A Cinematic Self-Reflection: “It’s Not Me” Is a Triumph
“Who is Leos Carax?”
That was the question posed to the filmmaker, director of acclaimed works like Holy Motors and Annette, inexplicably turning his denial into a vibrant 41-minute self-portrait, wryly titled C’est Pas Moi/It’s Not Me. The result is an achievement as much about reflection as it is about a career constantly steeped in echoes of his youthful fervor.
Leos Carax’s career has been a roller coaster. He’s had his fair share of ups and downs in his expansive four-decade journey. Once touted as Godard’s heir apparent and perhaps cinema’s enfant terrible, his early brazen style, marked by its grand, uncertainly brilliant visions of young love and filmmaking itself, ruffled feathers and confused some, drawing comparisons to his mentor. Boxed as a rebel, Carax’s personal life, fueled by passions and past loves—like Juliette Binoche and Katerina Golubeva (who tragically passed away and with whom he fathered Nastya Golubeva Carax, a figure who participates in the film).
This harsher, more naturalistic style, reminiscent of some of the French New Wave peaks, but always uniquely Carax’s own, is pervasive.
The dedication to exploring internal landscapes through It’s Not Me. The film, filled with Carax’s visual flair, turns its lens directly to honor forgotten canvases. These are named dropped as they appear in a bullet-point list, becoming equal to Hama’s own narrative, entwined with recurring faces – images from
Early Influences and Godard’s Weighty Legacy
Carax acknowledges his influences, with Godard’s unshakeable presence, prominently displayed – and not-too-subtly revealed. Godard’s signature Cinematography, the distinct use of text, similar rooster kiss and wordplay exhibited in the film. Carax’s gravel voiceover narration echoes Godard’s dagger.
But he even appears to incorporate minigods VO ice.
Beyond homage, not콥anity veering into impersonation, the film acts as a monument that avoids mimicking Godard’s austere and political choosing. He found
Carax’s past films, alluring challeng umoldo C’est Mot Me,
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The Echoes of the Past
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## A Conversation with a Cinematic Visionary
**Host:** Joining us today is Alex Reed, renowned film critic and scholar. We’re here to discuss the new Leos Carax film, “It’s Not Me,” which is generating quite a buzz.
**Alex Reed:**
It truly is a remarkable piece. This film is much more than just a self-portrait. It’s a captivating exploration of artistic identity and the passage of time.
**Host:** For those unfamiliar, who is Leos Carax, and what makes him such a fascinating figure in cinema?
**Alex Reed:**
Leos Carax is a maverick filmmaker, known for his bold, visually stunning, and often unconventional style. He rose to prominence in the 80s and 90s with films like “Boy Meets Girl” and ”The Lovers on the Bridge.” His work has drawn comparisons to the French New Wave, particularly Godard, but carax always carves his own path, exploring themes of love, loss, and the cinematic experience itself.
**Host:** “It’s Not Me” seems to delve into his personal life and career trajectory.
**Alex Reed:**
Exactly. Inspired by a never-realized exhibition at the Pompidou Museum asking him, “WHERE ARE YOU AT, LEOS CARAX?”, the film becomes Carax’s response, a poignant reflection on his journey. We see glimpses of his relationships, his struggles, and his enduring love for cinema. The film features his daughter, Nastya, who is also a captivating presence.
**Host:**
The piece is described as a “vibrant 41-minute self-portrait.” What makes it so compelling?
**Alex Reed:**
While it centers around Carax, the film isn’t simply biographical. It’s a meditation on the nature of self-expression and the power of cinema as a mirror. He uses his signature visual flair, interweaving archival footage, personal memories, and commentary on his artistic influences. It’s a profoundly personal and insightful work that resonates long after the credits roll.
[[1](https://tv.apple.com/us/movie/its-not-me/umc.cmc.3034h5f8rhhidqnzx56u3e0so)
**Host:**
This sounds like a must-see for anyone interested in cinema and the creative process. Thank you for shedding light on this fascinating film, [Alex Reed name].
**Alex Reed:**
My pleasure. “It’s Not Me” is a truly unforgettable cinematic experience.
