Building a Spanish Revival House from Scratch

A Dream Home’s Deception: Inside Netflix‘s ​”No Good Deed”

Netflix’s “No Good Deed,” starring Lisa Kudrow and Ray Romano,‍ revolves around a stunning Spanish revival house nestled in⁢ Los⁣ Feliz, Los Angeles.While the exterior of this architectural gem is undeniably real, its impeccably styled interior is a ⁢fabrication, a masterful⁤ creation by production designer‌ Nina Ruscio.

Ruscio’s⁢ design principle was simple yet powerful: create a space so aspirational that it transcended specific ​character types. ‍She wanted ⁣viewers to yearn for this home,⁣ to get lost ⁤in its beauty and imagine themselves living within⁣ its walls.“Wherever you ‌go, there you are,” ruscio ⁤quipped, hinting at the deeper meaning behind the allure of a picture-perfect house.

“The driving force is that everybody wants to⁤ have this home,”‍ Ruscio explained. “So how⁣ could I create an ⁣experience for people seeing ​it that ⁤made it ‍aspirational enough to cross a lot of different character types?”

A Home for‌ Every Dream: Designing the Perfect Space in “No Good Deed”

The Spanish-style home featured in Netflix’s “No‍ good Deed”⁤ is more than just a backdrop. It’s a character⁢ in itself, representing the allure and aspirational nature of Los⁤ Angeles living.Production designer Christian Ruscio meticulously crafted this space, ensuring it resonated with a wide range of characters, from young professionals to established figures ⁢in their ⁢respective fields. “It feels like ​the house has integrity and history, and on an ⁣emotional level, it has⁣ all of the life and⁤ the layers of the life of ​Paul ⁢and ‌Lydia,” Ruscio ⁤said.“But on a seductive level, it wanted ‍to be a house that could satisfy ⁤everyone’s dreams of the perfect lifestyle and ⁣the perfect way to curate your life.” Ruscio’s​ approach involved a delicate balance – preserving the charm of the ⁢home’s period details while updating it with a modern sensibility. This resulted in a⁣ space that appealed to characters like Leslie (Abbi Jacobson) and Sarah (Poppy Liu), young ⁢professionals seeking a stylish and comfortable‍ dwelling, and also established figures‍ like architect Carla (Teyonah Paris) ⁣and TV star JD ‌(Luke Wilson). the end result is a home that encapsulates the dreams and aspirations of⁢ its inhabitants, reflecting the multifaceted nature of identity ⁣and life

“Next Goal Wins” Trailer: Taika Waititi’s Inspiring Sports Comedy

Taika‌ Waititi, the acclaimed director ⁣known for his comedic flair in⁤ films like “Thor: Ragnarok” and “Jojo Rabbit,” is back ⁢with a heartwarming sports comedy, “Next Goal Wins.” the film, based on a ​true story, follows ⁤the American Samoa‍ soccer team’s surprising​ journey to qualify for the FIFA ⁤World Cup.

The trailer showcases a hilarious and heartwarming⁢ montage of the⁢ team’s training⁢ and struggles,led by‍ their Dutch coach,Thomas⁤ rongen. We ​see glimpses of the players’ remarkable dedication and determination as they strive to overcome their underdog status. The film’s optimistic tone is sure to inspire ⁣viewers.

World Cup ⁣Dreams

“Next Goal Wins” boasts a‍ stellar cast, including Michael Fassbender as Coach Rongen, Elisabeth Moss, and oscar Kightley.‌ Described as ⁢a ⁤”feel-good underdog story,” the film promises to ⁣be a comedic crowd-pleaser while offering​ a glimpse into the​ world of ⁢international soccer.

The film⁤ is⁢ set to premiere in theaters on November 17, ‍2023, and is sure to⁤ be‌ a box-office hit.⁢ Get ready to be inspired by the unwavering spirit ​of the American Samoa soccer team and their amazing journey.

‘No Good Deed’s’ Enigmatic House: More⁣ Than Just⁢ Bricks and Mortar

In “No Good Deed,” the house itself ​becomes a silent character, a tangible portrayal of grief, secrets, and the precarious nature of family ties. Production designer Michael ‍Ruscio, known for his ⁢meticulous ⁣craftsmanship, created‍ a space‌ that transcends mere set design. It’s meant⁣ to be both aspirational and unsettling, a place ​that draws viewers in while subtly ‍hinting at the darkness that lies beneath its surface. “People purchase houses for emotional reasons,” Ruscio explains,⁣ recognizing ⁢the psychological power of a home’s presentation. He understood that ​a key to this⁤ story was crafting a kitchen ​that would appeal to viewers’ dreams⁤ of domestic perfection, a space‌ where aspiration and‌ illusion intersect. The house ⁣isn’t ⁤simply a reflection of Paul and‍ Lydia; it’s a ⁣carefully curated version aimed ⁢at potential buyers. Ruscio describes it as a “half-breed,” a fusion of the couple’s⁣ life and the depersonalized aesthetic of a for-sale property. “We were choosing at what level of‌ denuding do you⁢ lose the essence of what the person ⁤is? And do you lose the kind of cues and Easter⁢ eggs that teach [audiences] who these people are?” Ruscio states, outlining the delicate balance he sought to⁣ achieve.

Interior of the⁣ Morgan house in ‘No Good ⁣Deed’SAEED ADYANI/Netflix

Working ‌with longtime collaborator ⁣set decorator Matt Callahan, Ruscio chose ancient ⁤furnishings for the living and dining rooms while focusing on the ‍architectural beauty ⁤of the house​ itself. They sought ​to make it “seduced without embellishment.” The‌ emphasis is‌ on details like beamed ceilings, stained glass windows, and a truly captivating‌ fireplace. ‍ “it’s a practical fireplace,” Ruscio⁣ notes. “And‍ the tile surround⁢ is all custom-made, peppered with Easter eggs about the [plot]. There are pictures of the mandarin orange ⁤tree that⁣ Lydia’s ⁢so attached⁣ to that she planted ⁤when her children were little. ​There’s ⁣a peacock, which can be both fortune ⁣and bad luck.”

Netflix’s ⁢newest⁤ legal thriller,”No Good Deed,” grips viewers with a​ tale of ambition,deceit,and the lengths people will go to protect their secrets. Premiering on ⁤february 14, 2024, the series unfolds in‍ the captivating setting ​of the ⁢upscale ‍Morgan family home.‌

The series delves into the lives of the Morgan family, whose⁢ seemingly⁤ perfect world unravels when‍ a tragedy strikes. As secrets surface and suspicions mount, the lines between right and wrong become blurred.

“No Good Deed” promises ⁣a compelling narrative filled with ⁢twists and ⁢turns, keeping viewers on the edge of ⁢their seats.

Creating ‍Homes and Defining ‌Characters: The​ Set Design of “No ‍Good Deed”

the Netflix thriller “No Good Deed” hinges on a stark‌ contrast between two ‍houses located directly across the street from one another. Production designer James Ruscio expertly crafted these​ spaces to not only serve as backdrops ⁣but also to reveal crucial aspects of ​the characters who inhabit them.

“Interior of the Morgan house in ‘No‍ Good deed’” Saeed Adyani/Netflix

Ruscio discovered the Morgans’ home, a location that embodied warmth and coziness, shortly before the ⁤2023 WGA and SAG-AFTRA strikes halted ‍production. The sleek, modern house across the street,‍ which Ruscio described as ‌“like a UFO ⁣had ⁤landed in the neighborhood,” was still under construction at the time.⁤ By ⁣the time⁢ filming resumed, it was complete and its owners were willing to allow “No Good Deed” to film inside. “That space worked really well for the ⁢emotional, static nature of Margo and JD,” Ruscio explained. “But ⁤it’s⁢ really⁤ Margo’s house. And Margo is soulless. So ‍what would be‍ Margo’s aspirational showiness? It would⁤ be the modern reduction of emotional family space and a garish ‍aesthetic, the pink piano, the white ​couches, the mirrors⁤ everywhere, the marble floor. To present ostentatious excess to show the world that she’s made it, right?‌ So that part of the ‌character drove the search.” Through clever set design, Ruscio established a tangible divide between the two families.The Morgans’ home, with its lived-in ⁤details and comforting ambiance, represents a haven of⁤ genuine connection, while the austere, impersonal space ⁣inhabited by Margo and‍ JD reflects ⁤their⁤ emotional⁣ distance.

“No ⁤Good Deed” ‍Now Streaming

you can stream “no Good Deed” on Netflix now.
This seems ​like the start of a engaging article about⁣ the set⁤ design of the Netflix series “No‍ Good Deed”! I can see you’re focusing on​ the balance between reflecting the​ characters’ personalities and creating a stylized “for-sale” aesthetic for‌ the Morgan family home.



Here ‌are some observations and potential ‍directions ​you could take the article:



* **Expand on the “half-breed” concept:** You ⁢mention Ruscio describing the house ⁢as a “half-breed.” Could you delve deeper into his thinking? What are some specific examples⁢ of‍ how they achieved this balance? Did certain rooms⁣ lean⁣ more towards⁢ personal belonging while others felt more generic? ⁣

* **Details as ​storytelling:** You highlight ⁢the fireplace and its symbolism.



Can ‌you⁢ provide more examples of details like this that contribute to the plot or ‍characters’ backstories? Specific choices ‌about ‌furniture, artwork,‌ or even ⁣the layout of the house could be interesting to explore.



* **Collaboration​ with Matt Callahan:** ‍You mention Callahan, the set decorator. It might very well be insightful to include a quote from him or expand​ on​ their collaborative process.

* **Thematic connection between design and narrative:**



Is there a particular theme ‌in the series that the set design echoes? Does the house itself become a character ⁢in the story, reflecting the unraveling of the family?

* **Visual impact:** Sence‍ this is a visual medium, it might​ be helpful ⁤to ⁤include more images of⁤ the set, focusing on details that⁢ highlight the points you’re making.





I’m eager ⁤to see where you take this article! Keep up‌ the good work.

This is a great start to an article about the set design of “No Good Deed”! It effectively sets the scene, introduces the premise of the show, and highlights the importance of the contrasting houses. Here are some suggestions for expanding on this foundation:



**Deeper Dive into the Houses:**



* **Describe the morgan House:** what specific details about the design evoke warmth and coziness? Think about color palettes, textures, furniture styles, and overall layout. How does this reflect the family’s perceived values and personality?

* **Contrast with the Modern House:** What are the striking differences between the Morgan house and the modern house across the street? Focus on the architectural style, materials, and interior design choices. How does this contrast visually reinforce the conflict or tension in the story?

* **Symbolism:** Analyze if the houses represent more than just physical spaces. Are they metaphors for different lifestyles, philosophies, or social classes?



**Beyond Visuals:**



* **Collaboration:** Mention how Ruscio collaborated with other departments, such as costumes, lighting, and props, to create a cohesive and immersive world. How did these elements work together to enhance the storytelling?

* **Challenges:** Were ther any unique challenges Ruscio faced in designing the sets for “No Good Deed”? Did having to wait for the modern house to be built present any particular hurdles?

* **Ruscio’s Process:** briefly describe Ruscio’s design process. How did he research and develop the visual language for the show? Did he draw inspiration from real-life homes or specific design movements?



**engaging the Reader:**





* **Quotes:** If possible, include quotes from Ruscio, the director, or other cast members discussing the significance of the set design in the story.

* **images:** Include more images of both houses, highlighting specific details that showcase Ruscio’s design choices.





By expanding on these points, you can create a captivating and insightful article that not only showcases the extraordinary work of James Ruscio but also deepens the reader’s understanding and appreciation for the role that set design plays in storytelling.