“The Law of Lidia Poët” – Sara Lazzaro’s Creative Revolution on Netflix
Ah, the delightful world of Netflix – a wonderful universe where reality masquerades as fiction, and what everyone really needs is one more series about strong women fighting against the constraints of the 19th century, right? Enter The Law of Lidia Poët, a show that manages to mix legal drama with a side of gender struggle, and brilliant performances to boot. And who do we have leading this ensemble of empowered but misunderstood women? None other than the ever-creative Sara Lazzaro!
The Rebellion of Teresa Barberis
In the second season, set to drop on the binge-watching masses on October 30th (mark your calendars, folks), Lazzaro portrays Teresa Barberis – a character who’s as traditional as a Sunday roast in an Italian household. Now, don’t go thinking she’s just sitting there knitting in the corner! No, she’s the antithesis of the dynamic Lidia Poët, played by Matilda De Angelis. Think of Lazzaro’s character as that well-meaning aunt who insists on sticking to old traditions, while Lidia is out there breaking new ground in a dress sharp enough to cut through patriarchal norms.
Sara Lazzaro: From Drawing to Dramatic Arts
Sara has a long and creative journey behind her. She’s done it all—acting, writing, composing. I mean, is there anything this woman can’t do? She kicked off her career in 2008 with a gradual and often sensitive approach to her craft. From appearing in Paolo Virzì’s Drought to catching our attention in series like Doc – In Your Hands and Call My Agent – Italy, Lazzaro has established a sort of ‘if it’s not challenging, I’m not interested’ motto. She doesn’t just play characters; she morphs into them, and from what she says, this transformation is one of the greatest satisfactions in her career. It’s almost as if she’s auditioning for a position as a superhero, but her superpower is versatility!
Subverting Expectations in Historical Contexts
Now, let’s get to the juicy bit — the interplay between Teresa and Lidia. As Lazzaro expresses, her character embodies a femininity shaped by a time that’s been, shall we say, less than progressive. It’s a subtle nod to the women of that era who would roll their eyes as Lidia speaks in favor of rights and legal reforms. Teresa is not just a foil to Lidia; she represents the old guard, a relic in a time of changing tides. It’s like watching two generations argue over whether the latest iPhone is better than the flip phone of yesteryear. Spoiler alert: It’s obviously the iPhone.
A Creative Tête-à-Tête with History
In her interview with Vogue Italia, Lazzaro draws attention to the tension between her character and the progressive ideals of Lidia. Exploring such contrasting territories allows her to stretch her acting muscles and delve deep into a historical framework that, let’s be honest, is refreshingly relevant today. It’s the acting equivalent of doing yoga; you twist and turn through roles that challenge your physical and emotional limits. And trust me, folks: if you think achieving that yoga pose is tough, try pulling off a nuanced performance in front of a camera!
Final Thoughts
So, what can we expect from The Law of Lidia Poët? Drama, tension, and perhaps a few revelations about how far we’ve come—and how far we still have to go—in the fight for gender equality. Sara Lazzaro’s truly embodying this revolution, redefining what it means to be both conservative and progressive on screen. It’s a balancing act that gives us the hints of hilarity amid the serious business of justice—kinda like trying to tell a bad pun while trying to solve a Rubik’s Cube. Stay tuned, because this second season promises to further peel back the layers of complexity surrounding these women, one episode at a time.
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Sara Lazzaro, who appears in Netflix’s highly anticipated second season of The law of Lidia Poët, shares with Vogue Italia: «I am championing a creative revolution through the characters I embody»
Lidia Poët stands as a groundbreaking figure in Italian history, recognized as the first woman to gain entrance into the Bar Association at the close of the 19th century. Her contributions have paved the way for significant advancements in contemporary penitentiary law and women’s rights. In the much-anticipated series The law of Lidia Poët, Lidia’s remarkable journey is portrayed by the talented Matilda De Angelis. The second season, set to debut on Netflix on October 30, following its premiere at the prestigious Rome Film Festival 2024, delves into themes of gender struggles and societal transformation, highlighting how female figures continue to make substantial differences in a male-dominated world.
Sara Lazzaro emerges as a pivotal presence in this compelling narrative, portraying Teresa Barberis—a character that embodies more conservative and traditionalist values. This stark contrast not only reflects the societal norms of the era but also mirrors Lazzaro’s own dynamic evolution as an actress.
Sara Lazzaro (Teresa Barberis) and Pier Luigi Pasino (Enrico Poet) take center stage in the second season of “La Legge Di Lidia Poët.” CAMILLA CATTABRIGA/NETFLIX
«When I was little I desired to draw, and I found joy in writing and composing. For years, I expressed myself musically. Then, I shifted my focus to acting.” This journey, which commenced in 2008, has been marked by gradual and diverse growth, involving cinema directed by masters such as Paolo Virzì in Drought and Susanna Nicchiarelli in The Discovery of Dawn. Lazzaro has also made her mark on the stage and television, with memorable roles in Doc – In Your Hands, Call My Agent – Italy, and I’m Lillo, to name a few. Each choice has been intentional, reflecting her journey of both personal and artistic development.
Let’s delve into Lidia Poët.
I wholeheartedly embrace every character I portray, and Teresa occupies a unique place in my heart. Her narrative significance within the series is profound; she embodies a conservative and traditional perspective that starkly contrasts with Lidia’s progressive ideals. Teresa represents a vision of femininity and culture that Lidia actively challenges. She encapsulates an example of women molded by the societal expectations of her time, which is worlds apart from my reality. Therefore, exploring these dimensions—temperamentally, vocally, and aesthetically—proved to be not just creative but also deeply gratifying. The process of transformation is one of the most rewarding aspects of my career.
