Jason Schwartzman Revives Coconut Records After 13 Years

Music Jason Schwartzman Revives Coconut Records for ⁣ ‌First New Music ⁢in 13 Years

​ After a ⁣13-year ‍hiatus from releasing music⁤ under the ‍Coconut Records ​banner, ⁣Jason Schwartzman ​has made a ⁢highly anticipated​ return to his ⁣indie rock project, hinting at exciting new music on the horizon. ⁣

The declaration of this ​revival ‍came subtly⁤ last month when Schwartzman’s long-time friend and collaborator, Ben Kweller, revealed his upcoming album,‍ Cover the Mirrors, ⁢featuring Coconut Records as a featured artist.‍ This sparked ⁣initial speculation and ‌anticipation ⁢among fans.

Then, this‍ week, Schwartzman joined TikTok,​ adopting the username @coconutrecordsofficial and sharing nostalgic videos ⁣featuring ⁤old Coconut‌ Records tracks. The username alone sent a clear message: Coconut ​Records is back. He even posted⁢ a video with Kweller on FaceTime, captioned,⁢ “Writing new Coconut Records on FaceTime be like.”

another‍ video featured a still photo of the duo, accompanied ‍by the caption, “Me‍ and my friend Ben are writing and recording and ‌we learned that if we ‌get 1,000 followers we will be able to go live on TikTok‍ so please tell ‌your ‌friends so we can⁢ turn on⁢ the camz when ⁢we make the ⁤jamz.”

While the exact details of Schwartzman’s musical return remain⁣ mysterious,​ it appears ​a new release is on the cards. ‍This would mark Coconut Records’ first‌ new music ⁣since the ‍2012 ‍original ⁣score for the film Goats.

Prior to that, the project released two full-length albums, 2007’s ⁢ Nighttiming and​ 2009’s Davy.

⁢ Schwartzman’s musical comeback comes on the heels of a ⁢accomplished year in ​film, appearing in ⁤several‍ notable releases including Megalopolis, Queer, Pavements, and The Last ​Showgirl. The latter was produced by his brother, Robert Schwartzman.

The Frustration of the ‌Missing Chord

There’s a ​universal language ⁤of music, a tapestry woven from notes that evoke emotions and tell stories. But for some,the journey of ‍songwriting⁤ can ⁢be ⁤fraught with ⁣frustration,especially when that⁣ elusive chord just won’t appear.

A ⁤recent TikTok ⁣video⁣ from @coconutrecordsofficial,⁣ set to‌ The​ Beach Boys’ timeless⁣ “Forever,” perfectly captures ⁣this ⁣feeling. The short clip⁤ shows ‍a musician ‍wrestling with their instrument,visibly distressed by their inability to find the right chord.

“It hurts⁣ so deep ⁢inside when I can’t⁢ find the‍ chord 💔,”

the accompanying hashtags speak to the shared experience of countless other musicians: #songwriting, #coconutrecords, #jasonschwartzman, #benkweller, #beachboys, #denniswilson, #foreversong, and #forever.

The video resonated with viewers, many of⁢ whom commented with their own tales of musical struggles. This relatable moment⁣ of artistic vulnerability serves as a reminder that even the most accomplished musicians face challenges, that ‌the creative process is frequently enough messy ‍and imperfect.

Perhaps the most significant takeaway is the heartwarming sense of ⁢community that emerges from these shared experiences. Music⁢ connects us, ​and ​acknowledging⁢ our struggles, ⁣both big and small, ⁢can‍ build⁣ bridges ⁤and forge deeper connections.

What inspired Jason Schwartzman and Ben kweller to revive⁣ Coconut Records after a 13-year hiatus?

Jason Schwartzman Revives Coconut Records:⁣ An Interview

⁣How ​did ⁢it all come about? The revival of Coconut ‍Records after 13 years seemed ‌sudden.

Jason Schwartzman: It definitely wasn’t planned. Ben and ⁣I were just making‌ music⁤ together, just for fun. ‍Before we knew it, we⁤ had enough material to feel like it was⁣ something special, ‍something worth reintroducing to the world as Coconut Records. ⁢

It’s no secret ​you’ve been active in the film world lately. How do⁣ you balance yoru passion for acting with the creative drive to make music?

JS: They’re both such fulfilling parts⁣ of my life. Acting allows me to step into different people’s shoes,explore narratives,and collaborate with astonishing teams. Music, conversely, is a more personal, intimate expression. It’s where ‌I can truly let go⁣ and be myself. Sometimes they‍ feed each other, like when I‌ write music inspired‌ by a character ‍or a scene.

What can ⁢fans expect from the⁣ new Coconut Records music? This is your ​first release as⁣ the “Goats” score in 2012.

JS: I ⁤think⁢ it’s a natural progression from what we’ve done before.There are definitely ‌elements that evoke that classic Coconut ‌Records sound, but there are also ⁣some new textures and influences. It’s ⁤a bit more introspective and mature than our⁤ earlier work, I’d say.

Your ⁣use⁢ of TikTok ⁢to connect⁣ with fans and tease the new​ music has been really clever. How notable is digital engagement for you as ​an⁣ artist?

JS: Digital platforms⁤ have become such an important ​way to connect with people directly. It feels more authentic than ‌traditional media. I like the immediacy of it,​ the ‌ability to share snippets and interact with fans in ⁢real time.

You’ve mentioned working ⁤with Ben Kweller on ⁤this project. ‍What’s his creative energy ⁣like⁤ to‌ work with?

JS: it’s electric! Ben is just overflowing with musical ideas. He pushes me to be more adventurous and to think outside the box.We have a great rapport, and we just have fun making music together.

Do you have any final​ thoughts for the fans eagerly ​awaiting new ​Coconut Records music?

JS: Thank you for your patience ‍and for the⁣ incredible support​ over the years.We’re really excited to share this new music with you. It’s been a labor of love, and we can’t wait to see how⁣ it resonates. ⁣