2024-11-25 22:17:00
At the 14th edition of the Perfil Awards, film directors and producers Mariano Cohn and Gastón Duprat won the prize for “Nada” (2023), “Bellas Artes” (2024) ) and The Manager won the Best Contribution to a Series Award (2022).
Unable to attend in person, the directors expressed their gratitude for the recognition via video. “It is a great honor to receive this honor,” said Gastón Duprat. “I thank Peffel, but unfortunately I could not attend the ceremony because we are filming a film with Mariano New Films. We’re delighted that these series that we love so much have been honored because they reach a huge audience and spark debate and reflection, and we love this kind of work of art that has an impact on reality.
Mariano Cohen said: “I would like to thank Peifer and the jury for their recognition. As a director and creator, it is always an honor to receive an award, especially when it is related to these new works we are making When: Making a series is a difficult task, it does not require one person, and the most difficult thing as a director is to understand the author of the work.
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“This recognition makes me very proud because it means that the search and work we do in Cinema achieves our goals in the series. Our work is always about the author search, but also with the public in mind. I look forward to receiving this The awards raised together with the team, coupled with the efforts of the Disney platform, which submitted and accepted our content and ideas with the more experimental stamp of our work,” concluded Cohen.
Mariano Cohn and Gastón Duprat receive awards for Best Contribution to a Series
The pair, originally from Buenos Aires, have been working together for thirty years. His first films include The Man Who Dies Twice (1991), A Day on Earth (1993), Camus (1995), Circuits (1996), We Fill the Earth ( 1998)), I Am Francisco Lopez (2000), 212 (2001), Do It Yourself (2002) and 40 Years in 4 Minutes (2015) ).
The pair are known for constantly innovating in film and television by exploring and exploiting the limits of narrative and visual aesthetics. One of his most acclaimed works is The Man Next Door (2009), an acid comedy that uniquely eases tensions between neighbors. They also directed Shining Citizen (2016), an award-winning film about a Nobel Prize-winning writer who returns to his hometown to take a satirical and critical look at society.
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On the small screen they left their mark with Televisión Abierta, an experimental program that offered viewers a novel format. In addition, they have also created various forms such as the dating show “Cupido”, the fictional micro-show “El Gordo Liberosky”, and “Cuentos de Terror”. and Japan.
Throughout their careers, Cohen and Duprat cemented a highly successful duo and careers depicting human complexities and social contradictions, maintaining a fine balance between narrative depth and visual originality. In this way, they demonstrate aspects of Argentine identity through stories that tell themes such as power relations and the complexity of the human condition, as well as stories that explore everyday hypocrisies and social dynamics.
Nada: A series exploring loneliness and the art of cooking
Starring Louis Brandoni, with a special participation from Robert De Niro, “Nada” is a comedy that follows the life of Manuel, a lonely and cynical food critic who is employed by After taking on a young, inexperienced home assistant, he faces huge changes. Set in Buenos Aires, the show explores themes such as the passage of time, relationships and the love of food, standing out for its intimate and reflective tone.
Fine Art: A Tour of the Argentinian Art World
The story follows Antonio Dumas (played by Oscar Martinez), an art historian and cultural manager who is appointed director of a large contemporary art museum in Madrid. In his new position, he will have to face a range of work- and art-related challenges, including union issues and political pressure, as well as exhibition and artist adversity.
Manager: Power struggle in Buenos Aires building
“The Manager,” starring Guillermo Francella, follows the life of Eliseo, the manager of a building in Buenos Aires who manipulates the residents to maintain control. The play combines drama and satire, tapping into themes of power dynamics and coexistence that the directors had already discussed in The Man Next Door. This enclosed microcosm becomes an ideal setting for reflection on human relationships.
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How have the contributions of platforms like Disney influenced the creative processes of Mariano Cohn and Gastón Duprat in their recent projects?
**Interview with Mariano Cohn and Gastón Duprat Following the Perfil Awards**
**Interviewer:** Hello Mariano and Gastón! Congratulations on receiving the Best Contribution to a Series Award for “Nada” at the Perfil Awards! How does it feel to be recognized for your work?
**Mariano Cohen:** Thank you! It’s a great honor to receive such recognition, especially for a project we are so passionate about. Awards like this reflect the efforts of the entire team, and we’re thrilled to see our work resonating with audiences.
**Gastón Duprat:** Absolutely. Even though we couldn’t be there in person, it means a lot to us that our artistic contributions are recognized. It’s also a testament to the support we’ve had from platforms like Disney, which have allowed us to take creative risks.
**Interviewer:** Your series “Nada” explores deep themes like loneliness and the art of cooking. What inspired you to choose these particular subjects?
**Mariano Cohen:** The concept of loneliness, especially in contemporary society, feels incredibly relevant. Cooking is an intimate act, and through it, we can explore connections—both genuine and fractured—between people. We wanted to create something that sparks reflection and conversation.
**Gastón Duprat:** The idea is to make the audience feel the weight of these themes, while also finding humor in them. We believe that laughter can often arise in the most unexpected moments, and “Nada” blends comedy with poignant social commentary.
**Interviewer:** You’ve had an impressive career together, pushing boundaries in both film and television. After thirty years, what keeps you motivated to innovate and take risks?
**Gastón Duprat:** The desire to tell new stories that resonate with audiences is what drives us. Art should challenge, provoke, and inspire thought. We thrive on exploring narratives and visual aesthetics that haven’t been done before.
**Mariano Cohen:** Plus, every project brings its own unique challenges and learning experiences. That keeps the creative process fresh and exciting for us.
**Interviewer:** With “Nada” and other recent works, how do you see your roles evolving in the future? Are there particular themes or ideas you’re eager to explore next?
**Mariano Cohen:** We’re always on the lookout for stories that reveal deeper truths about humanity. I think our upcoming projects will continue to delve into social dynamics and identity, particularly as we all navigate the challenges of today’s world.
**Gastón Duprat:** We also plan to experiment with different formats and styles. The landscape of storytelling is constantly changing, and we’re excited to explore how we can adapt to that as creators.
**Interviewer:** Thank you, Mariano and Gastón, for sharing your insights. Best of luck with your future endeavors!
**Mariano Cohen:** Thank you so much!
**Gastón Duprat:** It’s been a pleasure!