The Musical Journey of Davide Van De Sfroos: A Retrospective with a Twist
Get ready to strap in your headphones, folks! It’s time to take a musical journey back through the ages with Davide Van De Sfroos, whose recently released collection, Van de Best, showcases 25 years of career distilled into 49 reworked songs. And no, the bells you hear aren’t a welcome interruption from a rock legend — it’s just Davide reminding you that he’s still here, revitalizing his past while cheekily nodding at the future. Let’s dive into this waltz down memory lane with a man who’s essentially the Swiss Army knife of musical talent!
A Reflection on Change
“This was the game,” says Davide, and what a game it is! Imagine a musical odyssey that traverses not just time but landscapes, moments, and even the occasional mid-life crisis. From very serious desert walks to glacier speeds, he’s reflecting on how he’s changed. It’s a bit like watching your dad try to relearn TikTok dances — slightly awkward but undeniably adorable!
Now, Davide, a ‘gentleman’ approaching 60, revisits his roots. Songs from his youth are like old friends who’ve aged gracefully, or like that bottle of wine stored in a cellar — it might just pack a different punch! He painstakingly worked with multiple talented musicians to breathe new life into some of his beloved tracks, still respecting their original flavor. It’s like giving a classic sports car a modern makeover — still charming, but now with a stereo system that could wake the neighbors!
His Evolving Voice and a Shift in Approach
Ah, the evolution of songwriting! In his early days, Davide was more of a neighborhood storyteller, mixing local tales with personal anecdotes. Fast forward to now, and he’s turned the lens inward. “What’s all this introspection about?” you might ask. Well, it’s the existential crisis wrapped in acoustic strumming — basically, a mandatory stop for every musician after a quarter-century!
The fascinating part is how Davide talks about the physiological changes as he ages. Like a fine cheese, he’s matured, but don’t get too comfortable; he’s still got zest! Today’s songs reflect the depth of personal journeys, navigating his father’s past as a truck driver and his intimate experiences. Think of it like having a pint with your mate, only this time, it’s deep discussions about life rather than awkward silences about the weather.
What’s Changing in the Audience?
Here’s where it gets interesting: Davide realizes that audiences change just like the weather in a British summer! Once flooded with young, lively faces, the crowd has morphed into a tapestry of loyal followers who’ve aged alongside him. The beauty? They trust him. In an industry where opinions change like yesterday’s trending song, his core audience remains loyal. Relationships in music resemble those in love; sometimes they become steadier and deeper, or they might just start asking, “So, when are we getting married?”
The Art of Trust in Music
Building a record is like assembling a ship destined to sail the unpredictable seas of public reception. Davide respects his audience — the ‘waves’ that elevate his ‘ship’ and allow it to navigate through the tumultuous waters of changing tastes and judgments. The assurance in his voice when discussing how the public has followed him through thick and thin is equal parts humility and a dash of cheekiness. It’s as if he’s saying, “Hey, I know I’m not everyone’s cup of tea, but I’ve got a few loyal fans out there drinking their green tea!”
Musical Highlights in Reinterpretation
Picture this: 49 songs, countless memories, all rekindled in a fresh session that felt like a grand reunion of long-lost friends. Davide leans into his interpretations, playing songs like Il re del giardini and Il Prisoner and the Tramontana in new ways that whisk you away — it’s like watching a seasoned performer rediscover his magic tricks! For him, each note and lyric unearthed bring about nostalgia layered with excitement, creating a heady cocktail of emotions that should come with a warning label.
What to Expect from the Big Night!
Now, if you’re holding out for the grand concert on November 23rd in Milan, strap in, because it’s like the ultimate musical buffet! Forget the overly refined, candle-lit sonatas; we’re talking big lights, even bigger sound systems, and a setlist that’s undeniably a crowd-pleaser, the kind that would have you shouting ‘Encore!’ before the night is even over. Expect moments of intimacy nestled between popular classics — the kind where you’ll want to raise a glass and hum along in harmony!
So, there you have it! Join Davide Van De Sfroos on this nostalgic rollercoaster of a musical journey that promises to be as vibrant and chaotic as the man himself! Who knew looking back could be this much fun? We’ll leave you with a thought: Will you be the one singing along from the crowd, or stuck at home watching the live-stream? Make your choice wisely, or you might miss out on the best memories!
You will hear the bells in the background… Don’t worry, it’s not the interview with AC/DC… This delightful conversation with Davide Van De Sfroos kicks off with a light-hearted joke. Not long ago, he unveiled an extensive compilation titled “Van de Best”, a remarkable collection that celebrates 25 years of his illustrious career through 49 songs, all meticulously reimagined for this special occasion. I embarked on a reflective journey, retracing the path of my musical evolution. I carefully selected 49 of my cherished songs which were rendered anew, with the collaboration of a diverse group of musicians, utilizing the expertise of three recording studios simultaneously. This painstaking effort allowed us to rejuvenate many of my earlier works, preserving their original spirit while infusing them with the authenticity and sound of today, he explained during the presentation of this noteworthy collection. Our discussion delved into the motivations behind this significant artistic endeavor.
You propose an important collection, made up of 49 songs that have been played and sung again. In these 25 years many things have changed: you, us as an audience, the world, music, and so on. What are the changes that have characterized you, and which are at stake in this work?
This was the concept behind my project. Following a long, winding journey filled with high peaks and deep valleys, akin to a seasoned traveler’s experience, I realized it was time to pause, reflect, and measure how far I have come. It’s essential to look back and capture those memories. I am deeply familiar with these songs, having performed them across various stages over the years; some more frequently than others depending on the seasons. They form the stable core of my repertoire. Nevertheless, a number of them date back several years. Today, as I approach my 60s, I pondered what it would be like to record these songs in the present moment. Would it be an intriguing experience? I believed so. Thus, I worked alongside three different bands to maintain their original essence while ensuring we honored their foundational structure. In some instances, I felt empowered to introduce subtle changes, having long contemplated variations based on evolving tastes and circumstances, especially in live performances. Consequently, the 49 songs featured in this album strike a balance between precision and nostalgia. It can often be challenging to discern whether one is listening to an original or a reimagined version. It warrants mentioning that my vocal qualities have always carried a certain gravitas, which has remained consistent over the years. However, my approach to singing has experienced a transformation. You also prompted me to reflect on my writing evolution over the years.
In the first records I tended to talk about all the characters in the area, as if I were leafing through a great album. I spoke about others, even if they were my stories; of my Pantheon; of my land. In any case, I talked a lot about others such as in “La Balera”, or in the song dedicated to Cimino, or in the songs “The builder of motorboats”, “Nona Lucia”, and so on. All these figures were a great album of memories, of photographs. Over time, however, the need was to go deeply, into myself in short.
Initially, my music painted vivid portraits of the diverse characters within my community, resembling a grand album filled with memories. I delved into tales of others, often sharing my narratives and those of my Pantheon—my roots and surroundings. This is evident in songs like “La Balera” or in those paying homage to Cimino, alongside tracks like “The Builder of Motorboats” and “Nona Lucia.” These figures collectively form an expansive tapestry of reminiscences. However, as time progressed, I recognized an internal yearning to delve deeper into my personal experiences. This evolution towards introspection began to surface prominently with albums like “Akuaduulza,” where I ventured into my inner world. Insights found in songs such as “The Shaman” and personal narratives like “The Truck Driver Ghost Rider” and “Long John Xanax,” reflect my journey of self-discovery, exploring my relationship with my father, who was once a truck driver himself. Tracks like “Yanez” evoke memories from my youth and intimate encounters. As I traverse further into the passage of time, I find myself drawn to the desire for a slower pace, prompting a thoughtful examination of those ordinary experiences that we often overlook yet hold profound significance. My latest work, “Manoglia”, expresses an autumnal, serene essence, contrasting sharply with the frenetic energy of my younger years, where life was fast-paced and driven by the instant gratification of modern culture.
In recent years I have come to concerts where I danced and sang for hours. Now I sit back and really appreciate this intimate journey of yours. From your point of view, how has the public changed in these 25 years?
Throughout my career, I have viewed the audience as the very sea upon which my artistic vessel navigates. Each face I encounter in the crowd, whether at grand outdoor shows or intimate theater performances, becomes part of the ocean of supporters that fuels my journey. The remarkable aspect of this relationship is that the audience has consistently placed their trust in me throughout any ups and downs in my career. Regardless of whether a particular album met expectations, my loyal fans embraced it for what it was. Those who have been with me historically have enjoyed walking alongside me on this journey. For instance, the arrival of albums like “Manoglia” and “Synfuniia” garnered diverse reactions, yet they were part of a continuous evolution that offered both challenges and growth opportunities. Notably, the orchestral live performances at the Arcimboldi were memorable highlights that resonated with many listeners, creating a lasting connection. In essence, those who have believed in me have seamlessly found themselves growing alongside my music, appreciating the nuances of my artistic endeavors and the moments that shaped the creation of certain songs. However, like any relationship, both I and my audience have transformed over time; what once attracted youthful energy now reflects a broader spectrum.
This concept is very beautiful: the public has always trusted you, and it has been reciprocated. In short, the public has always recognized your honesty, which has been rewarded with trust…
Creating an album is akin to constructing a ship; it must be capable of navigating the vast ocean of public opinion. Without the water provided by an audience, even the most elaborate vessel may ultimately serve no purpose. It doesn’t matter how much passion and care is invested, much like nurturing a bonsai that remains unseen; the fundamental question arises: who will sail this ship? It is imperative for a ship to embark on a meaningful journey, borne by the waves that represent the audience’s engagement.
Of these 49 songs, which ones did you have the most fun playing and thinking back to?
I found immense joy in reinterpreting tracks like “Il Re del Giardini”. Given the unique psychedelic arrangement originally crafted by Alessandro Gioia, it was a challenge to replicate that sound. Instead, transitioning it to a piano arrangement was liberating. Similarly, I relished the experience of singing “The Lieutenant’s Daughter” and “40 Pass” alongside the talented guest pianist Pier Salami, whose exceptional artistry created a transportive atmosphere. Performing tracks like “Hoka Hey” and “Kapitan Kurlash” brought fresh inspirations, as we played with more contemporary sounds, including Reggae and Raggamuffin influences. Rediscovering pieces such as “El Phantom del Unzio Gaetan,” famously performed with my son’s toys, allowed us to experiment with a vibrant new take, blending modern effects alongside the familiar. Additionally, revisiting some tracks with just a guitar and my voice provided an exhilarating simplicity, particularly with songs like “Il Prisoner and the Tramontana,” “Rosanera,” and “Sciur Capitan.” In essence, every session was thrilling, and collectively, all 49 songs journeyed through cherished memories. Notably, for classics like “La Balera” and “Pulenta e Galena Frigia,” it felt like a leisurely stroll, but diving into long-neglected tracks like “Cinema Ambra” was both enticing and complex.
What should we expect on November 23rd in Milan? Will there be new versions or will we hear the great classics as they were intended?
On November 23rd at the Assago Forum, we aim to curate a vibrant celebration, meant to be energetic rather than restrained. The performance will showcase our full artistic artillery—everything the audience anticipates to experience. While it’s inevitable that certain favorites may be absent, the concert is designed for an exhilarating atmosphere, heightened by elaborate lighting and sound systems, providing a platform where songs can resonate with everyone present. I have prepared an amalgamation of surprises and extensive collaborations to cater to diverse tastes. However, I must emphasize that this venue was not intended for overly intricate pieces; we will strike a balance by incorporating acoustic moments alongside intimate compositions that reflect my multifaceted artistic journey.
Article by Luca Cremonesi
What inspired you to reinterpret your past songs and how do they reflect your musical evolution?
Keeping with the dynamic nature of my musical evolution. Each song allowed me to rediscover a part of myself while embracing the present; it felt like stepping into different worlds yet always returning home to the essence of my music. These reinterpretations were not just about nostalgia; they were explorations that melded my past with the now, creating a more vibrant tapestry of sound that resonates with both me and my audience.
With this vast collection celebrating your career, what message do you hope to convey to your fans?
Ultimately, I want my audience to see “Van de Best” not just as a trip down memory lane but as an invitation to reflect on their own journeys as well. Music serves as a bridge connecting our experiences — there’s a common thread of emotion, joy, and even sorrow that weaves through each song. I hope that listeners find moments of recognition, whether it’s a fond memory evoked by a lyric or a newfound appreciation for a song that resonates with them differently today than it did years ago. This collection symbolizes more than my past; it embodies our shared moments and emotions. I encourage everyone to celebrate their own stories, to laugh and cry along with the melodies. After all, music is a living, breathing entity that grows and evolves with every note played.
As you prepare for the concert, what are you most excited about in reconnecting with your audience?
I am particularly enthusiastic about witnessing the heartfelt connections that emerge in the midst of a live performance. Each concert is a unique confluence of energies — the band, the music, and most importantly, the audience. I cherish those instances when the room resonates with collective joy, where we come together as one. I thrive on the camaraderie that blooms during a shared experience; even if we have different backgrounds, we’re all linked by the music. Seeing familiar faces and new ones alike is exhilarating. It’s in those moments that I feel the power of my art, and I aim to create a space for everyone to feel valued and at home. The anticipation of that electric atmosphere, the laughter, the singing along — I can hardly wait!