2024-01-11 02:26:37
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The cultural cacerolazo once morest Milei in the City of Buenos Aires.
How was the cultural cacerolazo in Mendoza
Street artists also participated in the day with their juggling, which saw a significant police deployment from early on.
In dialogue with Télam, prior to the demonstration, Santiago Clement, member of the Cultural Assembly of Mendoza, announced that in addition to the concentration, some artistic interventions were planned.
The writer highlighted that the demonstration is ” once morest the DNU and the Omnibus Law” promoted by the Executive, regulations that he considered “a generalized attack on the entire culture sector” following mentioning the damage it would cause to the National Theater Institute. , the National Fund for the Arts and the National Institute of Music, among others.
Meanwhile, in the city of San Rafael, young people demonstrated with drums and some signs on the corner of San Martín and Miter, without cutting off vehicular traffic.
The cultural cacerolazo in the rest of the country
In At paymentthe “cultural cacerolazo” took place in the rain, and brought together artists from different disciplines, entrepreneurs, artisans, representatives of education and cultural management from La Plata, Berisso and Ensenada, who gathered in front of the steps of Pasaje Dardo Rocha, in front of Plaza San Martín to express his repudiation of the measures.
In Mar del Platathousands of film workers, actors’ associations, booksellers and writers gathered at the monument to San Martín with pots and pans and a band that played live.
A significant number of people also participated in the followingnoon of the cultural cacerolazo in the city of Córdoba that was concentrated in the Plaza Vélez Sarsfield in the capital and without cutting the road.
In Rosario, hundreds of workers and members of cultural groups began to gather together with neighbors from 6 p.m. on the esplanade of the Fontanarrosa Cultural Center, in the central Plaza Montenegro. From there and displaying a large flag on which the phrase “Let’s ignite the fight once morest the cultural blackout” was read, the protesters marched through San Luis Street, then Buenos Aires and ended at Plaza 25 de Mayo.
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The people of Córdoba also joined the cultural cacerolazo once morest the cuts proposed by Milei in different areas.
Santiago from different areas of culture joined the great national demonstration in a day of protest that took place at the Teatro del Pueblo, in the capital city of Santiago del Estero, where cultural workers began a dance performance, and to the rhythm of the bass drums and snare drums, called “No es No”, and then continue with an assembly.
In Bariloche, The headquarters was the Civic Center, where to the sound of drums and pots, the rejection of the official proposals was heard with the only flag of the Bariloche Cultural Front, which brings together associations of the sector as well as self-convened artists, who gathered from 7 p.m.
Paraná was another point of the protest, since on the esplanade of the Government House of Entre Ríos, and in front of the Judiciary, there were protesters questioning that national decisions affect “culture and work” and cause “more precariousness in an area that is already very precarious”.
In saint Louisthe place chosen was Pringles Plaza where Vanina Escudera, cultural manager of the city, stated that “with this law thousands of families will be left without their source of income, in an economic context this situation is unsustainable, we trust that our legislators are of the side of the working people and that this abuse is not allowed.
Among the consequences that sector leaders warn are the disappearance or defunding of important spaces of cultural expression and the consequent collapse of numerous sources of employment in the cultural field.
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