Andrés Baiz Reflects on Directing Juanes in Pimpinero, Sangre y Gasoline

The Juanes Factor: From Strumming Strings to Strutting Scenes!

Ah, Juanes! The man who made us believe that a guitar could solve all problems. And now, it seems, he’s swapping strings for screen time in the new film Pimpinero, sangre y gasoline. Directed by the talented Andrés Baiz, this film promises to be a rollercoaster ride through the depths of Colombia’s gasoline trafficking world, which sounds like a thrilling Netflix series but is, in fact, a serious cinematic endeavor.

Juanes: A Star is Born (Again)

Picture this: Andrés Baiz was on a quest, not unlike Indiana Jones, but instead of chasing relics, he stumbled upon Juanes during an epic internet search. “I saw his photo and I knew he was the one!” said Baiz, probably feeling like a casting director in a rom-com. It’s not every day you take a rock star and shove him into a world of acting. But, let’s be honest, who wouldn’t want to step out of their comfort zone and into a world filled with guns, gas, and… well, sibling rivalry!

“Cinema is not there to change the world, but it is there to humanize.” – Andrés Baiz

What’s really delicious about this story is the challenge Baiz faced in getting Juanes to swap his musical rhythm for dramatic acting. “I didn’t want the singer,” he said, probably with a cheeky smile. “I took him out of his comfort zone.” If that isn’t director-speak for “let’s see if he can actually act,” I don’t know what is!

Two Auditions? You Must Be Juanes!

Now, here’s where it gets spicy: Baiz requested that Juanes audition for two different roles. Who knew that behind the blissful lyrics of “A Dios le Pido,” there was a hidden desire to act?! It’s like finding out your quiet friend at the back is actually a karaoke superstar on the weekends! And Juanes, in true rockstar fashion, studied diligently with tips from former queen Carolina Gómez, proving he isn’t just a pretty face with a guitar.

Ultimately, it was Juanes’ portrayal of the older brother that stole the show. It was so good, he made audiences wonder why he hadn’t dove into acting earlier. Perhaps we can expect a Juanes biopic starring Juanes himself next? I mean, hey, we need to cash in on that screen charisma!

A Film with Grit and Reality

Pimpinero isn’t just another flick filled with pretty faces and catchy tunes; it also brings attention to the more serious issues along the Colombia-Venezuela border. Baiz hopes audiences will not only be entertained but also prompted to reflect on the complex struggles portrayed in the film. In true comedian fashion, he’s serving up a smorgasbord of action, brotherly love, and perhaps a dash of government critique—a hearty meal for thought!

“Juanes showed how generous and humble he is… ready to learn and listen.” – Andrés Baiz

And let’s not forget the hilarious fact that while playing the tough guy on screen, Juanes couldn’t resist belting out a few tunes behind the scenes! Talk about being the life of the party and a scene-stealer simultaneously. “Why be just a brother when you can also be the jester?” one might say!

Conclusion: More Than Just Gasoline

In conclusion, Pimpinero, sangre y gasoline marks an inspiring new chapter for Juanes and Colombian cinema. Directed by Andrés Baiz, who clearly knows talent when he sees it, this film aims to humanize complex issues through the lens of familial bonds and the gritty reality of smuggling.

As Juanes steps onto the acting stage, we can all sit back and enjoy the ride—because if nothing else, at least he’s got a killer soundtrack for his new venture! Who knows? If this goes well, we might just have to crown him “King of the Box Office” next!

Remember, folks: Whether strumming a guitar or acting outrageously, always be ready to take the leap outside your comfort zone!

Andrés Baiz, the acclaimed director behind Pimpinero, sangre y gasoline, shared his insights with Infobae Colombia about the remarkable acting debut of singer Juanes, who plays a significant role in this gripping Colombian tale that has captivated audiences at the box office and is now set to premiere on Prime Video across more than 240 countries on Friday, November 22. “He had to go through auditions, and I had him in mind for two distinct characters,” Baiz revealed.

The Colombian filmmaker elaborated on the challenges he encountered while directing the multi-talented artist, emphasizing the necessity of stepping away from Juanes’ established musical persona. “I deliberately pushed him out of his comfort zone because I wanted to see him as an actor, not simply as a musician,” he stated, speaking about the film’s riveting portrayal of gasoline traffickers along the perilous Colombia-Venezuela border.

Although Pimpinero is a product born from Colombian creativity, Baiz was unwavering in his vision for the film’s cast, which took a decade to bring to fruition. The lead roles feature Cuban actor Alberto Guerra and Mexican star Alejandro Speitzer, who depict a trio of brothers ensnared in the world of smuggling.

“I have been engaged with Latin talent for many years, and to me, Colombia represents a collective spirit that transcends borders. Thus, even though this is a fully Colombian story, I had no reservations about featuring foreign actors. However, I felt compelled to cast a Colombian for the eldest brother,” Baiz explained, highlighting his commitment to authenticity in representation.

In his quest for the ideal cast, Baiz stumbled across a photo of Juanes, one of Colombia’s most renowned musicians, well-known for his contribution to the country’s music scene. Despite having no prior acting experience, Juanes harbored ambitions to pursue a career in acting—a fact unknown to many of his fans.

“As I searched for the right fit, I came across his picture and felt an immediate instinct that he was perfect for the role. I was not familiar with him prior to this, and I had to reach out through mutual contacts to establish communication,” recounted Baiz, who has previously worked with celebrated Latin stars like Sofía Vergara.

“After selecting the two brothers, I was still in need of the eldest sibling for our narrative centered on three brothers. Convinced that the final piece needed to be Colombian—given I already had a Cuban and a Mexican—I encountered Juanes’ photo online. The decision to reach out to him wasn’t planned; it was pure instinct. I contacted him, despite not knowing him prior, and proposed that he take on a role as a serious actor, free from the trappings of his music career,” he continued, discussing the process of casting Juanes.

Baiz acknowledged that although he was eager to work with the talented musician, he required Juanes to undergo two auditions, which he diligently prepared for with guidance from former beauty queen Carolina Gómez, presenting the audition videos afterward.

“I had a clear vision for Juanes as Moisés, but we aimed to explore his range further. Ultimately, while he excelled in the audition for the antagonist role, his portrayal as the older brother resonated more strongly with us, albeit he also delivered a commendable performance as Carmelo,” he shared, reflecting on the casting process.

According to Baiz, who helms the Colombian film Pimpinero, blood and gasoline, Juanes’ dedication to his newfound acting craft proved instrumental in shaping the narrative’s trajectory.

“I expressed my own risks in casting him, and he responded positively, forming strong bonds with Alberto, Alejandro, and Laura, which allowed them to understand and connect deeply, facilitating a collaborative atmosphere where they felt free to experiment and learn from one another,” Baiz continued.

The director praised Juanes for his remarkable humility and commitment, noting how he arrived prepared, memorizing lines and rehearsing scenes diligently. “I made sure to allow him some flexibility, as I do with all my actors, to foster their creative instincts,” he stated.

Juanes did not allow his entry into acting to overshadow his musical passion; behind the scenes of Pimpinero, he lifted the spirits of his fellow cast members and the crew by singing and providing encouragement.

Additionally, Baiz touched on the film’s narrative, addressing pressing social issues that he hopes will attract the attention of government officials and spark conversations among Colombians about these crucial matters. “We are hoping to raise awareness and connect audiences with underrepresented parts of the country. While the film won’t change the world, it certainly aims to humanize the complexities of our narrative,” he concluded, detailing the film’s upcoming debut on Prime Video after its successful festival run and extended theatrical release.

How did you prepare Juanes⁣ for the emotional depth required in his role as the eldest brother in *Pimpinero*?

**Interview ‌with Andrés Baiz: The Director Behind “Pimpinero, sangre y gasoline”**

**Editor:** Welcome, Andrés Baiz! It’s exciting to have you here to discuss your⁤ latest film, *Pimpinero, sangre y gasoline*, and the remarkable transition of Juanes from music superstar⁤ to acting ​talent. Let’s dive right in. What inspired you to⁣ cast Juanes in this film?

**Andrés ​Baiz:** Thank you for having me! My decision to cast Juanes came about quite spontaneously.⁢ I stumbled upon his photo while ⁢searching ⁢for the right ⁤fit for the role of the eldest brother. There was something about ‍his image that struck a chord with me.⁢ I thought, “This is the guy!” I knew it was ⁤a risk, given that he didn’t have acting experience, but I felt an instinctive connection to him for this character.

**Editor:** That’s fascinating! How did you approach the challenge of directing a ‍musician in such a gritty narrative focused on gasoline trafficking?

**Andrés Baiz:** It was crucial for me to push Juanes out of ⁢his comfort zone. I didn’t want him to ⁤come in as just a musician; I wanted to see him as a serious actor. ‌Juanes ⁢is a brilliant⁣ artist, but this is a‍ very⁤ different realm.⁢ I encouraged ‌him to dig ‍deep and explore the raw emotions required for⁤ the‍ role. To my delight, he dove into the‌ challenge and worked hard during the audition ⁣process, even getting tips from ⁢Carolina Gómez.

**Editor:** It sounds like he⁣ really⁤ embraced ⁤the role! You mentioned he had to audition⁣ for two different characters. What was your reasoning behind that?

**Andrés Baiz:** I wanted to ‌explore Juanes’ versatility as an⁤ actor. By⁢ having him audition for two distinct roles, I could gauge his range and see how he connected with each character. Ultimately, while he excelled in both auditions, it was his portrayal of the older​ brother that really resonated with us and embodied the essence of the film.

**Editor:** ‍*Pimpinero* deals with some heavy themes related to familial bonds and the complexities⁢ of smuggling. What do you hope audiences take away from the⁢ film?

**Andrés ‍Baiz:** My goal is for the film ⁣to not ⁣only entertain but​ also provoke thought ⁣about⁣ real issues facing Colombia and the challenges ⁢along the Colombia-Venezuela border.‍ We’ve created a narrative filled with action, brotherly rivalry, and elements of social critique. I hope audiences leave feeling more connected to these narratives and the humanity behind⁢ them.

**Editor:** That’s a powerful message. Lastly, looking ahead, do ⁢you foresee Juanes returning to acting after this​ experience?

**Andrés⁣ Baiz:** I truly hope so! He showcased incredible talent in *Pimpinero*, and I ⁢believe ​audiences will be excited to see more of him on screen. If he continues to explore this path, I ‍won’t be ‌surprised ​if we eventually ‌see a Juanes biopic someday—who better to tell his story than himself?

**Editor:** Thank you, Andrés! It’s clear that *Pimpinero* represents a significant chapter not just for Juanes, but for Colombian cinema as a whole. We can’t wait ‍to‍ see how audiences⁢ react to this film!

**Andrés Baiz:** Thank you for having me! I’m really looking forward to sharing *Pimpinero, sangre y gasoline* ⁢with the world.

Leave a Replay