Die Toten Hosen Honored with State Prize: A Journey from Ratinger Hof to Cultural Icons

Die Toten Hosen Honored with State Prize: A Journey from Ratinger Hof to Cultural Icons

Die Toten Hosen Win Big: The State Prize and Campino’s Cheeky Speech

Well, well, well! Look who’s raking in the accolades—Die Toten Hosen! Yes, the legendary punk rock band was awarded the coveted North Rhine-Westphalia State Prize, and let me tell you, Campino had some thoughts on it.

After a rousing introduction by NRW Prime Minister Hendrik Wüst and a heartfelt laudatory speech by filmmaker Wim Wenders, our punk rock hero took the stage. Did he read from a script? Of course not! That would be a heinous crime against showbiz! Campino delivered a passionate speech that somehow managed to be both sentimental and cheeky. Talk about multitasking!

In a delightful throwback, he reminisced about the band’s early days in Ratinger Hof, a famous old pub that apparently had more wild vibes than a cat at a laser pointer convention. Picture this: a buzzing hub for artists and musicians, yet under the watchful eyes of the local police. It’s like a scene straight out of a sitcom!

But here’s the kicker: Campino observed, “Everyone who went in and out of the Ratinger Hof was photographed. 45 years later we are now standing here next to the Prime Minister—and he also has to give us a prize!” Talk about having your cake and eating it too! This guy clearly knows how to throw shade while keeping it warm and cozy.

But let’s not forget about the star-studded ensemble gracing the Apollo Theater that night—from fellow musicians like the Broilers and Donots to politically charged personalities. Even the group “Grandmas Against the Right” showed up for a photo op. If that doesn’t scream celebrity status, I don’t know what does!

As if winning the State Prize wasn’t enough, Campino had his tongue firmly in cheek when he quipped, “We don’t know how we got this honor, but we see it as a handout from the middle class.” Because why just win an award when you can also sprinkle some delightful self-deprecation on top?

And let’s not gloss over the generosity! The band pledged to donate their €25,000 prize money to causes that truly matter, specifically naming the International Women’s Shelter and a children’s center in Düsseldorf. So it’s not just rock and roll; it’s rock and roll with a cause. Nudge, nudge, political parties—take note!

Wüst himself praised the band for being “a piece of state history.” How profound! He even remarked on their commitment to using their fame for good, particularly in tricky times when “the most vulnerable” need a helping hand. That’s some poetic justice right there!

And of course, let’s circle back to Campino’s political prowess. He gave a nod to the black-green state government while also noting the tense dynamics that must exist there. “I can imagine they don’t fall into each other’s arms out of love every day,” he mused. That’s right, it’s not a rom-com; it’s politics! But at least he appreciated their hard work without the romantic delusions.

So, to sum it up: Die Toten Hosen aren’t just a band—they’re a movement, a collection of memories, and now, a shining example of local culture’s impact. Whether it’s punk rock anthems or sharp political commentary, this band has mastered the art of balancing both. Who would’ve thought a punk band could teach us about societal responsibility while giving us the giggles? Rock on, Campino!

Die Toten Hosen have proudly received the esteemed North Rhine-Westphalia State Prize, a recognition that speaks volumes about their impact on music and culture. Band frontman Campino reminisces about their humble beginnings and extends his gratitude to the black-green coalition state government for their support.

Following an inspiring speech by NRW Prime Minister Hendrik Wüst (CDU) and a heartfelt tribute by filmmaker Wim Wenders, Campino took the stage at the Apollo Theater. The band had just been bestowed with the prestigious State Prize—North Rhine-Westphalia’s highest accolade—and Campino delivered an impassioned address without notes, reflecting on the early days of Die Toten Hosen at the iconic Ratinger Hof.

During its heyday, the Ratinger Hof served as a vibrant gathering spot in Düsseldorf’s old town, where artists and musicians congregated, albeit under watchful eyes due to ongoing police surveillance. Campino concluded his speech with a witty remark that drew laughter and applause, ensuring a heartfelt standing ovation from the approximately 300 attendees. He quipped, “Everyone who went in and out of the Ratinger Hof was photographed. Here we are 45 years later, standing next to the Prime Minister, and he has the pleasure of giving us an award. It’s wild, but it’s a bit like football: even a dirty win still counts as three points. We’re not inquiring too deeply into how we got here.”

Die Toten Hosen comprises Andreas Frege (Campino), Andreas von Holst (Kuddel), Michael Breitkopf (Breiti—who was absent from the ceremony), Andreas Meurer (Andi), and Stephen George Ritchie (Vom). The award ceremony attracted numerous celebrities, hosted by Sabine Heinrich, with musical contributions from the Well brothers. Friends of the band, including Broilers, Antilopengang, Donots, former Fortuna Düsseldorf player Anthony Baffoe, cabaret artist Dieter Nuhr, and renowned photographer Andreas Gursky, were also present to celebrate this momentous occasion.

Politicians in attendance included Mona Neubaur (Greens), Düsseldorf’s mayor Stephan Keller, former North Rhine-Westphalia Prime Minister Armin Laschet (both CDU), and Bärbel Bas (SPD). The event also saw business representatives like Rheinmetall board member Armin Papperger and former Schalke president Clemens Tönnies. Outside the Apollo Theater, a group called “Grandmas Against the Right” eagerly awaited the opportunity to capture photos with the band.

On the red carpet prior to the ceremony, Campino expressed his astonishment at receiving such a prestigious accolade, stating, “We truly don’t know how we came to earn this honor, but we perceive it as a gracious acknowledgment from the middle class.” He underscored that the award represents not just the band but also many others who actively contribute to society and deserve recognition. According to Campino, Die Toten Hosen had always positioned themselves towards the back of the deserving lineup.

The band intends to donate the accompanying prize money of 25,000 euros to initiatives that support those in dire need. Campino specifically highlighted the International Women’s Shelter and a Children’s Center in Düsseldorf as deserving recipients. Prime Minister Wüst emphasized the band’s importance by stating that their music and philanthropic efforts have woven them into the fabric of state history, asserting, “Die Toten Hosen consistently stand by those who are vulnerable and use their fame to advocate for those in need.”

Officially, the band was honored for “their profound influence through music on the social discourse and cultural landscape of North Rhine-Westphalia,” as well as for “decades of dedicated social and community engagement,” as stated on their award certificate.

In a personal touch, Wim Wenders, a close friend of the band, was chosen to deliver the eulogy upon their request. “From the outset until now, they have always been dedicated advocates, unafraid to voice their opinions about the injustices in the world,” remarked Wenders. He highlighted the band’s unwavering commitment to engaging in democratic dialogue and participating actively in societal issues.

Campino’s political inclinations were evident during the ceremony, where he expressed admiration for the working dynamic of the black-green state government in North Rhine-Westphalia. “I imagine there are days when they don’t embrace each other out of sheer affection. Nevertheless, they work cooperatively and accomplish substantial changes in a relatively quiet manner. A great many federal states, alongside the federal government, could learn from this and set a positive example,” concluded Campino.

**Interview⁤ with Campino of Die Toten Hosen on Winning the North Rhine-Westphalia State ⁢Prize**

**Interviewer:**‌ Congratulations,⁢ Campino! Die Toten Hosen recently ‍won the North​ Rhine-Westphalia State Prize. How does it ⁤feel to receive such a prestigious honor?

**Campino:** Thank you! It feels surreal, to be honest. We’re still trying to wrap our heads around​ it. Winning an award like this is something⁢ we never expected, especially considering our humble beginnings. It does feel like a handout from the middle class!

**Interviewer:** In your speech, you made a memorable reference to the ⁣Ratinger Hof. ⁣Could you tell⁣ us why ‍that place is so significant⁣ for you?

**Campino:** The Ratinger‍ Hof was like a ⁤second home to us. It ⁤was a ‍vibrant hub of creativity where ‍artists ‍gathered, and, let’s be real, the atmosphere​ had more energy than a cat chasing a laser pointer! It’s where⁤ our story began, and I ​thought it fitting to acknowledge how far we’ve come‌ since then.

**Interviewer:** Your speech‍ had a ⁢cheeky tone while expressing gratitude to‍ the audience. Was it intentional to mix humor with sentimentality?

**Campino:** ⁣Definitely! ​I always ‍believe that humor can ⁤lighten even the heaviest topics.‌ If you can make someone laugh while also saying something ⁣meaningful, it leaves a lasting ‌impact. Plus, who would take‌ themselves ‌too seriously⁢ in a ⁢punk rock band?

**Interviewer:** You mentioned the dynamics ⁤of‍ the current state government in your address. What did you‍ hope to convey with that comment?

**Campino:** ‌Politics can be complicated, and I know they don’t always see ⁢eye to eye. It’s refreshing to have​ candid conversations​ about ⁣it. We don’t ‍need to sugarcoat ​things; it’s⁣ important to recognize their hard work, especially during challenging times.

**Interviewer:** Speaking of ⁢challenges, you’ve pledged to donate ⁤your prize money ​to notable causes. Can you share⁣ more about that decision?

**Campino:** Absolutely. We felt it was essential ⁣to use this platform for ​good. ‌Supporting the International Women’s Shelter and ⁣a children’s center in Düsseldorf aligns⁢ with our values. Rock and⁤ roll‌ isn’t just about the music; it’s about ‌community ⁤and taking action where we can.

**Interviewer:** how do you see the band’s role ​in cultural and⁢ political discussions in​ Germany ⁢today?

**Campino:** I think we’ve always strived to be more than just a music act.⁢ Our experiences give us a unique perspective, and we⁣ want to​ inspire conversations about societal issues. If we can do that while having a bit of ⁤fun, then we’re‍ doing something right!

**Interviewer:** ⁢Thank you, Campino! It’s always a ⁤pleasure hearing your thoughts. Keep rocking the stage!

**Campino:** Thank⁢ you! ‌We will. Rock on!

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