Sabrina Carpenter’s Dumb & Poetic: A Literary Critique of Performative Empathy

Sabrina Carpenter’s Dumb & Poetic: A Literary Critique of Performative Empathy

Image C/O 2024 Island Records, a division of UMG Recordings, Inc.

Sabrina Carpenter’s song Dumb & Poetic presents a candid critique of individuals who labor to project a veneer of sensitivity and profundity while failing to establish meaningful connections. The lyrics incisively target the notion of “performative empathy,” illuminating the disingenuousness of someone who heavily relies on self-help literature, meditation routines, and flowery quotations, yet ultimately appears vacuous. Drawing upon my expertise in English literature and creative writing, I aim to delve deeper into Carpenter’s lyrics, making connections to prominent poets and enduring literary themes. By engaging with historical literary contexts, we can truly explore the essence of Carpenter’s insightful critique.”

There’s been much speculation among fans regarding whether this song specifically addresses Shawn Mendes. Carpenter’s references to “floor meditation” and “self-help books” resonate with Mendes, who has publicly shared his journey with such practices.

Mendes candidly revealed that he had read “55 self-help books” to navigate personal challenges related to stress and self-perception. Regardless of whether the song is truly inspired by him, Dumb & Poetic serves as an excellent platform for exploring the significant distinction between an authentic inner life and one that is merely performative. I am particularly enthusiastic about drawing literary comparisons, particularly connecting Carpenter’s thematic explorations with the works of Philip Larkin, Weldon Kees, and Louise Glück, each renowned for examining the complexities of authenticity, empathy, and human experience.

Sabrina Carpenter Dumb & Poetic Lyrics

Sabrina Carpenter Dumb & Poetic Meaning

“You’re so dumb and poetic / It’s just what I fall for, I like the aesthetic”

These poignant lines articulate the speaker’s exasperation with their partner’s superficial endeavors to project wisdom or empathy. The acknowledgment of being drawn to this “poetic” façade reveals a deeper understanding that it is essentially an “aesthetic” devoid of substantive meaning. This emotional tension evokes Philip Larkin’s incisive critique of empty platitudes in his poem This Be The Verse, epitomized in the stark proclamation, “They fuck you up, your mum and dad.” Larkin’s unvarnished tone serves to expose how familial so-called wisdom can often inflict unintentional harm. Similarly, the speaker expresses a dissatisfaction with their partner’s ostensibly profound insights, recognizing the disparity between appearances and the genuine impact on those around them.

“Gold star for highbrow manipulation / And ‘love everyone’ is your favorite quotation”

This line unambiguously calls attention to the partner’s performative benevolence. The idea of “highbrow manipulation” conveys that the partner resorts to elaborate concepts or quotations to project insight, but it all remains a mere performance. The utterance “‘love everyone’ is your favorite quotation” emphatically conveys the speaker’s perception of this purported “love” as insincere and self-serving.

This sentiment reverberates with the themes explored in Weldon Kees’s poem For My Daughter, where Kees probes beneath the surface to question the authenticity of appearances, even among seemingly innocent individuals or concepts. In Kees’ verse, he discerns the lurking potential for darkness, suggesting that what presents as “pure” or “loving” might harbor complexities. Likewise, the speaker in these lyrics perceives the superficiality embedded in the partner’s “love everyone” stance, recognizing it as little more than an empty proclamation devoid of true commitment.

“Don’t think you understand / Just ‘cause you talk like one doesn’t make you a man”

In this striking line, the speaker challenges the partner’s false sense of wisdom. The misguided notion that articulate speech—perhaps echoed by quoting revered poets like Leonard Cohen—bestows maturity or depth is sharply confronted. The speaker asserts that mere rhetorical flair cannot substitute for genuine understanding or maturity.

This assertion rings true in Louise Glück’s poem The Triumph of Achilles, where she encapsulates Achilles’ profound emotional turmoil, articulating, “In his tent, Achilles / Grieved with his whole being.” The depiction of Achilles’ raw emotional experience starkly contrasts with any semblance of performative wisdom, highlighting the desire for genuine depth from a partner rather than a facade of wisdom articulated through speech alone.

“You’re so empathetic, you’d make a great wife”

This sarcastic remark serves to deride the partner’s supposed “empathy,” suggesting that it is both shallow and insincere. While the partner may perceive themselves as sensitive and caring, to the speaker, this professed empathy rings hollow, aligning with the broader critique of false profundity.

This theme resonates within The Triumph of Achilles, where Glück emphasizes that authentic empathy and connection necessitate the experience of genuine emotions, surpassing mere performative gestures. Unlike the partner in the song, whose emotional expressions may appear crafted, Achilles’ feelings embody an undeniable sincerity. The speaker expresses a longing for a partner who embodies true emotional depth rather than one who simply mimics an “empathetic” role.

“Just ‘cause you leave like one doesn’t make you a man”

In the concluding lines, the speaker delivers a final critique of the partner’s immaturity, asserting that physical or emotional departure does not equate to maturity or wisdom. The sentiment conveys that the partner’s perceived “wisdom” and self-sufficiency are little more than a performance, emphasizing a fear of true depth.

This idea echoes Larkin’s skepticism presented in This Be The Verse. As Larkin scrutinizes the vacuous nature of inherited wisdom, the speaker here similarly dismantles the partner’s claims to maturity. The profundity of Larkin’s line, “They may not mean to, but they do,” resonates with the suggestion that the partner may be oblivious to the superficiality of his actions, unwittingly perpetuating a cycle of disingenuousness.

Themes, Meanings, and Main Takeaways

In Dumb & Poetic, Sabrina Carpenter explores the complexities and frustrations of engaging romantically with someone more focused on projecting an illusion of sensitivity and wisdom than genuinely embodying those qualities. The song sharply critiques individuals who cherry-pick “highbrow” phrases and cling to self-help aphorisms to create a façade of insight. Carpenter’s remarks, notably the incisive line “Gold star for highbrow manipulation,” evoke the unapologetic candor seen in Philip Larkin’s This Be The Verse, wherein Larkin articulates the hollowness of familial wisdom. The speaker in Dumb & Poetic expresses a shared sense of disillusionment regarding the lack of genuine depth and accountability present in their partner, mirroring Larkin’s dissatisfaction with the empty advice inherited through generations.

Carpenter’s lyrics emphasize that wisdom bereft of self-reflection can inflict harm, highlighting the perils of performative empathy.

The second verse, where Carpenter critiques her partner’s fascination with meditation and “floor meditations,” evokes a similar skepticism found in Weldon Kees’ For My Daughter, wherein he casts doubt on the authenticity of seemingly virtuous appearances. In Kees’ work, he confronts the notion that innocence guarantees authenticity, revealing an acute awareness of the complexity of human experience.

Carpenter’s line, “Save all your breath for your floor meditation,” subtly underscores the artist’s viewpoint: superficial introspective practices fail to enhance one’s capacity for meaningful personal interactions. Speculation among fans suggests these lyrics could be directed toward Shawn Mendes, given his candid discussions surrounding self-help literature and meditation practices. Within this context, the lyrics reveal an essential message—that even pursuits lauded as “mindful” cannot replace genuine empathy and authentic growth when they exist merely at the surface level.

As the song progresses, Carpenter meticulously critiques the partner’s supposed maturity through the assertion, “Just ’cause you talk like one doesn’t make you a man.” This sentiment finds resonance in the themes articulated by Louise Glück in The Triumph of Achilles, wherein the depth of Achilles’ grief is profound and genuine; it exists beyond a performative façade. Glück’s portrayal of Achilles is steeped in authentic emotion, contrasting sharply with Carpenter’s critique of a partner whose masculinity is merely theatrical.

Fans also note Carpenter’s direct references to Leonard Cohen’s lyrics and “therapy buzzwords,” perceived as subtle digs at the partner’s transparent efforts to appear insightful. In both The Triumph of Achilles and Dumb & Poetic, the overarching message emerges: authentic strength and depth can only be derived from a place of sincerity and genuine emotional experience, not merely from crafting a well-read persona. The poetic parallels throughout the song underscore a crucial truth—that authentic connection and empathy require lived experience and cannot simply be conjured through curated expressions.

How does Carpenter’s⁤ work invite listeners to reflect​ on the authenticity‌ of their relationships?

Your breath for the ones who really need it,” serves as a​ poignant reminder that not all⁣ expressions⁢ of care are genuine, emphasizing that true empathy should be ​reserved for those who sincerely require support, rather than performed ⁤for show. This aligns ⁣with Glück’s exploration of⁤ authentic connections that arise from profound emotional truths, suggesting a critique of those who mask their insincerity beneath a veneer of sophistication and⁣ insight.

*Dumb⁢ & Poetic* emerges as a powerful commentary on ⁣the distinctions between performative and genuine emotional engagement, inviting listeners to ⁤reflect​ on the authenticity⁤ of their relationships. ⁢Carpenter’s artistry prompts⁣ an⁢ introspection on how we communicate love and wisdom, urging a transition from superficiality to deeper, more meaningful ⁢connections. The‌ connections drawn with the poetry ‌of Larkin, Kees, ‍and Glück underscore this exploration, emphasizing that ⁤true empathy and wisdom are cultivated through lived experiences and emotional ⁤honesty, rather than mere words ⁤or appearances.

Leave a Replay