or not – the sins of the past come flooding back. Even Griffin Harkonnen, in his confrontation with Vorian, finds himself caught in the web, illustrating how everyone is starting to pay the piper for their actions.
Despite the generally strong narratives, viewers can’t help but notice the series still grapples with budget constraints. The visual depiction of the thinking machines, our first real glimpse into their operation, left much to be desired. The code running through the walls yielded generic visuals. The mystery surrounding these powerful machines felt more impactful when left to the imagination. One can’t help wondering if some aspects were best left unexplained.
Vengeance and Sacrifice Drive the Narrative
Sancton, Penitannica, is known for its introspective and gothic landscape, and this week was no different.Valya, played mesmerizingly by Jessica Barden, delivers a complex portrayal of the turmoil brewing beneath the surface of the Harkonnen daughter. Despite Valya’s penchant for leaning into violence, there’s a vulnerability and humanity that endears us to her.
This episode shines due to the clever writing and acting by all involved, particularly Emma Canning’ Han turns out to be capable of surprising bursts of breathtaking cruelty.
Eternal machinations around the poker game
This week, Valya learns of her father’s treacherous past and experiences formidable loss.
Jenna Moore continues to shine as the conflicted uncanny to deliver heroism of a decidedly human flavor.
set the table for an unexpected feast.
