Actress Anouk Aimée, heroine of the movie “A Man and a Girl”, died at 92 – rts.ch

French actress Anouk Aimée died Tuesday on the age of 92, her daughter and her agent introduced. She was the heroine of the movie “A Man and a Girl” by Claude Lelouch in 1966 alongside Jean-Louis Trintignant and had performed in “La Dolce Vita” and “Huit et demi” by Federico Fellini.

Actress Anouk Aimée, who stated she skilled cinema “like a romantic encounter”, has died, her daughter introduced on Instagram. “With my daughter, Galaad, and my granddaughter, Mila, we’ve the immense unhappiness to announce the departure of my mom Anouk Aimée. I used to be near her when she handed away this morning, at her, in Paris,” wrote Manuela Papatakis.

Born Françoise Dreyfus on April 27, 1932 in Paris, Anouk Aimée first appeared on the large display screen on the age of fourteen in “La Maison sous la mer” (1946). After having brilliantly performed a up to date Juliet in “Les Amants de Vérone” (1948) by André Cayatte, a job written particularly for her by Jacques Prévert, the younger actress noticed her interpretations of Federico Fellini’s characters hailed by critics and the general public in “La Dolce Vita” (1960) and “Eight and a Half” (1963).

>> Particulars within the Discussion board program: Tribute to a deceased cinema icon, Anouk Aimée: interview with Julien Comelli / Discussion board / 4 min. / Tuesday at 6:09 p.m.

Worldwide notoriety because of “A Man and a Girl”

Anouk Aimée is particularly well-known for the character of a lady with a tragic previous that she performs in “A Man and a Girl” (1966) by Claude Lelouch, which received the Palme d’Or at Cannes the identical yr. The position earned her the Golden Globe for Finest Actress and an Oscar nomination.

She died nearly two years to the day after Jean-Louis Trintignant, with whom she shared the display screen. The reunion of the 2 lovers on a Deauville seashore on this cult movie, with music by Francis Lai, is without doubt one of the most romantic scenes in cinema. His eponymous track is made well-known by its lyrics “dabada-bada badaba-daba”, distorted within the collective reminiscence into “chabada-bada”. She’s going to reprise this position in “A Man and a Girl, Twenty Years Already” (1986).

It had change into rarer lately. However she made a transferring return in 2019 to Cannes, to reform the legendary couple of “A Man and a Girl”, in a sequel shot by Claude Lelouch, “The Most Stunning Years of a Life”.

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“Because of her, I turned aware of the sunshine”

“Anouk, my Nounouk, left us this morning. (…) She was my touring companion, my lifelong buddy. She gave me each likelihood and stated sure to me when, as a younger filmmaker, the others advised me no, because of her and solely to her, I turned aware of the sunshine,” greeted Claude Lelouch, 86, on Instagram.

“Her silhouette and her grace will stay without end engraved on a seashore in Normandy. After having made the entire earth dream, now she is going to make the angels dream.”

Essential roles at Jacques Demy

She would subsequently seem in lots of different Lelouch movies, similar to “There Are Days…and Moons” (1990) or “One for All” (1999). Anouk Aimée’s different most well-known movies stay “Lola” (1961) and “Mannequin Store” (1968) by Jacques Demy, “Un soir un practice” (1968) by André Delvaux, “Leap into the void” ( 1979) by Marco Bellocchio and “The Tragedy of a Ridiculous Man” (1981) by Bernardo Bertolucci.

“I began with Carné, Becker, Duvivier, Bertolucci, Lumet, Altman… (Claude) Lelouch is somebody essential to me and Fellini was Mont-Blanc. It is like my household. There may be one on my mom’s facet and the opposite on my father’s facet,” Anouk Aimée advised AFP twenty years in the past on the event of the presentation of an honorary Golden Bear on the Berlinale.

“Her massive lovely eyes, her lengthy Madonna-like face, the lock of hair that she at all times pushed again, her musical voice, that smile tinged with irony and unhappiness. In a phrase, her class. Anouk cherished to be cherished: we didn’t deprive ourselves of it,” greeted the previous president of the Cannes Movie Pageant, Gilles Jacob, to AFP.

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