Miranda July’s novel, ”All Fours,” released earlier this year, sparked a wildfire of reactions from readers. Some found solace and inspiration in its bold depiction of female desire, while others were deeply disturbed by its content, labelling it as “icky” and “disturbing.” This book, hailed by The New York Times as the “first great perimenopause novel,” appears to have touched a nerve, provoking passionate debate and sparking a cultural conversation.
The novel follows an unnamed artist, a wife, and a mother, who embarks on a road trip that takes an unexpected turn when she encounters a dancer. captivated, she abandons her life, remodels a motel room in luxurious fabrics, and becomes consumed by a whirlwind of longing. July’s portrayal of this intense, almost physical, experience resonated deeply with many women, prompting them to re-evaluate their own desires and choices.
“This book was a lighthouse that called me home,” one reader shared online. others echoed similar sentiments, describing the novel’s impact as a life-altering experience.”This book sorta gave me a mental breakdown,” another confided, highlighting the intensity of the book’s emotional pull.
Though,”All fours” also provoked strong negative reactions. Some readers were disturbed by its explicit content, deeming it “extremely sexual, graphic, raunchy and disturbing.” Others expressed moral outrage, questioning the protagonist’s choices and accusing the author of encouraging readers to abandon their commitments. The intensity of these responses, both positive and negative, speaks to the book’s power to challenge societal norms and spark intense personal reflection.
The book’s recent launch of a discussion forum on Substack has further fueled the conversation, creating a platform for readers to connect, share their experiences, and grapple with the complex themes presented in “All Fours.”
“I don’t read books that literally,” says Abra,49,from Arizona. “I don’t read literature as self-help.” Yet, like many others, “All Fours” has sparked a profound personal reckoning. This novel, with its raw and unflinching portrayal of female desire, has ignited a conversation that extends far beyond the pages of the book itself.
muster point for women who were upending their lives. They didn’t all get a divorce – Abra switched to a much less well-paid, more rewarding job. “Marriage isn’t the only institution that is willing to dismiss us,” she says.
Imogen (not her real name), 40, is a photographer who lives in a very conservative part of the US.“I read the book for the first time in September. I’ve got it right here,” she says, holding it up for me on the video chat. “It’s my bible.” Imogen grew up in a strict, evangelical household and married aged 21. “In the region I’m from, if you want anything other than the normal life, you feel a little crazy.” She’d been peeling apart from her faith for a decade, and finaly broke from her church after Covid. She and her husband have two children under 10, and she felt “I never got to have my own time to discover who I am.”
When she read all Fours, it described her feelings so precisely that she tried to get her husband to read it. “He’s not really a book reader, so it was awkward … I think that my sudden change hurt him, and his response was: ‘I don’t really want to understand, I need you to understand me first.’ I get that.”
But she also got that she wanted to separate from her husband. “We’re in the beginning stages of uncoupling. It’s a big, scary thing. No woman in my family has ever been divorced. it’s hard. You feel strong and powerful one day, and the next day, you can’t eat. Any woman that’s going through this transformation, if you don’t have a community of other women, you’re going to be lost.”