In early 1987, famous Hollywood producers Larry Gordon and Joel Silver were looking for an action hero.
He was working on an action story in which terrorists hijack a high-rise tower in Los Angeles. The script required a strong and fit fighter hero.
Due to contractual reasons, Frank Sinatra was the first priority for the film ‘Die Hard’, but Frank initially declined because he had acted as the hero in the 1968 film ‘The Detective’. Like ‘Die Hard’, this film was also based on the thriller novels of author Roderick Thorpe.
When the 70-year-old actor confirmed that his days of fighting terrorists were over, the producers approached the strongest candidate, Arnold Schwarzenegger. But the ‘Commando’, ‘The Terminator’ and ‘Predator’ star also turned it down as he preferred to try his luck opposite Danny DeVito in the comedy ‘Twins’.
More denials followed, and Richard Gere, Burt Reynolds, Harrison Ford, Sylvester Stallone, Nick Nolte, Don Johnson and Mel Gibson all apologized.
Bruce Wells was pretty low on the list. He had also previously backed out of the project, citing his commitment to the private detective TV show ‘Moonlighting’, in which he starred opposite Sable Shepard. But then, destiny created an opportunity for them.
Welles told ‘Entertainment Weekly’ in 2007: ‘It feels like a miracle happened. The show went off the air for 11 weeks when Sable Shepard lost hope and so it was the right time for me to take on the terrorists at the Nakatomi Tower in Los Angeles.’
Welles’ blockbuster turn as John McClane not only changed his life, but transformed him overnight from a beloved TV actor to a bankable ‘A-list’ movie star. Not only that, but Welles changed the meaning of being an action hero.
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Before the rise of Welles, the stars of ’80s thrillers had become impenetrable pillars. But Welles’s style of impressing was different, closer to humor, vulnerability and humanity.
They earned more than the $5 million given by Gordon and Silver. Gordon told The New York Times in 1988: ‘In this crazy world that we live in, Bruce was totally on the money in this role.’
He added: ‘For the project to be successful, you have to feel that the character is not going to survive, but Bruce is more made for everyman cinema than big stars.’
The announcement that Welles is suffering from aphasia, a form of brain damage that affects the expression and comprehension of language, and is retiring from acting is sad news for anyone who has enjoyed his easy acting style for decades. Have enjoyed.
Few moviegoers may not think so. His work is long, moody, and full of characters you won’t see any major actor playing, unabashedly obsessed with masculinity. Perhaps the best example of this is the fact that after ‘Die Hard’, he voiced a child in John Travolta and Christie Alley’s romantic comedy project ‘Look Who’s Talking’.
In the nineties, Welles maintained a balance between challenging action roles and other roles. Along with action-packed roles in Tony Scott’s cop film The Last By Scout, she also played comedic roles in Robert Zameckis’ satire on beauty, Death Becomes Her, in which she played the submissive Dr. Ernest Manville. He broke the stereotype about himself.
There was violence in his humor and humor in his violence. There are few better examples than the infamous Gump scene in the 1994 film ‘Pulp Fiction’ when Welles demonstrated his ability to smile in the depths of darkness.
Wells told GQ magazine in 2013: ‘It was a combination of great writing and terrible violence. There was only death everywhere. It’s a very strange day’ joke that was said and what happened at the time went on. To me there is romance in that. Drugs, violence and great writing.’
The massive success of ‘Pulp Fiction’ revived Welles’ career after notable flops ‘The Bonfire of the Vanities’ and ‘Hudson Hawk’ but he didn’t stop taking risks.
He starred in obscure science fiction films such as Terry Gilliam’s ’12 Monkeys’ in 1995 and Luc Besson’s ‘The Fifth Element’ in 1997. He also managed to find time to play the role of Drilling in Space, which was the highest-grossing film of 1998.
The following year, Welles changed style once again and earned a career-best rave from critics with his stellar performance as a child psychologist in M. Night Shyamalan’s horror psychological thriller The Sixth Sense.
Bruce Wells performs with his band in California on July 10, 2003 (AFP)
Over the past decade, Welles’ stardom has dimmed at the box office with his decisions to appear in poorly-received direct-to-video movies, but then notable performances like working with Wes Anderson in 2012’s Moonrise Kingdom. There are precedents and then he returned to the science fiction ‘Looper’, a film that Welles considers his best work.
Wells told E-Square magazine: ‘It’s the best I’ve ever done.’ Welles was praising Rian Johnson who went on to make films like ‘Star Wars: The Last Jedi’ and ‘Noise Out’.
He said: ‘Ryan did an amazing job. He imagined a real story. They wrote it, sold it, stood by it, directed it and finished it. It’s hard to do that in this city.’
Johnson returned the compliment, saying: ‘He’s such a great actor himself.’
The director told The Hollywood Reporter: ‘The fact is that it’s Bruce Welles who uses his action star persona in very interesting ways to play this role.’
Welles’s transformation of what it means to be an action hero can be seen in the work of an entire era of his contemporaries, from the macho performances of Jason Statham and Vin Diesel to the jokes of Ryan Reynolds. can
However, it is unlikely that any of the actors who came after him will have a film collection as varied, interesting and thoroughly entertaining as Welles’s.
He has carved out a genre of his own, as he clarified in his own ‘Comedy Central Roast’ in 2018, ending the long-running controversy over whether or not ‘Die Hard’ should be considered a Christmas movie.
He announced to a cheering audience: ‘Die Hard is not a Christmas movie. It’s a badass Bruce Welles movie!’
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**Interview with Film Historian Dr. Emily Harris on the Legacy of Bruce Welles in Action Cinema**
**Interviewer:** Thank you for joining us today, Dr. Harris. Bruce Welles, widely known for his iconic role as John McClane in “Die Hard,” has left an indelible mark on action cinema. Can you shed some light on how he came to portray such a memorable character?
**Dr. Harris:** Absolutely! Bruce Welles’s journey to becoming John McClane was quite extraordinary. In the mid-80s, Larry Gordon and Joel Silver were determined to find a lead who could embody both strength and vulnerability. Initially, they approached several well-known actors, including Frank Sinatra and Arnold Schwarzenegger, but they were unable to secure commitments from them. Interestingly, Welles had initially turned down the role as well, due to his ongoing commitment to the television show “Moonlighting.”
**Interviewer:** It seems like fate played a role when “Moonlighting” went on a brief hiatus. How did that affect Welles’s decision?
**Dr. Harris:** It certainly did! Welles described it as a “miracle” when he finally had the opportunity to take on the role. The hiatus allowed him the time to step away from his commitments and embrace the chance to play such an iconic action hero. This was a pivotal moment in his career as it transformed him from a beloved TV actor to an “A-list” movie star practically overnight.
**Interviewer:** Welles brought a unique approach to the action hero archetype. What do you think set him apart from his predecessors in the genre?
**Dr. Harris:** Welles’s portrayal was distinct because he infused humor and vulnerability into the character. While previous action stars were often seen as untouchable, Welles’s McClane was relatable and human. He appealed to audiences as an everyman rather than just a muscular hero, which resonated deeply, especially in such a high-stakes action film.
**Interviewer:** His success with “Die Hard” certainly paved the way for a new kind of action film. How did it influence the genre moving forward?
**Dr. Harris:** “Die Hard” set a new standard for action films in the late 80s and early 90s. The film incorporated dark humor and a perspective that emphasized the character’s emotional journey. As a result, we saw more action heroes who were emotionally complex and displayed a range of traits. Films that followed, including “Lethal Weapon” and “The Last Boy Scout,” adopted this formula, focusing on the protagonist’s humor and vulnerability in high-pressure situations.
**Interviewer:** Given Welles’s recent announcement about his health and retirement, how will his legacy live on in Hollywood?
**Dr. Harris:** Bruce Welles has undoubtedly left a monumental legacy. Not only did he redefine the action hero, but he also demonstrated the power of versatility in acting—from action films to comedies and serious dramas. His influence remains palpable among younger actors today, who cite him as inspiration for crafting layered characters in action roles. His contributions will be studied in film schools for years to come, ensuring that his impact resonates well beyond his retirement.
**Interviewer:** Thank you, Dr. Harris, for sharing your insights on Bruce Welles’s impactful career. It’s a bittersweet time, but his work will always be celebrated in cinematic history.
**Dr. Harris:** Thank you for having me! It’s essential for us to honor such influential figures in cinematic history while reflecting on the incredible work they’ve done.