Three Literary Novels in November: Takeshi Kitano, Bernardo Escuenca, and Eduardo Pérez Arroyo

Three Literary Novels in November: Takeshi Kitano, Bernardo Escuenca, and Eduardo Pérez Arroyo

2024-11-13 02:00:00

It’s always a good time to read, but spring invites you to prepare some company and enjoy the sunshine. Here are three novels from Big Sur publishers November.

“Child” by Takeshi Kitano:

Hand in hand with a subtle style that always impresses, Kitano write in this title Three stories about childhood In it, he straddles the old tradition and the modern, suggesting that certain things have the specter of uncertainty.

Los characters in these stories They look for a unique door into the human condition in that everyday yet profound interstice. This work is Build a bridge to understand Japan, and delves into the logic of one of the key figures in Japanese and world culture.

Three Literary Novels in November: Takeshi Kitano, Bernardo Escuenca, and Eduardo Pérez Arroyo

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«All the Blood by Bernardo Escuenca:

Remains of a pre-Hispanic city Mexicoonce scenes of extreme religious rituals that remain incomprehensible to us are translated into crime scene Written by a fanatic who sought to restore the greatness of great Tenochtitlan.

huge metropolis suddenly caught up with the rhythm An ancient song evokes a past of oppression and resistance, of integration and division; The bloody traces of the conflict between two worlds. After spending several days homeless and writing investigative articles, Casasola, a reporter for Semanario Sensacional, is forced to track ritual killer.

Elisa Matos, Archaeologist, subject to an impulsive and chaotic love life, She becomes an indispensable ally in his investigation, but also the object of his desire, gods who refuse to die, figures determined to understand a mysterious and distant past, and suspicious of everyone’s authority. this work has long become a classic A part of Mexican crime fiction in which police, horror and fantasy literature combine to create an emotional and suspenseful thriller.

“The Devil of Fontesilla” by Eduardo Pérez Arroyo:

an ex-combatant Manuel Rodriguez Patriotic Front, Join the investigative police and track down a Attack on senior army general. The man who carried it out was hired by a man who had lost his sister, who had been stolen by the Chilean government during the dictatorship and sold to a wealthy family. this Commissioner Arriola is drawn into the investigation A psychologist from the Vicariate of Unity has too much information. Their audacious act plunges them into the darkest parts of Chilean newborn trafficking, and over time, they become entangled in the human consequences and destroyed families.

This way Challenging Ariola’s beliefs, Giving her the false belief that she is close to her research partners, and bringing her face to face with one of the demons responsible for the crime: a priest named Joannon. The Devil of Fontesilla This is Eduardo Pérez Arroyo’s second crime novel. Through the lens of a police investigation, this psychological thriller delves into a drama that is devastating our society: child abuse in all its forms. He easily outlines the chorus sound This announces Commissioner Arriola’s arrival at the Gate of Evil.

Picture of an Argentinian book that ranks among Latin America's bestsellers of 2024


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**Interview with Literary Critic, Maria Santos, on New‍ Novels from Big Sur Publishers**

**Editor:** Welcome, Maria! It’s great to⁣ have you ‌here to discuss the latest novels from Big Sur publishers. With spring just around the corner, what can readers expect from these ⁢new‍ releases?

**Maria Santos:** Thank you for having me! The three⁣ novels we’re discussing today represent a rich⁤ tapestry of ‌storytelling that explores fundamental human ⁢experiences, all set against fascinating cultural backdrops. Each author brings a unique perspective that is both thought-provoking and entertaining.

**Editor:** Let’s start with “Child” by Takeshi ‍Kitano. What makes this collection particularly compelling?

**Maria Santos:** Kitano’s “Child” is a beautiful exploration of childhood through three interconnected stories. His subtle yet impactful style captures the essence of ⁢nostalgia, uncertainty, and‍ the intersections of old‌ and new Japan. It’s not ​just a window into childhood;⁢ it’s a‌ bridge to understanding the complexities of Japanese culture as a⁤ whole.

**Editor:** Moving ‍on to “All the Blood” by Bernardo Escuenca, it sounds like a thrilling mix of history and crime. Can you give us some⁢ insight into its narrative?

**Maria Santos:** Absolutely! “All the Blood” takes readers into the​ haunting remnants of a pre-Hispanic city in Mexico, where history‌ intertwines ‌with modern crime. The protagonist, Casasola, is a dedicated journalist who finds himself⁣ unraveling a web of ancient rituals and contemporary ⁣violence. Escuenca masterfully blends‌ elements of crime and fantasy,​ making this work not ​just a thriller, but also a ​commentary⁣ on cultural identity and the scars ⁣left by history.

**Editor:** And what can you tell us about “The Devil of Fontesilla” ‌by Eduardo Pérez Arroyo?

**Maria Santos:**‌ This novel delves deep into the murky waters of Chile’s past, ⁤tackling sensitive topics like human trafficking during and after the ​dictatorship. The story follows Commissioner Arriola as he investigates a brutal attack while grappling with⁢ his own notions of justice and morality. Arroyo’s narrative is both gripping and reflective, posing important questions about how the past continues to shape​ the present.

**Editor:** These⁣ novels sound like they offer ‍a lot of depth and complexity. ⁢Why‌ do you think readers should pick them up this spring?

**Maria Santos:** Spring is a time of ⁤renewal and​ reflection,​ making it the ‌perfect season ​to immerse oneself in these compelling stories.⁤ Each book invites readers to not only escape into​ different worlds but also to confront some uncomfortable truths​ about humanity and history. They are not just stories; they are⁤ conversations ​waiting to happen.

**Editor:** Thank you for ⁤your insights, Maria! It looks like readers ‍have a lot to look forward to this November.

**Maria‍ Santos:** ⁢Thank you for having me! I hope everyone finds joy ⁢in ⁣reading these thought-provoking works.

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