Entertainment

The recent CxM Double Up Live tour stop in Busan, South Korea, has been overshadowed by concerning incidents of inappropriate fan behavior directed towards SEVENTEEN’s Mingyu. During the February 13-14 concerts, videos circulating online show fans reaching out and touching the performer, with some grabbing his arms and chest as he approached the barricade. The incidents have sparked outrage among fans and ignited a conversation about boundaries and respect within K-pop fandom.

The subunit, consisting of SEVENTEEN members S.Coups and Mingyu, is currently captivating audiences with their energetic performances. While, the joy of the concerts was marred by these interactions, prompting both Mingyu and S.Coups to address the issue directly with fans during the show. The incidents highlight a growing concern regarding the physical safety and personal space of K-pop idols during close-contact events.

Footage shared on social media platforms, including X (formerly Twitter), shows Mingyu visibly reacting to the unwanted physical contact. He later verbally addressed the situation, asking fans to refrain from such behavior. S.Coups echoed this sentiment, requesting fans to limit interactions to high-fives and avoid touching their bodies. One X user, @zpso1w, shared a video with the caption expressing dismay at the situation, stating, “오죽하면 애가 저런 표정을 지어.진짜 제발 작작해 저건 성추행임 쿱스가 질서지키라고 한소리했는데도 애 지나간다고 뛰쳐나가서 민규랑 캐럿 다칠 뻔하게한 304구역 20열 6번이내 너는 진짜 다신 플로어 오지마라.” (Translation: “Glance at the expression on his face. Seriously, please stop. That’s sexual harassment. S.Coups told them to maintain order, but they ran out when he passed by, almost hurting Mingyu and Carat. Those in section 304, row 20, seats 6 and below, never come to the floor again.”)

The response from the K-pop community has been overwhelmingly supportive of Mingyu and S.Coups, with many fans condemning the actions of those involved. Numerous users on X expressed their anger and disappointment, using the hashtag #ProtectMingyu and similar sentiments. One user, @che ◠‿◠ ♡, posted, “DON’T TOUCH HIM LIKE THAT!!!!” accompanied by a video of the incident. Another user, @ehijoshh, countered arguments attempting to justify the behavior, stating, “if you were there you would have done the same” i was way closer and was still able to respect him because i love him and i truly care about him so just say you’re disrespectful and go, you have to know the time and place to do such things and a kpop concert is NOT it.”

The incidents have also sparked a broader discussion about the normalization of inappropriate behavior towards male idols. @truthsvt wrote, “These people claim to be a fan/love Mingyu but can’t do the bare minimum of respecting him. Want him to remember you? Well done, he’ll remember the disrespect/inappropriate behaviour. Y’all always invalidate & downplay the sexual harassment he receives because he’s not a woman.” This comment highlights a perceived double standard in how such incidents are addressed when the victim is a male performer.

The CxM Double Up Live tour is scheduled to continue with performances in Seoul from January 23-25, 2026, according to NOL World. Ticket sales for the Seoul dates began with membership pre-verification on December 10, 2025, followed by pre-sales and general sales on December 15 and 17, respectively. Busan ticket sales followed a similar schedule, with pre-verification starting on January 7, 2026, and sales occurring on January 9 and 14.

The events in Busan underscore the demand for continued dialogue and proactive measures to ensure the safety and respect of all performers. Organizers and fans alike must perform together to create a concert environment where boundaries are clearly defined and respected. The incident serves as a stark reminder that enthusiastic fandom should never cross the line into harassment or violation of personal space.

As the CxM tour progresses and SEVENTEEN continues their activities, it remains to be seen what further steps will be taken to address this issue and prevent similar incidents from occurring in the future. The conversation sparked by these events is crucial for fostering a more respectful and safe environment for both performers and fans within the K-pop community.

What are your thoughts on this situation? Share your opinions in the comments below and let’s continue the conversation.

Rio de Janeiro – In an unprecedented move, Big Brother Brasil 26 contestants Gabriela Saporito and Chaiany Andrade traded the confines of the reality show for a front-row seat to the vibrant energy of Carnival in Rio de Janeiro. The pair were surprised with the opportunity to attend the first night of the Grupo Especial samba school parades at the Marquês de Sapucaí on Sunday, February 15th, a reward for Gabriela winning the week’s “Prova do Anjo” (Angel Challenge).

The unexpected outing marks a significant departure from the show’s usual format, offering the contestants a temporary reprieve from the constant surveillance and competition. Gabriela, in turn, chose Chaiany to join her for this unique experience. “It’s my first Carnival,” Chaiany reportedly exclaimed, a sentiment echoed by Gabriela, who shared she had never attended the festivities before. This surprising turn of events unfolded after Gabriela previously secured privileged information – that the next Angel Challenge winner would receive a special prize – during a “Ganha-Ganha” (Win-Win) challenge, opting to forgo a potential R$10,000 prize for the intel.

A Unique Viewing Experience

The sisters weren’t simply granted access to a standard camarote (box seat). Instead, they were transported to the Sambadrome in a specially equipped van, blindfolded and wearing headphones, to ensure complete isolation. According to reports, Gabriela and Chaiany were situated in a custom-built structure suspended 25 meters (approximately 82 feet) in the air by a crane in Sector 9 of the Sapucaí. This innovative setup, sponsored by Mercado Pago, aimed to provide an unparalleled view of the parades while minimizing the risk of external influence or spoilers that could impact their game within the BBB 26 house.

The elaborate arrangement is part of a commercial action linked to Mercado Pago, a sponsor of both the Carnival parades and the reality show. The structure was designed to keep the contestants separate from the general public and prevent any accidental exposure to information about the outside world. However, the isolation wasn’t absolute, as the sisters shared the space with the program’s crew and reportedly, even singer Ricky Martin, who had previously shared stories from the same location.

Balancing Entertainment and Isolation

The decision to allow contestants to experience Carnival has raised questions about maintaining the integrity of the competition. While the structure was intended to prevent spoilers, the presence of others raises concerns about potential indirect information exchange. Globo, the network airing BBB 26, opted not to dedicate a separate live feed for viewers to follow Gabriela and Chaiany’s Carnival experience on Globoplay, potentially to further limit external exposure.

This isn’t the first time Gabriela has shown favor towards Chaiany within the competition. She previously granted Chaiany immunity during the formation of the “Paredão” (elimination wall), demonstrating a strong alliance between the two contestants. The Carnival excursion further solidifies their bond and provides a memorable experience amidst the pressures of the reality show.

The move to send contestants to Carnival is a first for Big Brother Brasil, breaking with the show’s long-standing tradition of complete confinement. It represents a novel approach to engaging viewers and adding an unexpected element to the competition.

As Gabriela and Chaiany return to the BBB 26 house, the impact of their Carnival experience on the dynamics of the game remains to be seen. The sisters’ perspective and potential insights gained from witnessing the spectacle of the samba school parades could influence their strategies and interactions with the other contestants. The coming days will reveal whether this unique opportunity will give them an edge in the competition or simply provide a welcome break from the intensity of the Big Brother Brasil 26 house.

What do you consider about this unprecedented move by BBB 26? Share your thoughts in the comments below!

The blind auditions for the 11th season of La Voix have concluded, and among the hopefuls who turned chairs, Anissa Essalihi has quickly become a standout. The singer, who impressed the coaches with her charisma and stage presence, has officially joined Corneille’s team, marking a full-circle moment for the young artist.

Essalihi isn’t a newcomer to the world of televised singing competitions. Ten years ago, at just seven years old, she first captivated audiences on La Voix Junior. Her journey didn’t stop there; she likewise participated in the show Quel Talent as part of the group Harmonix, demonstrating a consistent passion for performance. Now, she returns to the La Voix stage as a confident and vibrant artist, described as an independent, unconventional, and humanitarian Air sign – a Virgo – eager to share her talent.

The return of Essalihi to La Voix is particularly noteworthy given her previous experience. According to Le Droit, she performed Benson Boone’s “Ghost Town” during her audition, a rendition that garnered attention from all four coaches. This impressive showing highlights her growth as a performer and the enduring appeal that initially drew viewers to her a decade ago.

Essalihi’s audition wasn’t the only moment generating buzz. Christian Marc Gendron also delivered a stunning performance during the blind auditions, captivating the judges with his vocal range and surprising the audience. During Gendron’s audition, Essalihi also took the stage, ultimately choosing to join Team Corneille, as reported by el-balad.com.

The completion of the blind auditions signals a shift in the competition, with coaches now focused on mentoring their selected teams. Corneille, in particular, completed his roster with Essalihi, adding a contestant with a unique history and undeniable talent. 7 Jours noted Essalihi’s impressive charisma and stage presence as key factors in her success.

La Voix continues to air on TVA every Sunday evening at 7:30 PM, offering viewers a chance to follow Essalihi’s journey and witness the unfolding talent of the 11th season. Fans can also discover more about Rosemarie Boivin, another promising contestant, through additional portraits available on TVA’s platforms.

As the competition progresses, audiences can anticipate compelling performances and strategic coaching decisions. With a diverse range of talent assembled, the 11th season of La Voix promises to be a captivating showcase of musical artistry. The next stage will reveal how these artists develop under the guidance of their coaches and navigate the challenges of the competition.

What are your thoughts on Anissa Essalihi’s return to La Voix? Share your predictions and favorite moments from the blind auditions in the comments below!