Disgusted are the more than ten thousand people who arrived this Saturday at the Atanasio Girardot stadium to listen to the Mexican artist Christian Nodalin charge of closing the show and who finally was not on stage.
Those who did come out to sing were their opening act, who apparently did not know that the protagonist of the central show would not appear either. Banda MS, Jerry Rivera, Jessi Uribe, John de la Torre, DJ Agudelo 888, Luis Alfonso and DJ Morro made their presentations, but when the public, in the midst of the heavy downpour that fell on Saturday night and early Sunday , was preparing to listen to the Mexican artist, received the news from the organization: Nodal did not even arrive in Medellín.
At the same time, the singer posted a video on his Instagram stories apologizing for not being able to get to town, saying problems with your flights.
“My people from Medellín, this video is to apologize to all of you because today it is impossible for me to be there to sing to you. I have tried to get to the medal in every possible way, I have not been able to. I took two different planes, there were two technical failures and the weather was not in our favor, I hope you understand that all this got out of our hands, out of our control”, the singer is heard saying.
And he added: “I was very excited to get to sing to you and take you an unforgettable night and that you also took an unforgettable night. Unfortunately, things did not go as planned.”
Meanwhile, at the Atanasio the public, furious at what had happened, began to whistle at the organization, which, in order to lessen the displeasure promised a free concert with the same artist to repair the unexpected.
It was the first time that Christian Nodal, famous for songs like They didn’t tell you wrong, Goodbye Love, Of the kisses I gave you and Probably, appeared in the line up of a concert in Medellín. With his tour, Forajido Tour, he had already performed in cities like Cali and Cartagena.
The Mexican, who comes from end a relationship with fellow singer Belinda, achieved its success by “merging three very strong movements in Mexican music: the mariachi with the norteño and a little band (especially on the trumpets), and achieved a very original sound. It’s not a mariachi, it’s not a norteño, it’s not a banda either, it’s a fusion called mariacheño,” said music producer Yohan Úsuga.
