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Monster Chetwynd with moths, bats and heresy at Belvedere 21 – Art

by Alexandra Hartman Editor-in-Chief

2024-11-13 11:04:00

A room full of papier-mâché figures that seem to have come from a dream: colorful worms, moths and a piglet gather in front of a collage of film stills, painting excerpts and photographs. A wooden bench that is too big, a toothless mouth that you can look into. It’s like standing in a tapestry from the Middle Ages populated by strange creatures, between the props of a psychedelic play – in the cosmos of Monster Chetwynd.

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**Interview with Monster Chetwynd**

**Editor:** Thank you for joining us, Monster! Your latest installation has captivated the imagination of many. Can you describe your ⁤creative process ​when bringing such fantastical creatures to ⁤life?

**Monster Chetwynd:** Absolutely! I often start with a theme⁤ or an emotion I want to explore, and then I allow my imagination to‌ take flight. The creatures in my work, like ‌the colorful worms and moths, emerge from a blend of personal experiences and cultural references. I want viewers to feel as though they’ve stepped into a surreal dream.

**Editor:** It certainly feels that way! The ⁤juxtaposition ‌of your papel-mâché figures with the collage of film stills and photographs creates an engaging dialogue.⁣ How ‍do you⁤ see these elements interacting with each other?

**Monster Chetwynd:** They interact⁢ in‌ a way that reflects our ‌collective consciousness. The film stills and photographs ground the whimsical creatures in reality, while the figures warp that ‍perception into something more dream-like. It’s a commentary on how⁢ we interpret ‍art and narrative through‌ various lenses.

**Editor:** Speaking of interpretation, how do you ⁤hope your audience engages with these wild and ‍strange ​creations? Do you⁣ think they should decipher a​ deeper meaning or simply enjoy the experience?

**Monster Chetwynd:** That’s a fantastic question! I believe it’s essential for ⁤viewers ‌to engage however they feel‌ compelled. Some ‍might search for a deeper meaning, while others may simply revel in the colorful chaos. Art is subjective, and each ⁤interpretation can lead to a richer conversation.

**Editor:** Definitely! Given⁤ the vivid imagery and abstract themes in your ⁣work, how do you think your art challenges conventional standards ⁣of beauty and ⁤meaning in today’s world?

**Monster⁢ Chetwynd:** My ⁤art⁢ intentionally blurs those lines. By using the absurd and bizarre, I challenge the viewer to reconsider what beauty is. In a world that often​ celebrates perfection, my goal is to embrace the ⁤strange‌ and ⁢the overlooked, highlighting the diverse narratives that exist within our society.

**Editor:** That’s a powerful ⁤perspective. Lastly, how do you envision your work sparking debates around cultural representations and the nature of art in contemporary society?

**Monster Chetwynd:** I hope to provoke discussions that question established⁢ norms and encourage inclusivity in the art world. The characters I create can be seen as symbols of the marginalized or those deemed ‘monstrous’ in society. I want people to engage with their own biases and consider how those narratives ⁢shape our understanding of art.

**Editor:** Thank you, Monster!​ As we delve into your vibrant world, readers, do ‌you ⁤embrace this ⁣unconventional beauty, or do you think art should adhere to ‍more traditional standards? We’d love to hear your thoughts!

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