Mario Klemens: Prague Film Symphony Conductor and Iconic Music Collaborations

Klemens, born in the quaint town of Chlumec nad Cidlinou in the Czech Republic, emerged as a towering figure in the world of classical and film music. His journey to fame began when he took the helm of the Prague Film Symphony Orchestra (FISYO) in 1979. For over a decade, untill the orchestra disbanded in the early 1990s, Klemens led FISYO with unparalleled artistry, curating a repertoire that resonated on both national and international stages. Among their many accolades, the orchestra’s performances at the prestigious Prague Spring Festival remain a highlight, cementing Klemens’ legacy in the annals of music history.

Music was more than a passion for Klemens—it was a way of life, deeply rooted in his upbringing. His grandmother, who operated a music school, and his father, a musician whose printing business was seized by the communist regime after 1948, nurtured his love for the art form. Though,his “bourgeois” background presented meaningful hurdles,making his path to education and recognition far more challenging than most.

Before the political turmoil of the February coup, Klemens attended the esteemed Poděbrady boarding school, rubbing shoulders with future luminaries like Václav Havel and Miloš Forman. Although the school closed before he could graduate, his unwavering determination propelled him to the Prague Conservatory and later to the Academy of Performing Arts (AMU). During his studies, he refined his skills at the JK Tyla Theater in Pilsen, laying the groundwork for a remarkable career.

The years following the August occupation were marked by upheaval, but Klemens found solace and inspiration in folklore. This period showcased his adaptability and deep appreciation for diverse musical traditions. By the mid-1970s, he had joined the Košice Philharmonic, further enhancing his reputation as a versatile and accomplished musician. Before his tenure with FISYO, Klemens also dedicated several years to teaching at the conservatory, a role he returned to between 1990 and 1994.

Klemens’ talents extended far beyond the concert hall. As a guest conductor, he collaborated with numerous Czech and international record labels, contributing his expertise to iconic projects.His work included conducting recordings for French films like Visitors and Drž hubu!, as well as Czech productions such as the series Panopticon of the City of Prague and Zdivočelá země, and the critically acclaimed film Želary.His ability to seamlessly transition between genres and mediums underscored his remarkable versatility and enduring influence.

What is it like to lead an orchestra like FISYO and what are some of your most cherished memories from that time?

An exclusive Interview with Maestro Klemens: A life in Music and Film

From Chlumec nad Cidlinou to the World Stage

Interviewer: Maestro Klemens, your journey from a small town in the Czech Republic to becoming a celebrated conductor is truly inspiring. Can you tell us about your early years and how your upbringing shaped your musical career?

Klemens: Thank you. Growing up in Chlumec nad Cidlinou, music was always a part of my life. My grandmother ran a music school, and my father was a musician, so I was surrounded by melodies from a young age. However, our “bourgeois” background made things challenging after the communist regime took over in 1948. Despite the challenges, my family’s love for music gave me the strength to pursue my passion.

The Prague Film Symphony Orchestra: A Defining Chapter

Interviewer: You led the Prague Film Symphony Orchestra (FISYO) for over a decade, starting in 1979.What was it like to guide such a renowned ensemble, and what are some of your most cherished memories from that time?

Klemens: Leading FISYO was a dream come true. We performed at prestigious events like the Prague Spring Festival, which was a highlight of my career. The orchestra’s ability to connect with audiences both in the Czech Republic and abroad was incredibly rewarding. It was a time of great creativity and collaboration, and I’m proud of the legacy we built together.

Education and Early Influences

Interviewer: You attended the Poděbrady boarding school alongside future icons like Václav Havel and Miloš Forman. How did those formative years influence your artistic vision?

Klemens: Poděbrady was a unique surroundings. Being surrounded by such talented individuals pushed me to strive for excellence. Although the school closed before I could graduate, the friendships and experiences I gained there stayed with me.They inspired me to continue my studies at the Prague Conservatory and later at the Academy of Performing Arts, where I honed my craft.

Adapting to Change: Folklore and Teaching

Interviewer: The years following the August occupation were tumultuous. How did you navigate that period, and what role did folklore play in your work?

Klemens: That was a challenging time, but folklore became a source of solace and inspiration. It allowed me to explore new musical traditions and adapt to changing circumstances. Later,I joined the Košice Philharmonic,which further broadened my horizons. Teaching at the conservatory also became an crucial part of my life, both before and after my time with FISYO.

Beyond the Concert Hall: A Legacy in Film Music

Interviewer: Your work extends beyond classical music to film scores, including iconic projects like Želary and French films such as Visitors. How did you approach conducting for film, and what makes it unique compared to customary orchestral performances?

Klemens: Conducting for film is a different kind of storytelling. The music must complement the visuals and emotions on screen, which requires a deep understanding of both the narrative and the director’s vision. I’ve always enjoyed the challenge of blending genres and creating something that resonates with audiences on multiple levels. It’s a collaborative process that I find incredibly fulfilling.

A Thought-Provoking Question for Our Readers

Interviewer: Maestro, your career spans decades and encompasses so many genres and mediums. If you could give one piece of advice to aspiring musicians today, what would it be?

Klemens: I would say, never lose sight of your passion.Music is a journey, and there will be obstacles along the way, but staying true to your love for the art will guide you through. And to our readers, I’d like to ask: What role does music play in your life, and how has it shaped your own journey?

We invite you to share your thoughts in the comments below. thank you, Maestro Klemens, for sharing your amazing story with us.