What’s new, Karen Stuke? Interview by Nadine Dinter

What’s new, Karen Stuke? Interview by Nadine Dinter

Karen Stuke: Capturing Time and Space Through teh ​lens of a Pinhole Camera

Karen Stuke ‌is a name that⁤ resonates deeply within the German photography community. Known for her unique approach to capturing images,she has⁣ carved ⁣out a niche for herself by using a pinhole camera,a technique that dates back centuries. Her current exhibition, “Hotel Bogota,” at⁢ the Helmut newton Foundation’s project room, offers a glimpse into her engaging world of photography. Let’s dive into her journey, inspirations, and creative process.

The⁣ Allure ⁢of the Pinhole Camera

When asked about her choice⁢ of the pinhole ⁣camera,⁢ Karen Stuke ⁣explains, “I have been photographing with the ⁤pinhole ​camera since 1994, when I studied photography ⁤at Bielefeld⁣ University of Applied Sciences under‌ Prof.⁣ Dr. Gottfried Jäger.” Her fascination with this method stems from ⁣its ability to capture the essence of time and‌ movement in a ⁤single frame.Unlike conventional photography, where the photographer controls every detail, ⁣the pinhole camera allows the image to form organically, often‍ resulting in unexpected and profound outcomes.

Stuke’s​ work with the pinhole camera is not driven by nostalgia but by a ‌deep conceptual understanding of photography. “the camera⁤ obscura is not only the technically perfect solution for this series–the parallel​ to the ‍peep-box stage is also important to me,” she says. This approach reflects her desire​ to explore the boundaries of‌ visual storytelling, creating⁢ images‌ that are⁣ as much about ‍the process ​as they are about the final result.

Taking the “Other” Picture

one of the⁢ most intriguing aspects of Stuke’s⁢ work is her pursuit of ‌the⁢ “other” picture.⁢ She elaborates, “Everything is present in the picture,⁣ conceptually ‌considered and created. I accept the fact that ‍I have no influence on the picture and leave ‍it ⁤the space to⁢ create itself.”⁤ This philosophy aligns with the‌ teachings⁣ of her mentor,Gottfried Jäger,who has been⁢ a significant influence on her career.Stuke’s ability to embrace the unpredictability of her‌ medium sets her apart, allowing her to‍ create images that are both thought-provoking and deeply personal.

Inspiration⁤ from the World Around‌ Us

Stuke’s photographs often explore themes of time, energy, and space, drawing inspiration from Greek mythology and the world ​around her. “I think ​the most and best inspiration​ for me comes from observing the world and what‌ is happening around ⁢me,” she shares. From ⁤history and society to ‍technology​ and everyday life, stuke finds endless sources of creativity in her surroundings. “Very often the‍ world seems⁢ like a theatre play to me. With me in the ‍middle of it as a spectator–because theatre is also about ⁢reality.Isn’t that ⁤what most ⁢art does anyway?”

the⁤ Creative Process: Simplicity Meets Precision

When it comes​ to ‌preparing for a photo‍ shoot, Stuke’s approach is refreshingly straightforward. “I don’t have to think ⁢much about my theatre or pinhole night shots. I check‍ how long the⁤ play is going to last and decide on the appropriate film material,” she explains. This methodical yet intuitive process is⁢ evident⁤ in​ her series‌ “Sleeping Sister” and “Hotel ‌Bogota,” where the exposure time corresponds to the duration ⁣of the night’s​ sleep. By embracing the natural rhythms of time, ​Stuke creates images that are both timeless and deeply⁢ evocative.

“Hotel Bogota”: A Glimpse into Stuke’s Vision

Currently ‌on ⁢display at the Helmut Newton Foundation, Stuke’s “Hotel Bogota” series captures the​ essence of a place⁣ steeped in history and ‌character. ​The‌ project, which began‍ in 2013, showcases her ability to⁢ transform ordinary spaces into⁢ unusual ‍visual narratives. Through her lens, the hotel becomes more than just⁤ a⁢ building; ‍it becomes a living, breathing entity, rich with stories ‍and emotions.

Karen Stuke’s work is ‍a⁢ testament to the power of photography to transcend time and ‍space. By embracing the​ imperfections and unpredictability of the pinhole camera, ‍she creates ⁢images ​that are as unique as they‌ are captivating. Her ⁢exhibition at the Helmut ⁣Newton Foundation is a must-see for anyone interested in the intersection of art, technology, and‍ storytelling.

The story‌ Behind “Sleeping Sister”:⁢ A Photographic Journey at Hotel ​Bogota

In November 2012, the historic ⁢Hotel​ Bogota in ⁤Berlin became the stage for ​an‌ extraordinary artistic endeavor. Photographer Katharina Sieverding,known‌ for her evocative ⁣work,embarked on ​a project titled “Sleeping ‍Sister,” a series exploring the unconscious and the delicate boundary between⁤ sleep and death. Joachim Rissmann, the hotel’s owner, had invited ​Sieverding⁢ to ‍capture the essence of the hotel through her lens, offering her a unique chance to document its⁤ final days.

At the time, Hotel ‌Bogota was ⁤a‌ cultural‌ hub, celebrated⁢ not‌ just within ‍Berlin’s photography circles ‌but also for its vibrant history. The hotel’s fourth and fifth floors once housed the studio of Yva, a renowned fashion ‍photographer who mentored Helmut ⁢Newton in the late 1930s. Beyond its photographic legacy, the hotel hosted ⁣exhibitions,⁢ swing and tango nights, readings, and​ concerts, making it a lively and cherished space ‌for artists ‌and visitors alike.

A Hotel Steeped⁣ in History

Sieverding’s work at Hotel⁢ Bogota was deeply​ intertwined with the ⁤location itself. Her photographs often featured the‌ hotel’s original ‍rescue plans and the distinctive‌ carpets from its ​rooms,‌ grounding the images ​in ⁣the building’s unique identity. ​”The location‌ plays an important role in the pictures,” she explained, ⁣emphasizing how the hotel’s character shaped her artistic vision.

Over the course of her project, Sieverding spent⁢ nights in 44 different rooms,⁢ beginning in​ November 2012 and concluding in December 2013.Her process was intimate and solitary: she would set up her camera before bed, leaving it open to capture ‌the room as‌ she ⁢slept.⁤ “I work without a team,” she ‍noted. “It’s just me and the camera.”

A Bittersweet farewell

The ⁤project took on a poignant ⁤tone when it was announced‌ that Hotel Bogota would close its doors.⁣ Sieverding adjusted her approach, spending only one ​night in each‌ room ⁣to document⁢ as much as possible⁣ before the closure. “It was a wonderful time,” ‍she reflected. “I would have loved to live there forever. It was a wonderful place, full of wonderful people.”

The impending closure added ‌a layer of urgency and⁢ emotion to her work. The photographs captured the⁢ hotel in transition,with bare⁤ walls,visible slatted frames,and Sieverding herself sleeping on ⁣the floor.⁢ “Without the closure and ⁣evacuation of the hotel, many of ‌the pictures would never have been taken ‍the way they are,” she saeid. The process of packing up⁤ the hotel’s 116⁢ rooms, kitchen, office, and​ communal spaces was ‌a monumental ⁢task, and Sieverding expressed‌ deep respect for the Rissmann family, who‍ supported her throughout ⁣the ⁢project.

Crossing‌ Paths in ⁣a Cultural Hub

during her time at Hotel ⁤Bogota, sieverding ‍was not ⁤the only artist capturing its essence. fellow photographer Aino Kannisto was also on-site, ​working on her self-portrait series. Despite their shared presence, the two never crossed‍ paths. “Maybe we ​even sat next to ⁣each other in the breakfast room without knowing it,” Sieverding mused. The hotel’s bustling atmosphere and constant flow of visitors made such encounters unlikely.

One memorable‌ morning, Sieverding⁤ found herself seated next to René Burri, the legendary Swiss photographer. “Very often I don’t know what photographers look like, even if⁣ I know their names or their work,” she admitted, ​highlighting the serendipitous nature of her time at the⁢ hotel.

Beyond Photography: A‌ Passion for Music

While photography remains her primary medium, Sieverding’s artistic passions extend to ‌music. She‌ fondly recalls the “Bielefeld Opera Miracle” of the 1980s, a period⁣ when forgotten operas were revived and brought to life on stage.Her early⁢ training as a violinist and her involvement in a university orchestra further deepened her connection to classical music.

As ‍2008, Sieverding has⁣ run the “Kronenboden,”⁢ a project space in Berlin’s Wedding district that bridges visual and ‍performing ‍arts. Her work there reflects her belief in the intersection of artistic disciplines, a theme that resonates throughout her career.

Conclusion: ⁤A Legacy Preserved

Katharina Sieverding’s “Sleeping Sister”‌ series⁢ stands as a testament to the ⁤enduring spirit of Hotel bogota. Through her lens,she captured not just the physical space but also the emotions and ‍memories​ embedded within ‌its walls. As the hotel closed its‍ doors,‌ her photographs became a lasting tribute ⁢to a place that meant so much to so many.

For those who ​experienced Hotel Bogota, whether as guests, artists, or admirers, Sieverding’s work offers a chance to revisit its‍ magic. ​And for⁤ those who‌ never had the opportunity, her photographs provide a glimpse into a bygone era ⁤of Berlin’s cultural history.

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Exploring the Legacy of Enrico Caruso Through Art and Memory

Enrico ‍caruso, ⁣the ​legendary Italian tenor, left​ an indelible​ mark on the world‌ of opera and music.⁣ Over a century after his passing, his legacy continues​ to‍ inspire artists, musicians, and enthusiasts alike. ⁣One such‍ individual is an artist ⁢who has embarked on a ⁣unique journey to explore Caruso’s life and influence ‍through a ​blend of photography, music, and storytelling.

The Birth⁣ of ​the “Caruso‍ Sings Again” Project

it all began with a gramophone and ‍a shellac ⁣record. at a New Year’s​ Eve party in 2015, the artist witnessed the magic ‌of‌ Caruso’s voice as ⁤it captivated the⁣ room. “I knew it had ‍to ‍be a Caruso record,” they ⁢recall. “He was one of the⁣ first singers to record his‌ voice, ‌and that moment sparked something in me.” This serendipitous encounter led to the creation of the “Caruso Kronenboden Collection” ⁢and ‍the ​artistic research project titled “Caruso Sings Again.”

The project isn’t about declaring Caruso the greatest ​tenor of all time. Instead, it seeks to understand why his⁤ legacy ⁢endures and how it continues to resonate today. The collection ⁤spans a wide range of artifacts, from vintage‌ records and sheet ⁣music to films, photographs,‌ and⁢ even the scent of the ⁤soap he used. “It’s about capturing the essence of Caruso,” the artist explains. “From the dishes ‍named after him to the singers ​inspired by him, every piece tells a story.”

Capturing History Through a Pinhole Camera

To document Caruso’s life, the artist turned to an unconventional ​tool: the pinhole camera. Unlike traditional photography,⁢ the pinhole camera produces soft, blurred images that evoke a sense‌ of​ timelessness. “How ‍do‍ you document something that happened⁤ over 100 years ago?” ​the‍ artist muses. “The blurriness⁤ of the images leaves space for inventiveness and allows us to glimpse into the past.”

One of the​ most poignant moments in⁢ the project came‌ when the‍ artist visited the Hotel Vesuvio in⁤ Naples, where Caruso spent his final days⁣ in 1921. With​ the help of ‌Antonio Maiorino, a gallery‍ owner and⁣ director of PrimaPianoNapoli, they stayed in the suite where‌ Caruso died. Using a pinhole‌ camera, they captured a ‌long-exposure⁤ photograph of themselves sleeping in the ​room. “The ⁣bed⁣ I slept in wasn’t the one Caruso died in,” they ⁣admit. “but I later learned that Luciano Pavarotti had slept ⁢there too. It felt ⁣like ‍a connection across‌ time.”

Celebrating Caruso’s​ Legacy

Caruso’s anniversaries⁣ and birthdays​ hold ⁢special meaning for the artist, who uses these occasions ​to honour his memory in creative ways. From naming a⁤ star after him to planting a tree in his honor, the artist has found countless ways to keep Caruso’s spirit alive.“I ‍use everything ⁤society offers me,” they say. “It’s ​about celebrating his life and ensuring his legacy continues to inspire.”

Some‍ of the⁢ most memorable tributes ⁢include:

  • Naming a star after Caruso
  • Planting a tree in his honor
  • Symbolically adopting a monkey at the ‍New York ​Zoo ⁣in his name (a nod to a humorous yet ‌controversial moment in​ his life)
  • Sponsoring​ a digital turtle named ‌Enrico Caruso, which now swims⁢ through‍ the digital ocean for a good ⁣cause
  • Hosting flash mobs and ⁢concerts with a gramophone, playing Caruso’s music in public spaces

“It’s wonderful to see​ people’s ‌reactions,” ⁢the artist shares. “There’s something magical about hearing Caruso’s‍ voice in unexpected places.”

Why⁤ Analogue?

The artist’s love⁣ for analogue tools, ⁢like the gramophone and⁢ pinhole camera, is evident throughout the‌ project. “They don’t require electricity, they’re easy to repair, and they’re even easy to make,” they explain. ⁤“there’s a simplicity and⁢ authenticity to them ⁣that resonates with ⁤the timeless nature of Caruso’s ​legacy.”

What’s​ Next?

As the ⁢“Caruso Sings Again” project continues to evolve, the artist remains open to where it might lead. “Caruso is such a versatile subject,” they say.‍ “The project combines so ⁣many things I’m passionate about—music, history, photography. It ⁢feels like a natural extension of who I am.”

Friends have remarked that the ‌project was a logical culmination of the artist’s ‍interests. ‌“It’s not just about Caruso,” they‌ reflect. “It’s⁤ about exploring ‍the connections between⁣ art, memory, and history. And who knows⁢ where it will ‍take me next?”

Exploring the Intersection of Art, Photography,‍ and​ AI: A Creative Journey

In a world increasingly captivated by artificial intelligence, one artist is blending the old with the‍ new in a way ‍that challenges our perceptions of creativity.Using the Caruso project‌ as a⁤ canvas, this visionary is crafting an image ‍of the legendary tenor ⁤in an ‍opera⁣ house he ​never graced, accompanied by an aria he never sang. “We’ll see, ⁣but the idea is stuck in my head,” the artist muses, hinting ​at the boundless possibilities of imagination.

After this foray into​ AI, the ​focus shifts back to traditional methods. The artist is returning to the lab to create photograms using shellac and ⁢gramophone techniques.These works, a mix⁣ of black-and-white and color, celebrate the tactile ‌beauty of photography. “I like photography and ⁢the ‍material as an ⁤object, which outweighs all the talk about artificial intelligence,” they explain. The process, they add, holds as many⁤ surprises as any digital innovation—if not more.

Another ongoing project involves sifting through an extensive ⁢image archive, scanning countless negatives, and continuing work on a series titled “The Men ⁢Who Fell from the Sky.” While the ‌details remain under wraps, the artist hints at the depth and complexity of this ‌endeavor.

Advice for Aspiring Theatre Photographers

When asked about advice for the next generation​ of theatre ‌photographers, ​the artist reflects on their ⁢own journey. “I was always surprised that ‌many theatre‍ photographers came to‍ the ⁢theatre as they were press ⁢photographers and discovered the theatre by chance,” they note.For them, it was‌ different:⁤ “I knew about theatre and I knew about photography, and I ‌was able to ⁤combine ⁤the two.”

This unique ⁤viewpoint allowed them to develop an intuitive sense for capturing the essence of ⁣theatrical performances. “I used to come ⁢to jobs dressed ‍in black ⁣and in socks,so I wouldn’t ‌be seen or ‍heard,” they recall. While modern quite ​cameras⁣ have made this easier, ⁤the principle remains the⁣ same: “You should see the pictures and​ not the photographer.”

Current Exhibition: “Hotel Bogota”

For those eager to experience the⁢ artist’s work ⁤firsthand, the exhibition “Hotel ⁣Bogota,” featuring ⁢collaborations ‌with Aino Kannisto, is ⁢on display at the project Room of ‍the Helmut Newton Foundation in Berlin. Running through 16 February 2025, this showcase is a⁣ must-see for ⁢art enthusiasts.

To⁢ stay updated‌ on the artist’s⁤ latest projects and exhibitions, ‌follow ⁣their ⁢Instagram account @karen_stuke.

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How dose the artist address ethical concerns surrounding AI’s role in the creative process?

Is exploring the ‍intersection⁣ of art, photography, adn AI to create a unique and thought-provoking body of work. This creative journey delves into the ⁤ways technology can enhance, challenge, and redefine traditional artistic practices, offering new perspectives on creativity and‍ expression.

The Role of AI in Artistic Creation

Artificial intelligence has become a powerful tool in the hands ‍of artists, enabling them to ⁤push the boundaries‍ of their craft. For this artist, AI serves⁢ as both a ⁤collaborator⁢ and a medium, allowing for the creation of works that ⁢blend human intuition with ‍machine precision. ⁣“AI⁣ isn’t just a tool; ⁣it’s a partner in ⁣the creative process,” they explain. “It opens up possibilities that ‍I couldn’t achieve on ⁣my own.”

One of the most striking ‌aspects ‍of this ‍collaboration is the ability to generate new forms of visual expression. By ‍feeding AI algorithms with a vast array of ⁢data—ranging from classical paintings to contemporary photography—the artist can create hybrid‌ works that challenge our perceptions of art and authorship. “The results ⁣are often surprising,” they say. “It’s like having a conversation with ⁤the ⁣machine, where each response ⁣leads to new ideas and⁤ directions.”

Photography Reimagined

Photography, a medium traditionally rooted in capturing reality, takes on a⁣ new dimension when combined with AI.The artist uses⁣ AI to​ manipulate and reinterpret photographic‍ images, creating ‍surreal and ‍dreamlike compositions.“Photography has always been about capturing ⁣moments⁤ in time,” they note. “But with ‍AI, I can explore what lies beyond the visible, delving into ⁢the realms of inventiveness and memory.”

One of their most notable projects involves the use of AI to recreate⁤ historical photographs.‌ By analyzing the style, composition, and context of these ‍images, the AI‍ generates new versions that blend the​ past ⁢with the present.“It’s a​ way of reimagining history,” the artist explains. “The AI⁤ doesn’t just replicate the original; it adds its own interpretation, ​creating somthing entirely new.”

Ethical Considerations and the Future of ⁢Art

As with any emerging technology, ‌the use of AI in art raises important ethical questions. The ⁢artist is acutely aware of these concerns and strives to address them in ⁤their work.⁤ “AI has the potential to revolutionize art, but it also comes with challenges,” they say. “Issues of ⁢authorship, originality, and‌ the role of the artist are more relevant than ever.”

To navigate these complexities, the ⁤artist emphasizes the⁢ importance of⁢ clarity and collaboration.‍ “I⁣ always make it clear⁣ when AI is involved in ‌the creation⁤ process,” they‍ explain.“it’s not about hiding⁤ the machine’s ​role but celebrating⁢ the partnership between human and machine.”

Looking to the future, the artist envisions a world where AI ⁤and human creativity coexist harmoniously. “AI‌ is not here to replace artists,” ⁣they assert.‌ “It’s here to expand our horizons and​ challenge us to think differently. The future of art lies in the synergy⁢ between human imagination and technological innovation.”

Conclusion: A ‍New Frontier ​in Art

The intersection of art, photography, and AI represents a new frontier in creative ⁢expression. Through their ​innovative use of technology, this artist is redefining what it means to be an artist ⁤in the‌ digital age. Their work⁣ serves as⁣ a testament to the endless possibilities that arise when we⁢ embrace new tools and ideas, pushing the‍ boundaries of art and imagination.

As we continue ‍to explore the potential​ of AI in art, one thing is clear: the journey is just ⁢beginning. With‍ each new project, we are reminded of ⁢the power of creativity to‌ transcend ⁢boundaries and⁣ connect us in profound and unexpected ways.

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