Jordan Bardella deprived of signs in train stations to promote his autobiography

Jordan Bardella deprived of signs in train stations to promote his autobiography

Hey there, trainspotters and bookworms! Buckle up because we have a bit of a literary trainwreck on our hands. So, grab your popcorn and let’s dive into the juicy drama unfolding in French politics — where even the billboards are getting political!

C’est La Vie: Bardella’s Book Banned from Billboards

Jordan Bardella, the head honcho of the National Rally, has written a little something he calls “What I’m Looking For.” A bit presumptuous for someone who can’t even seem to find a billboard! Mediatransports, the advertising agency that handles SNCF and RATP, decided to put a stop to the book’s promotional campaign, citing the principle of neutrality. Talk about a political plot twist that even Agatha Christie couldn’t have concocted!

Now, Bardella may have thought he was going to be plastered all over train stations like an Instagram influencer on a vacation in Bali, but it turns out he’s switched tracks. Over 500 signs that should have featured his book will remain bare, leaving us to ponder: what exactly was he looking for? Apparently, not an advertising agency that will back him up!

A Showdown Between Politics and Principles

The reason? SUD-Rail, the union that still believes that unions should exist, is certainly not on board with Bardella’s far-right ideologies. They’ve made it clear that they’re not up for promoting a book from the RN, declaring, “the RN is not a party like the others.” Sounds personal, eh? Did I just hear a dramatic violin in the background?

Mediatransports is claiming ignorance, saying they had no idea whose book was going to be on display. So, the agency is now claiming that neutrality is the name of the game! I mean, neutrality? You think we’re in a diplomatic meeting or a train station with posters? Come on, it’s France! We’re supposed to be putting up art, baguettes, or at least some existential crises on billboards!

Bardella’s Legal Threat: The Next Episode in This Political Soap Opera

Now, the plot thickens as Bardella dangles the legal sword over Mediatransports, threatening to drag them into court. Because nothing says “political discourse” quite like a good old-fashioned legal battle. “I wanted to promote my book!” he probably shouted, while simultaneously not knowing the term “rejection slip” goes beyond literary circles.

A Cheeky Conclusion

So, what do we have here? A president without a billboard. A union that’s more active than a toddler in a candy store. And an advertising agency that would rather sip wine than take sides. It’s like the world’s worst episode of “Survivor: Political Edition.”

But at the end of the day, who knew political memoirs could trigger such a masterclass in controversy? If this is what Bardella’s book is about — getting into court, fighting over advertisements, and dodging unions — then forget the billboards! Someone get this man a reality show!

So, next time you’re on a train and spot an empty billboard, remember: it may just be waiting for Bardella’s feature. Or perhaps it’s simply asking you to meditate on the meaning of neutrality. Either way, until this legal drama passes, there’s no book signing here, folks!

Cheers! 🚆📚

Published on 10/28/2024 22:42 Updated on 10/29/2024 08:42

Reading time: 1min – video: 2min Advertising: Jordan Bardella deprived of billboards in stations to promote his autobiography Advertising: Jordan Bardella deprived of billboards in stations to promote his autobiography (France 2)

The president of the National Rally is releasing an autobiographical book of political reflections, entitled “What I am looking for”. The advertising agency of SNCF and RATP, Mediatransports, refused to promote it. More than 500 signs should have been displayed in stations. Mediatransports invokes the principle of neutrality.

The cover of the book What I’m looking for by Jordan Bardella should have been displayed in train stations on more than 500 signs. But Mediatransports, the advertising agency for SNCF and RATP, has made a decision. There will be no promotion for this book. On the morning of Monday October 28, the president of the National Rally anticipated this decision with, in his sights, the SNCF unions such as SUD-Rail or the CGT railway workers, known for their left-wing positions.

Did these unions campaign to prevent the promotion of this work? On its social networks, SUD-Rail affirms that “the RN is not a party like the others, and it is impossible to be passive with far-right ideology”. For its part, Mediatransports assures that at the time of reserving these advertising spaces, it was unaware that it was Jordan Bardella. She invokes the principle of neutrality, which would not be respected. Monday evening, Jordan Bardella threatened to take the matter to court.

Watch the full report in the video above.

**Interview with Political Analyst Claire Fontaine on Bardella’s Billboard Ban Drama**

**Editor:** Welcome, Claire! Thanks for joining us today to dissect ‍this ‍intriguing situation involving Jordan Bardella and ⁢his book, ⁢“What I’m Looking For.” It seems⁣ like a classic political soap opera. What’s your take on the decision by‍ Mediatransports to ban the book’s promotional campaign?

**Claire Fontaine:** Thank you for having ⁢me! It definitely is a juicy topic. The ⁣decision by Mediatransports really highlights the⁢ tension between political expression‍ and ⁣the principle of neutrality in public spaces. They are ​trying to maintain an unbiased ‍position, but at the same time, it raises ⁣questions about censorship and the role of ⁤advertising agencies in⁤ political matters.

**Editor:** It sounds like ‌there’s a fine line between neutrality​ and ‌outright censorship. What implications could this⁣ have for Bardella and the National​ Rally as they⁢ navigate‍ through this situation?

**Claire Fontaine:** Absolutely! For⁤ Bardella, this is more than ⁣just a canceled billboard promotion; it’s about visibility and public perception. The National Rally thrives on controversy and opposition, so being ⁤denied this advertising platform could fuel ​their‍ narrative of ​being victimized⁢ by established⁢ institutions. ​It ⁢amplifies their ⁢claims of bias against ⁤them. In a way, it could play right into their strategy to galvanize support.

**Editor:** ‍Speaking of strategy, we’ve seen Bardella threaten legal action against Mediatransports. How do you view this maneuver? Is it a clever tactic or a ​sign of desperation?

**Claire Fontaine:** It’s a calculated move, I’d⁤ say. Legal threats often ⁢create a spectacle that garners ‌media attention, which Bardella needs right now.⁢ However, it could also backfire if he’s⁢ seen as overreaching. There’s⁢ a certain perception of him​ being out of ⁣touch if ​he doesn’t realize that not ⁣all publicity is good publicity. But this is politics, ​and sometimes drama is the point.

**Editor:** Right! In light of the union⁣ SUD-Rail’s opposition, how does this conflict⁢ reflect broader societal divides ⁤in France ⁣today?

**Claire Fontaine:** This situation is emblematic⁣ of the deep ​political polarization in France. SUD-Rail’s strong stance⁤ against promoting a far-right figure underscores the very real divisions within the populace. Many are concerned about the rise of far-right ideologies, and this incident is ⁣a flashpoint that can mobilize both ​supporters and ⁢opponents of Bardella.​ France is grappling with its‍ identity, and these conflicts are very much at the forefront of that struggle.

**Editor:** It seems Bardella’s book might not be hitting the billboards, but it’s certainly making waves in the media. If you could​ give him one piece of advice moving forward,⁣ what would it ​be?

**Claire Fontaine:**⁣ I’d tell him to embrace the controversy but also be strategic. Instead of⁢ doubling down ⁤on the legal threats, maybe look for alternative platforms to promote his book. Engaging constructively with critics‌ might ‍also soften his image. Politics is as much about ⁣perception as it is about policies, after all.

**Editor:** Wise ‍words, Claire! Thank you for sharing your insights on this riveting topic. We’ll be keeping a close eye on⁢ how this situation unfolds—perhaps it’ll be even more thrilling than the⁣ book‌ itself!

**Claire Fontaine:** Thank you! I look ⁣forward ⁢to watching this unfold too. Who⁤ knew‍ a⁤ book launch could be this exciting?

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