Prepare for a Mind-Bending Conference on Women’s Perspectives in Cinema!
Hold onto your popcorn, folks, because we’re diving headfirst into an event that promises to be more intriguing than the latest sequel that nobody asked for! On November 7, 2024, at the invariably charming Dove University LINK, room 10, we’ll witness an explosion of intellect featuring women and their roles within the cinematic tapestry.
It’s Time to Get Dramatic!
Don’t you just love the buzz of an academic conference? It’s like a Hollywood premiere, but instead of red carpets and mandatory leopard print, we have scholarly discussions and probably a few awkward pauses that would make even Mr. Bean squirm. Kicking off at 14:15, we will be graced with the golden introductions from the maestro of moderation, Filippo Maria Giordano. I mean, Filippo has been known to make introductions sound as exciting as a Christopher Nolan trailer. Stick around for the full cinematic cut that goes until 18:00; that’s more than enough time to calculate how long until you can escape for a drink.
Expect the Unexpected
Now let’s break down the star-studded line-up, shall we? Prepare yourselves for Maria Teresa Morelli, serving up insights that are hotter than a summer blockbuster! Her presentation, aptly titled Simone Veil, the trip of the century, is bound to have more twists than a murder mystery. After that, we get to experience Giorgio Grimaldi with Rights, democracy and European federation in the political commitment of Adelaide Aglietta. Remember, this isn’t just your regular rights talk. This is Europe, where rights sound dramatic, and democracy is apparently just a suggestion!
Life Through a Lens
For those still hanging in there, Raffaele Rivieccio, a film historian from La Sapienza University, will delve into deep waters with Migrations and women, between Italy and Europe. I mean, if you’ve ever sat through a soggy op-ed about women in migration, this should be like a refreshing apple pie under the scorching sun!
Then we will have Diletta Alese, a sociologist and social designer, presenting the impressive Horizon Europe: women and migration through cinema. Yep, because if you’re not analyzing it through cinema, are you really experiencing it at all? The reality of women’s lives deserves more than just your everyday sitcom treatment, doesn’t it?
Femininity Under the Spotlight
But that’s not all, folks! Bleona Shkullaku will look through the A female look at Europe. And I’m not talking about a half-baked travel blog that says “Europe is great because we have nice cafes” – I mean, let’s get critical, shall we?
Finally, we have Lorenzo Parolin, a journalist spotlighting The Dream Factory. From spectators to divas and beyond: the feminine in European cinema of the 20th century. Grab your notebooks people, because this is where things get scintillating! If cinema clout was popcorn, this guy is serving it up by the bucket.
Join In or Zoom Out!
And if you find yourself unable to attend in person, fear not! You can follow the conference remotely. Just make sure you’re wearing your best “I’m paying attention” face and not your “I forgot I’m in a Zoom call” face. Check their official channels for remote streaming, or you might end up sitting quietly whilst pretending to know how to unmute yourself!
So, wrap your head around this intellectually stimulating venture and mark your calendar! Because nothing says ‘intellectual engagement with cinematic theory and women’s perspective’ like gathering in a university room – stimulate those brain cells, and maybe we’ll see you there!
November 7, 2024
University LINK | Room 10
ore 14:15
14.30 – 18.00
Moderate:
Filippo Maria GIORDANO
University Link
Speakers:
Maria Teresa MORELLI
University Link
Simone Veil, the trip of the century
Giorgio GRIMALDI
University Link
Rights, democracy and European federation in the political commitment of Adelaide Aglietta
Raffaele RIVIECCIO
Film historian, La Sapienza University
Migrations and women, between Italy and Europe
Diletta ALESE
Sociologist and social designer
Horizon Europe: women and migration through cinema
Bleona SHKULLAKU
University Link
A female look at Europe
Lorenzo PAROLIN
Journalist
The Dream Factory. From spectators to divas and beyond: the feminine in European cinema 20th century
To follow the conference remotely:
**Interview with Maria Teresa Morelli: A Preview of the Upcoming Women’s Perspectives in Cinema Conference**
**Editor:** We’re excited to have Maria Teresa Morelli with us to discuss the upcoming conference on Women’s Perspectives in Cinema happening on November 7, 2024. Maria, thank you for joining us!
**Maria Teresa Morelli:** Thank you for having me! I’m thrilled to be part of this event.
**Editor:** Your presentation is titled “Simone Veil, the trip of the century.” Can you give us a sneak peek into what you’ll be discussing?
**Maria Teresa Morelli:** Absolutely! My presentation will explore Simone Veil’s incredible journey and her impact on women’s rights and representation in cinema. I’ll be looking at how her life story has been depicted in films and how these narratives shape our understanding of gender and politics in Europe.
**Editor:** That sounds fascinating! With such rich content, what do you hope the audience takes away from your presentation?
**Maria Teresa Morelli:** I hope to spark conversation about the importance of women’s stories and how they are told in film. It’s crucial to analyze these perspectives because they reflect broader societal issues that continue to affect us today.
**Editor:** The conference has an impressive line-up. How do you feel about sharing the stage with other esteemed speakers like Giorgio Grimaldi and Raffaele Rivieccio?
**Maria Teresa Morelli:** It’s incredibly exciting! Each speaker brings a unique viewpoint, and I believe the diverse topics will create rich discussions. The intersection of migration, rights, and cinema that we’ll explore as a group will be enlightening for everyone involved.
**Editor:** You mentioned the importance of analyzing women’s perspectives in cinema. Why do you think events like this conference are essential?
**Maria Teresa Morelli:** Because they provide a platform for voices that are often underrepresented or misrepresented. By discussing these topics in an academic setting, we can challenge existing narratives and encourage more inclusive representations in the film industry.
**Editor:** If someone can’t attend in person, how can they engage with the conference remotely?
**Maria Teresa Morelli:** They’ll be able to join us through streaming! I encourage everyone to participate regardless of their location. Just remember to stay engaged and ask questions! It’s a great opportunity for interaction through virtual platforms.
**Editor:** Thank you, Maria, for your insights and for shedding light on such an important topic. We look forward to your presentation and the engaging discussions to come!
**Maria Teresa Morelli:** Thank you! I’m looking forward to seeing everyone there—whether in person or online!
