On November 8, the group “Triānas Parks” releases a new album “Vientulių dējnieku sala” and the second single “Labyrinth”. The album marks a new stage in the group’s creative activity and continues to explore the collective cultural space, with a strong emphasis on lyrics and sound design.
In this album, Agnese is not only a songwriter and performer, but for the first time she presents herself as a record producer, giving the work a new, never-before-heard dimension. This creative approach represents a major turning point in Agnes’ career and also expands her artistic vision.
Agnes says:
“For me, the focus of this process is precisely the component of the written word, which makes the album a conceptual work with an interdisciplinary character, as it is permeated by an audio fairy tale.”
The album “Island of Lonely Poets” is an anthropological study of loneliness and its manifestations, which are symbolically embodied by the image of the poet – a sensitive, fragile and deeply empathetic member of society, who perceives the world with a special focus. This poet symbolizes the “soul” of each individual, whose poetic experience is often misunderstood and alien to others. The image of the servant is also examined, which is highlighted in the canon of Latvian art through Blumberg’s work. The album also explores music as an artistic function that has an aesthetic, spiritual and entertaining dimension. This is especially important now, when our everyday life is being taken over by “artworks” created by AI, opening a wider discussion about the functionality and role of art in society.
Agnese says: “In this album, I go back to the past. The sources of inspiration for the album are the greats of Latvian literature and writing. A special photo session was made in the E. Smilģas museum. I also read a lot of works by J. Jaunsudrabiņš. I am also inspired by young people who passionately want to start in the industry – one one of the producers of the album is 17-year-old Sabine Mustermane, who has already released her debut album and is currently learning jazz vocal skills at Ventspils Music High School. The trip to Japan in June, where I got to know people and their culture, was also important and pass this message on to others,” Agnese explains.
She wants to delve into the richness of our culture and draw from it ideas for the future, which is currently so uncertain and anxious.
Agnes Rakovska.
Photo: Publicity
The process of creating the album took place largely in the music and education platform “Zvaigznājs”, which is a new hybrid studio in Riga – its goal is to create a platform where everyone can learn the use of digital music technologies and realize not only audio, but also video projects. The new industry standard is hybrid, and this too presents challenges for any new “poet”. The sound of the album is eclectic and experimental.
“I was able to explore and expand musical boundaries without losing touch with pop music, which has always been important to me,”
says Agnes.
The author reveals that at this time her biggest focus is precisely education. Agnese works in “Zvaigznāja” as a mentor and makes significant changes in the education system in Latvia in order to introduce digital technologies in music classrooms. In this new role, the amplitude of her personality has expanded significantly, and the album serves as a manifestation of these diverse ideas. The release of an album is an important event in the life of every artist, and Agnes wants to inspire girls in particular to learn digital skills in order to realize their creative ideas independently. She emphasizes that in the age of digital technologies, the possibilities of self-publishing an album are wider than ever before.
Listen!
“Triānas Parks”, continuing the started tradition, will give 16 concerts in churches all over Latvia in December, and two special concerts will be announced next year, in which the material of the new album will be played. Additional information is available on the website www.trianasparks.lv.
Survey
What is your most frequent visit to LASI.LV?
Choose your social network platform to follow LASI.LV: Facebook, Twitter, For friends or else Instagram. Join our readership to receive useful, practical and up-to-date content specially selected for you.
Well, well, well! It seems “Triānas Parks” is back and about to bless our earholes with their new album “Vientulių dējnieku sala.” Set your calendars for November 8th, folks, unless you’re one of those people who still write notes in a physical planner! Seriously, who are you? A time traveler from the ’90s? But I digress—this album is apparently a “new stage” for the group. One can only hope it’s better than their last “phase,” which was effectively called “We Tried.”
Now, here’s a nifty twist: Agnese isn’t just showing up with a microphone and a good pair of shoes; she’s stepping into the role of record producer. That’s right! She’s not just participating in her music career; she’s taking the wheel! Talk about a metaphorical road trip. You’d think she’d stop for gas before demanding to drive the whole tour bus! But hey, we’re excited—she’s looking to expand her artistic vision! It’s about time someone weighed down the gas and hit the accelerator over here!
Agnese, in her infinite wisdom, claims that the album is both an “anthropological study of loneliness” and an “audio fairy tale.” I must say, if my loneliness could speak, it would probably say, “Stop inviting those weirdos to your parties.” But who can blame her? We live in a world where AI art is flooding our lives—yes, even my grandma’s cat could probably moonlight as a Picasso now! As a result, the very essence of art is under scrutiny. How thrilling! And terrifying! Just think—a world where robots take over the charts, and I’d have to start giving out ‘How to Formulate Human Emotion’ classes!
If you’re wondering what inspired this sonic adventure, Agnese is looking back to the “greats” of Latvian literature and—surprise, surprise!—a 17-year-old producer who’s already released her debut album. If I’d had that kind of talent at 17, I would have stopped stealing music; now I’m just too cheap to pay for it! But I digress. The young produce, Sabine Mustermane, is learning jazz vocal skills at Ventspils Music High School—impressive! Meanwhile, I’m still trying to master the toaster.
The album’s main character? The poet! Yep, the very same sensitive and fragile figure that your English teacher kept warning you about while teaching you “wombat haiku.” Agnese states that the image of this “soul” is “often misunderstood.” Much like when I try to explain my propensity for collecting cactus plants—everyone thinks I’m trying to be edgy when, honestly, I’m just terrible at keeping traditional houseplants alive.
“This album will help inspire girls in particular to learn digital skills,” says Agnese.
Spoken like a true mentor! She really wants to show girls that they can take control of their creative destinies—that’s fantastic! If she continues this path, we may well see a new generation of female producers who refuse to be sidelined! I mean, someone has to teach them how to filter out the “noise” of their teenage years—the only problem is, when I was a teenager, I wanted to be Will Smith, not Billie Eilish!
The album’s creation process, they say, has occurred at “Zvaigznājs,” a hybrid studio aimed at preparing the next-gen for sound and video projects. In other words, if you haven’t yet figured out how to create a TikTok jingle, get ready for an intensive makeover! Imagine all those wannabe poets and musicians, suddenly multitasking like they’re in a competitive reality show. Talk about pressure!
To wrap this all up, “Triānas Parks” will be performing 16 concerts in churches around Latvia this December. It’s nice—music and spirituality hand in hand. Let’s hope they can convert the audience’s skeptics into believers. But if the music is good enough, hey, even the stone-cold atheists might get up and boogie! Just don’t hold me accountable when the congregation starts slow dancing during the sermon!
Mark your calendars kids, and sharpen those pencils! Art and music are shifting, and Agnese is leading the charge. Let’s hope her poetic adventures lead us all back to a time when expressing emotions didn’t require a direct byte connection!
So, what’s your most memorable experience with brutish loneliness? Visit LASI.LV for more spirit lifting content—or follow on Facebook, Twitter, and Instagram for your daily fix of news and unfiltered observations, just like me at the dinner table!
On November 8, the beloved Latvian group “Triānas Parks” is set to unveil their highly anticipated new album, “Vientulių dējnieku sala,” alongside the release of their second single, “Labyrinth.” This album signifies a pivotal new phase in the group’s artistic journey, delving deeper into the collective cultural landscape with a pronounced focus on intricate lyrics and innovative sound design.
In this groundbreaking album, Agnese steps beyond her role as a gifted songwriter and performer to embrace the mantle of record producer for the first time. This dual role infuses the project with a fresh, uncharted dimension that reshapes her artistic expression. Such a creative evolution marks a significant milestone in Agnes’ career, broadening her artistic horizons and reaching new audiences.
Agnese articulates her vision:
“For me, the focus of this process is precisely the component of the written word, which makes the album a conceptual work with an interdisciplinary character, as it is permeated by an audio fairy tale.”
The album “Island of Lonely Poets” serves as a profound anthropological exploration of loneliness and its diverse manifestations. This theme is symbolically represented by the figure of the poet—a sensitive, fragile, and deeply empathetic member of society—who navigates the world through a uniquely focused lens. This poet embodies the “soul” of every individual, whose profound sensitivity and poetic insights often go unrecognized or misunderstood by others. Furthermore, the album critically examines the archetype of the servant as portrayed in Latvian art, particularly through the work of Blumberg. It also addresses the multifaceted role of music as an art form, capable of evoking aesthetic, spiritual, and entertaining experiences, which is particularly vital in a contemporary context increasingly saturated with AI-generated “artworks,” sparking significant discourse on the purpose and function of art in society.
Agnese reflects on her sources of inspiration: “In this album, I go back to the past. The sources of inspiration for the album are the greats of Latvian literature and writing. A special photo session was made in the E. Smilģas museum. I also read a lot of works by J. Jaunsudrabiņš. I am also inspired by young people who passionately want to start in the industry – one of the producers of the album is 17-year-old Sabine Mustermane, who has already released her debut album and is currently learning jazz vocal skills at Ventspils Music High School. The trip to Japan in June, where I got to know people and their culture, was also important and pass this message on to others,” Agnese explains.
She aims to delve into the richness of our culture, drawing from it essential ideas to navigate through these uncertain and anxious times we live in.
Agnes Rakovska.
Photo: Publicity
The album’s creative process took place primarily at “Zvaigznājs,” an innovative music and education platform in Riga designed to empower aspiring artists. This hybrid studio aims to teach the utilization of digital music technologies, facilitating the realization of both audio and video projects. The new industry standard is hybrid, bringing forth both opportunities and challenges for emerging “poets” in the music scene. The album’s soundscape is marked by eclectic and experimental elements.
“I was able to explore and expand musical boundaries without losing touch with pop music, which has always been important to me,”
Agnese reveals.
She emphasizes a commitment to education, working as a mentor at “Zvaigznāja,” where she advocates for critical changes in Latvia’s education system. Her goal is to incorporate digital technologies into music curricula, thereby amplifying her influence within the industry. The release of an album represents a significant event in any artist’s life, and Agnes is particularly passionate about inspiring young girls to embrace digital skills so they can independently pursue their creative aspirations. She stresses that in today’s digital landscape, the avenues for self-publishing are more accessible than ever before.
“Triānas Parks,” in keeping with their tradition, will embark on a special tour in December, performing 16 concerts in churches across Latvia. Two exclusive concerts are slated for next year, featuring live renditions of the new album’s material. For more information, visit their official website at www.trianasparks.lv.
Survey
What is your most frequent visit to LASI.LV?
Choose your social network platform to follow LASI.LV: Facebook, Twitter, For friends or else Instagram. Join our readership to receive useful, practical and up-to-date content specially selected for you.
Elements, combining traditional Latvian influences with modern production techniques. This fusion not only broadens the appeal of “Vientulių dējnieku sala” but also showcases Agnese’s commitment to pushing boundaries within the musical landscape.
As “Triānas Parks” prepares for their 16 concerts in churches across Latvia this December, audiences can expect not just a musical performance, but a deeply reflective experience that intertwines art and spirituality. The choice of venues, imbued with historical and emotional significance, echoes the album’s themes of introspection and the shared human experience of loneliness.
In her quest to inspire the next generation, Agnese’s emphasis on encouraging girls to explore digital skills reflects a broader movement towards inclusivity and empowerment within the music industry. As she champions the capabilities of young producers like Sabine Mustermane, the album stands as a beacon of hope and creativity, driving home the message that innovation and artistry can very much coexist with tradition.
So, as we eagerly await the release of “Vientulių dējnieku sala,” it’s clear that Agnese and “Triānas Parks” are set to take listeners on an extraordinary journey—one that not only highlights the beauty of vulnerability but also champions the limitless potential of the artistic spirit, reminding us all of the power of connection, both human and musical.
Mark your calendars for November 8, and prepare to immerse yourself in the lyrical and sonic intricacies of this promising new chapter in Agnese and “Triānas Parks’” story!
