The strange story is that here Rohi is suffering from thirst as usual and there is talk of ‘give water to Rohi’. The world is preparing to fight climate change and at the same time the justifications for these changes are being sought.
At this time, the drama ‘Moor Maharan’ has started on TV One, the story of which is mainly taken from the Cholistan desert. Since the writer Ali Moin has his own connection with this soil, the facts that are the basis of this thirst may be revealed in the story.
The same land which is characterized by palaces and minarets on one side, on the other side is thirst and drought. This contradiction itself is a sign of cruelty. The stitches in the eyes of the one who looks at the side will be removed.
From the beginning of the story, Rohi is shown to be thirsty, while Rohi’s heroine returns to her desert town mansion after reading an environmental essay from Lahore and wants to do something for the women here so that they don’t have to travel miles to get water. And let them get water at the threshold of the house, but only that love which does not take away the soul.
In the drama, Sasakti’s life is shown in colorful colors. Wearing silk clothes in the desert according to the weather seems quite a sign of stupidity, although the same clothes are also available in cotton.
Acting seems to be overshadowed by the actors, as if it has gone to the ground and its quality is lost. That rich state is not visible. Rich colors are different.
Neither is this Cholistani beauty. Atleast the main character should have looked Cholistani but it looks clear that the acting is happening.
Beauty has its price. It doesn’t require acting. The story was good. The subject was very lively but the technical weaknesses are too many.
For example, a dialogue in the second episode reveals that daughter Rohi has studied from Limz University, Lahore. The first episode shows the Oriental College where there are no departments except Linguistics and Literature. It would have been understandable if there was a new campus of Punjab University. Well gone are the days when the budget of syrup was saved by showing red color. A scene from the play is quite loud.
The way the girls of the city are measured, it is as if we sit here and say that there is a lot of immorality in the West and we wish to somehow get a visa to the hell of this immorality.
The same visa is applied to the girls who came to study from these towns. Most of the girls are fulfilling their wishes in this frenzy that they know that they will have the same chadar and four walls on their return. As much as you have to live, you have to live here and what is fanaticism.
One such scene was enough for those to understand when she tells a male classmate that her father’s phone is her father’s phone in the traditional university environment of the city without a cloak and dupatta. On one side there is respect and on the other side there is a message.
On Rohi’s return, he is shown wearing his traditional dress and chador, while on the other hand, if Hero Sahib has studied in Velayati, he comes to Velayati.
This hypocrisy has to be removed that if the son comes to study, his change is accepted, while the daughter must return to her homeland.
The scene from normal life has been turned into a movie scene. When the subject of the story is big, such scenes have to be cut from life, but this is a romantic drama and love is crazy in youth.
A flying skirt touching the hero’s face would have been love at first sight, but now the drama is swinging the cradle of traditional love and the topic of environmental changes and thirsty Cholistan seems quite immature, which is still not grasped by the reader. The sincerity and thirst of those who showed it was not visible.
After the presentation, the learning is shown complete. Dissertation and Viva have no order.
Be it Rohi’s poetry or music, the heart-touching music that was expected after watching Cholistan. Nothing like that happened. The music was quite disappointing.
Ustad Amanat Ali Khan’s ‘Ve Sanwal Mor Maharan’ would have been Rohi’s Kaif, but the drama could not impress beyond the colorful experiment of music, story and theme.
The English translation of the dialogues is written randomly below. The sentences have been written somewhere long ago, written somewhere much later.
As the title of the play bears the headline: ‘A story of love that awakens freshness in the fading colors of the earth’, every mistake can be tolerated as love is blind, but the discerning and discerning viewer is not blind. This fact here is quite a bitter pill.
This section contains related reference points (Related Nodes field).
There is politics, feudal system, so-called freedom, the opposite of all these is poverty, thirst, deprivation.
There is a dialogue ‘The water of Cholistan has been occupied by these jagirdars and chiefs.’ The summary of the story and current situation is just that.
Our hashtags and insulting governments will not help so ‘Rohi is thirsty, give Rohi ko pani do’ this voice does not come from Rohi. The foundations of the villages are standing on this thirst. The Nawabs of the Nawabs are breathing.
Yes, the colors of Rohi’s culture will not decrease in any way, the colors of this culture are kept alive by every brand at high prices, as if another capitalist is going to become the leader of tomorrow with these colors.
Therefore, it is better to see it as a story of Ishq Rohi instead of a serious conversation, because from the first episode, the story of love between Sikandar and Rohi was swinging in the second episode. Therefore, there are going to be fights of spreading love, and when love is hidden, it will be hidden.
Wasp! Roro! Watt no
Way Sanol! Turn Maharan
#Thirsty #Desert #Cholistan #Moor #Maharan
