The Cher Chronicles: Showbiz Shenanigans and Director Drama!
Oh, darlings, gather ’round because we’re diving into the delightful chaos that is Cher’s life in the film industry—where sometimes the drama doesn’t just stay on screen, and it’s juicier than anything you could possibly binge-watch on Netflix!
In a recent candid moment, the legendary Cher decided to spill the tea about her experiences while filming Mask and Mermaids. Let’s just say, it seems like not every director is destined to be a superstar—especially when you’re dealing with stars like Cher! Forget about divas, this is prime diva territory!
The Mix-Up of Masters
Now, Cher shared some harsh realities about the film set, where tensions brewed hotter than a small-town church’s baked potato casserole at the annual potluck. She didn’t mince words while describing director Peter Bogdanovich as an “a–hole,” which frankly, is the kind of low-key shade that deserves an Oscar nomination in itself. I mean really, who wouldn’t want to be the one to *direct* you to your true self? Just ask her other director, Frank Oz, who made the classic mistake of mixing up puppets and people. Cher even went so far as to get him fired—imagine that! Cher, like a fiery phoenix, packing her emotional baggage off the set, saying, “You’re outta here!”
Not Just a Pretty Face
And it’s not just about her fiery charm, oh no! Cher definitely has business savvy alongside her vocal prowess. Getting directors fired? That’s a masterclass in making sure your projects reflect your fabulous self, darling! Her boldness echoes through her time on Mermaids, where she took charge and was not about to let some film faux-pas ruin her fun. She reportedly told the director, “Either you’re going, or I’m going,” and I can only imagine the shock at the Starbucks down the road when that news broke. It’s like finding out your barista is a former astronaut—unexpected and delightful!
Tales from the Drama Dome
But from what it sounds like, Mask was no picnic either. Cher described the set during that film as a warzone, albeit one with lights and cameras. Apparently, Bogdanovich thought it was perfectly fine to be less than charming to his leading ladies. This is the same man who might’ve once mistaken his audience’s bought tickets for a seat at a therapy session, claim on his end, “She can’t act!” Oh sweetheart, and you’re directing what, a lesson in modesty?
Wisdom from the Queen
Throughout her tenure, Cher took a page out of the Meryl Streep playbook for dealing with bossy directors. Her wisdom is downright golden—“Yes, yes, yes, I’ll do it that way. Then you do it your way and they don’t even notice.” If that’s not the perfect way to get things done while keeping the drama alive off-screen, I don’t know what is!
Final Thoughts?
So, what do we take away from Cher’s glamorous yet tumultuous ride through the Hollywood lens? Well, it appears she’s not just a diva in name but a force to be reckoned with in every sense. If she doesn’t like how things are going, watch out—somebody’s getting the boot. And cheers to that! If anyone deserves to have creative control over her performances, it’s the woman who sang Believe with so much gusto the world nearly exploded in glitter.
So grab a glass of bubbly and toast to Cher’s upcoming memoir, Cher: The Memoir, Part One. Part Two? Coming when Bogdanovich learns to behave—or maybe around 2025? Catch me waiting in line at the bookstore, with popcorn, for the juicy afterword!
Cher, the legendary star, openly discusses the tumultuous atmosphere that prevailed on the set of her film, Mask, directed by Peter Bogdanovich, revealing a stark contrast with her experience when working with the original director of Mermaids, Frank Oz, which never escalated to that level of tension.
Cher candidly shares her thoughts on both her dramatic role in the biographical film Mask and the more lighthearted tone of Mermaids, a 1990 film featuring talents like Winona Ryder and Christina Ricci.
The comparatively lighter atmosphere during the filming of Mermaids can likely be attributed to Cher’s increased influence on production decisions, which notably included her proactive measure of having its director dismissed.
The “Believe” singer shared her experiences during a comprehensive interview with The Times of London, coinciding with her promotional efforts for the release of her memoir, Cher: The Memoir, Part One.
“There are only two directors I didn’t like,” she shared. “Peter Bogdanovich and the guy from The Muppets.” The latter refers to Frank Oz, who was initially involved with Mermaids.
“I actually got the guy from The Muppets fired,” Cher recounted. “I said, ‘Either you’re going or I’m going,’ which is unfortunate because he’s a talented director, but he couldn’t seem to relate to me. He often remarked, ‘At least my wife loves me!'”
While she did not delve into specifics regarding the tension with Oz, she did describe the uncomfortable dynamics that occurred while filming the 1985 movie, Mask, which is inspired by a true story.
Cher portrayed the role of Rocky’s mother, played by Eric Stoltz, a teenager grappling with craniodiaphyseal dysplasia, alongside co-stars Sam Elliott, Laura Dern, and Estelle Getty. This film earned Cher and Stoltz Golden Globe nominations.
However, her collaboration with Bogdanovich on Mask remains notably negative, as Cher vividly recalls the experience nearly four decades later, referring to him as an “a–hole.”
“He was not nice to the women in the cast and his arrogance was off the charts. I truly, truly disliked him,” Cher emphasized passionately during the interview.
Cher recounted a specific clash with Bogdanovich, revealing how they publicly disagreed. “He walked in and asked, ‘Cher, where do you think we should film this scene?’ I suggested the kitchen since it had worked well previously. Suddenly, things got heated.”
“The next morning, he stormed onto the set, munching on an egg sandwich, and exploded with rage about how he wouldn’t allow me to direct the film; that I was a nobody and he could easily remove me,” she recalled. “He was truly a pig.”
When asked if she sought a greater role in directing the film, Cher clarified her position. “Ask anyone: I’m really easy to work with. I’m not difficult in my requirements because it’s essential to respect the director’s vision until it’s necessary to speak up.”
She further shared insightful advice she received from Meryl Streep about managing directions from directors she didn’t agree with. According to Cher, Streep advised her, “If the director requests something you disagree with, just say: yes, yes, yes, I’ll do it that way, then execute it your way without them even noticing.”
Ultimately, Cher’s collaboration with Bogdanovich left lasting impressions, forming contrasting experiences in her storied career, shaping her views on the complexities of filmmaking and directing.
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What insights does Cher provide about her experiences working with directors like Frank Oz and Peter Bogdanovich in her filmmaking career?
The content appears to be from various sections discussing Cher’s experiences and reflections on her filmmaking career, particularly her collaborations with directors like Frank Oz and Peter Bogdanovich during the making of films such as *Mermaids* and *Mask*. Here’s a summary of the key points:
1. **Lighter Filming Atmosphere**: Cher’s influence contributed to a more positive environment during the filming of *Mermaids*, including her decision to have the director dismissed.
2. **Cher’s Memoir**: She discussed her filmmaking experiences in an interview promoting her memoir, *Cher: The Memoir, Part One*.
3. **Directorial Conflicts**: Cher expressed displeasure with directors she worked with, specifically mentioning Frank Oz and Peter Bogdanovich, the latter of whom she described in negative terms.
4. **Incidents on Set**: Cher recounted incidents that revealed the tensions on set, including a specific disagreement with Bogdanovich about where to film a scene, which escalated into a heated confrontation.
5. **Advice from Meryl Streep**: Cher shared advice she received from Meryl Streep about handling disagreements with directors, suggesting that one should agree to the director’s requests but ultimately execute the scene in their own way.
6. **Collaborators**: Mentioned co-stars from *Mask* include Eric Stoltz, Sam Elliott, Laura Dern, and Estelle Getty, highlighting Cher’s recognition of their performances and the awards they garnered.
This narrative illustrates Cher’s candidness about her experiences in Hollywood, reflecting both the challenges and dynamics of working in the film industry.