Comparing The Snow Society and They Live: A Deep Dive into Film Adaptations of the Tragedy of Flight 571

2024-01-06 14:16:01

Addressing the same tragedy of flight 571 of the Uruguayan Air Force that occurred in 1972 in the Andes Mountains, we have two film productions that show us how it happened: “The Snow Society” and “Viven.” However, each one presents distinctive approaches, perspectives and elements that differentiate them. Below we present some of the most significant differences.

Narrative focus and perspective

  • “They Live”: This film directed by Frank Marshall in 1993 focuses mainly on the physical and emotional struggle of the survivors, highlighting the determination and team spirit to survive in extreme conditions. The focus is more oriented towards action and adventure, showing desperation and hope in a fight against nature and adversity.
  • “The Snow Society”: Under the direction of Juan Antonio Bayona, this film presents a more introspective and emotional representation of the survivors’ experience. It focuses on ethical dilemmas, interpersonal relationships, and human emotions in the midst of tragedy, offering a deeper exploration of human psychology and resilience.

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Treatment of anthropophagy

  • “They Live”: The film addresses the issue of anthropophagy (cannibalism) more explicitly, showing how some of the survivors made the decision to consume the bodies of the deceased to survive. The representation is direct and graphic, focusing on the extreme decisions made in desperate circumstances.
  • “The Snow Society”: Although it also addresses the issue of anthropophagy, the film does so in a more subtle and contextualized way, focusing attention on the emotions, moral dilemmas, and the ethical complexities of the situation. The depiction is more nuanced, focusing on the psychological and moral implications of the decisions made by the survivors.

Cinematographic and narrative style

  • “They Live”: The film is characterized by a more conventional and linear style in its narrative, with a focus on action, suspense and adventure. It uses traditional cinematographic techniques to tell the story, highlighting the tension and urgency of the situation.
  • “The Snow Society”: Bayona opts for a more artistic and emotional film style, using visual elements, symbolism and metaphors to represent the experience of the survivors. The film delves into the psychology of the characters, exploring their thoughts, emotions and relationships in a more introspective and poetic way.

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Interpretations and characters

  • “They Live”: The film features strong and convincing performances, with a focus on the physical and emotional aspects of the characters. The actors deliver intense and realistic performances, highlighting the determination and fighting spirit of the survivors.
  • “The Snow Society”: Under Bayona’s direction, the film focuses on the actors’ emotional and profound performances, exploring the complexities and nuances of the characters. It focuses on interpersonal relationships, moral dilemmas and human emotions, delivering moving and authentic performances.
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In conclusion, although “The Snow Society” and “They Live” address the same historical tragedy, each film presents a unique approach, style and perspective that differentiates them. While “Viven” focuses on action, adventure and the physical determination of the survivors, “Snow Society” offers a deeper and more emotional exploration of the psychology, emotions and ethical dilemmas of the characters in the midst of the tragedy. Both films are powerful and moving testimonies to human resilience, but they do so from angles and approaches that make them unique in their representation of the human experience in extreme circumstances.

On the other hand, it is good to highlight that in “Viven” some situations were created to give more context and history to what was being seen; However, in “The Snow Society”, Bayona contacted her own survivors to make her more reliable with the situation they were experiencing, more closely linked to the reality of the “miracle of the Andes.”

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