2023-04-16 20:49:33
frankly news – Books by Hatem Al-Kiswani
The follower of the dramas presented by the Arab television stations is fully aware that the dramas either falter in their place in terms of their goals and the quality of their production, or they decline. The opponent by dragging him, plotting once morest him, torturing him or killing him.
The totality of the works that we see did not deviate from raising the issue of the corrupt’s control over the reins of life, whether it was the mayor, the chief of the neighborhood, the chief of the hamlet, the thug, or the influential in the security apparatus, and it also did not deviate from the framework of patriarchal control in terms of family relations represented by the head of the family, the husband or The domination of males over females in a way that disregards all the human aspirations that we hoped the drama would build, so where is our dream of a democratic society and a loving, dialogue-oriented family? Our aspirations are to reach societies that respect others and their freedoms and protect the values of justice, equality and equal opportunities.
We fully know that the primary function of drama is to advance societies, build their positive values, and force them to adopt positions that support national issues and protect the interests, security, and independence of the country and people.
We know very well that drama should discuss all social issues with clarity and transparency to help societies make positive and correct decisions regarding them to build societies of goodness, love and beauty.
And we know fully that the drama should be patriotic, and present characters who are role models for the rest of society in their positive models.
Arab television dramas have always turned the greatest stories and literary works into radio and television series or cinematic films, but today we feel the bankruptcy of those who write dramas. Rather, we feel that its episodes are written episode by episode and in consultation between the work team of producers, writers and directors, which makes its characters unclear Milestones and behaviors fluctuate, and its events make many dramatic complexes and crises in a way that complicates the matter of coming up with logical solutions to them. Indeed, insisting on presenting long works and works with multiple parts loses the drama’s realism, functionality, and credibility.
In any case, we are not satisfied with the dramatic works that are presented to us, and we believe that we are in a time of reactionary drama that works in the interest of societies, and is destroying them instead of forming a constructive element for them.
It is today’s drama… a drama that delays and does not progress
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