2024-11-12 18:30:00
In this episode, we explore Ours Is The Hand That Sews Timea two-person exhibition at M. LeBlanc featuring new work by father and son, Peter and Jake Fagundo. Both artists challenge the notion of painting as a finished product, instead embracing it as a continuous, evolving process. Peter, a longtime professor at SAIC, draws from his deep archive of past drawings and appropriated imagery, creating works that bridge abstraction and figuration. His son Jake, shaped by the digital age and a dynamic array of artistic influences, balances historical references with playful figurative work. Together, their pieces create a dialogue across generations, blending tradition with contemporary exploration. We are joined by Taylor Payton and Marc LeBlanc.
Christopher Hudgens is the Operations Manager for BaS and works in various other capacities for other organizations in the Chicago Art & Culture scene. Most recently as Business Operations Manager for the Bridge Art Fair and currently an advocate for all things art & technology.
Related
1731485686
#Episode #Pete #Jake #Fagundo
**Interview with Peter and Jake Fagundo on “Ours Is The Hand That Sews Time”**
**Editor**: Welcome, Peter and Jake! It’s exciting to talk about your upcoming exhibition at M. LeBlanc. To start, can you tell us what inspired the title “Ours Is The Hand That Sews Time”?
**Peter**: Thank you for having us! The title reflects the idea of time being stitched together through our experiences and memories. In our works, we explore how painting isn’t just a singular act, but rather an ongoing process that weaves together the past, present, and future.
**Jake**: Exactly! We want viewers to see our art as a dialogue across generations. By blending historical references with contemporary influences, we aim to create a tapestry of ideas that evolves with each interaction.
**Editor**: That sounds fascinating. How does your collaborative process shape the artwork?
**Jake**: Working together has been eye-opening. It allows us to challenge each other’s perspectives. My approach is often influenced by the digital age, while my father’s background in traditional methods adds depth to our pieces.
**Peter**: Yes, and it’s essential for me to incorporate my past works and teach the younger generations about how art can be a continuous journey. Jake brings a playful yet profound energy to the table, encouraging me to stretch my boundaries.
**Editor**: You mentioned that both of you challenge the concept of painting as a finished product. Can you elaborate on that?
**Peter**: We delve into how art should not be confined to a single moment. Each piece is, in essence, a conversation. We see our works as living entities that can grow and change over time, influenced by the environment and the viewer’s perspective.
**Jake**: And that’s where the collaboration truly shines! Our pieces take on new meanings through our joint efforts, combining layers of history with modern interpretations. It’s about blurring the lines between past techniques and new ideas.
**Editor**: It sounds like your exhibition is set to be a memorable experience. What do you hope the audience takes away from “Ours Is The Hand That Sews Time”?
**Jake**: We hope they feel a sense of connection—not just to our artwork, but to their own experiences and the collective history we all share.
**Peter**: If viewers leave with a renewed sense of curiosity about the artistic process and a desire to engage more deeply with art, then we’ve achieved our goal.
**Editor**: That’s a wonderful vision. Thank you both for sharing your insights, and I look forward to seeing your exhibition during Chicago Exhibition Weekend 2024!
**Peter and Jake**: Thank you! We can’t wait to share our work with everyone!