The Royal Shakespeare Company (RSC) has announced the full cast for the West End transfer of their celebrated stage adaptation, “My Neighbor Totoro.” This enchanting production, based on the iconic 1988 film by Miyazaki Hayao, continues to captivate audiences worldwide.
The story unfolds over a summer in the lives of two sisters, Satsuki and Mei. To be near their mother, who is recovering in a rural hospital, their father relocates the family to a serene countryside. Mei’s encounter with magical creatures and the forest guardian, Totoro, leads the sisters into a series of remarkable adventures.
Dai Tabuchi returns as Tatsuo/Kazego Puppeteer, bringing his extensive theatre experience from productions like “Usagi Yojimbo” and “The Over Coat.” His television appearances in shows like “Industry,” “Invasion,” and “The Crown” have also earned him recognition among audiences.
Matthew Leonhart leads the Kazego Puppetry ensemble as Principal Puppeteer. Known for his voice work in the acclaimed game “Sifu” and various cartoons,Leonhart’s stage credits include “Invisible Cities” with 59 Productions/Rambert.
Ai Ninomiya reprises her role as the Singer (Kaze no Koe), drawing from her vast experience in productions like the Japan tours of “Les Misérables” and “Chess the Musical.”
the stage adaptation, crafted by playwright Tom Morton-Smith and directed by Phelim McDermott, has garnered six Olivier Awards and five WhatsOnStage Awards. Its initial run at the Barbican in 2022 shattered box office records for single-day ticket sales.
The creative ensemble includes Tom Pye for production design,Basil Twist for puppetry design and direction,and Will Stuart,who has re-orchestrated Joe Hisaishi’s original score. Live musical performances, complemented by Tony Gayle’s sound design, add a rich auditory dimension to the show.
Executive producer Joe Hisaishi, alongside the RSC, has collaborated with Nippon TV and Improbable for this transfer, following accomplished runs at the Barbican Center in 2022-23 and 2023-24. The production’s artwork showcases a hand-drawn title by Studio Ghibli producer Toshio Suzuki.
“My Neighbor Totoro” will grace the stage at London’s Gillian Lynne Theatre from March 8 through November 2, promising a magical experience for theatre enthusiasts.
What specific digitized resources from teh RSC archives were influential in shaping the costume designs for the West End transfer?
Interview with Dr. Elizabeth Marlowe, Archivist at the Royal Shakespeare Company
Archyde News Editor: Welcome to Archyde, dr. Elizabeth Marlowe. Thank you for joining us today to discuss the Royal Shakespeare Company’s latest announcement adn the significance of your archives. Let’s dive right in. the RSC has recently announced the full cast for the West End transfer of one of their celebrated stage productions.can you tell us more about this exciting advancement?
Dr. Elizabeth Marlowe: Absolutely! The West End transfer is a monumental moment for the RSC.This particular production has been a cornerstone of our recent repertoire, and seeing it move to London’s iconic West End is a testament to its enduring appeal. The cast announcement reflects the RSC’s commitment to excellence, with a blend of seasoned veterans and fresh talent bringing Shakespeare’s timeless work to life.
Archyde News Editor: How does this production tie into the rich history of the RSC, and what role do the archives play in preserving such milestones?
Dr.Elizabeth Marlowe: The RSC archives are a treasure trove of our theatrical legacy. For this production, we’ve drawn inspiration from our extensive collection, including prompt books, costume bibles, and sheet music from past performances.These archives not only document our history but also serve as a living resource, informing current productions. As a notable example, the costume designs for this West End transfer were influenced by sketches from a 1950s staging of the same play, blending tradition with modern innovation.
Archyde News Editor: Engaging! Speaking of the archives, how does the RSC ensure these materials are accessible to future generations, especially in the digital age?
Dr. Elizabeth Marlowe: We’ve embarked on a comprehensive digitization project to preserve and share our archives globally. With over 100,000 items—from photographs to production records—we’re collaborating with platforms like AM Digital to make these materials accessible to researchers, theater enthusiasts, and the public. This ensures that the RSC’s legacy isn’ confined to our physical space but can inspire and educate worldwide.
Archyde News Editor: Lastly, what advice would you give to aspiring archivists or theatre professionals who wish to contribute to preserving theatrical history?
Dr. Elizabeth Marlowe: My advice is twofold: first, immerse yourself in the art. Understanding the creative process is vital to archiving it effectively. Second, embrace technology. The digital age offers incredible tools to document and share history,but it also requires meticulous care to ensure authenticity and longevity.Passion and precision are key.
archyde News Editor: Thank you, Dr. Marlowe, for this insightful conversation. We look forward to seeing the RSC’s West End production and continued contributions to theatrical history.
Dr. Elizabeth Marlowe: Thank you, Archyde. It’s been a pleasure!
