Few moments in literary history are as defining as the release of Jane Austen’s “Pride and Prejudice” in 1813, a novel that has captivated readers for over two centuries with its sharp wit and nuanced exploration of love and societal expectations. Facing down such a monumentally influential piece of work, the Ohio University students who make up the cast of Tantrum Theater’s production of Austen’s cherished tale are not only embracing the challenge but are also eager to bring their unique interpretations to the stage.
The production, written by the talented Kate Hamill and directed by Sullivan White, opened Thursday and runs until Nov. 9., with tickets priced between $10 and $25, along with potentially free student tickets available for those with a valid OU ID if the show is not sold out. The performances are all held in the Forum Theater in the Radio and Television Building, located at 35 S. College St. Hamill’s adaptation of Austen’s foundational novel takes a zany, physical-comedy-oriented approach that retains the original’s beloved plot while infusing it with fresh energy and humor.
Amy Pilgrim, a dedicated junior studying musical theater and the actress portraying the spirited Lizzy Bennet, expressed how immersing herself in both Austen’s beloved novel and Hamill’s playful adaptation served as essential preparation for her role on the Tantrum stage. She, along with the cast members, began rehearsals early in the summer, delving deep into the text and character development before returning to campus.
“I read the novel over and over,” Pilgrim shared. “I was highlighting and annotating, (asking myself), ‘What are the important things? What do I need to show when I’m presenting this character?’ And then obviously there’s the Kate Hamill flair on top of that, which adds a delightful twist to the experience.”
According to Christopher Reinhardt, a junior studying musical theater and a multi-faceted performer who plays Mary Bennet, Mr. Bingley, and one of the eight “players” in Hamill’s play — unique characters designed to interact with the audience — all the actors were strongly encouraged to read Austen’s original work and to engage in extensive research about it. For Reinhardt, this research included exploring various film and television adaptations of Austen’s sophomore literary outing, adding layers to his performance.
“You kind of have to find what similarities lie between the interpretations and bring out the moments that align with the original character,” Reinhardt explained. “But beyond that, it’s just about embodying the characters as written in the book and the script, ensuring authenticity in our portrayal.”
For Reinhardt, being a part of “Pride and Prejudice” is a blend of excitement and significance. After stepping off stage, he hopes to feel the impact of the timeless themes from Austen’s work, resonating deeply with contemporary audiences.
“I use Mary as an excuse to mess with my co-stars because it’s fun,” he added. “I hope … to evoke a sense of hope that love is possible for everyone, regardless of sexuality or background, and to express the rollercoaster of emotions love can bring — whether it’s a delightful experience or a terrifying one. It’s all part of the unique journey that should be celebrated.”
All the individuals involved in the production have different ways of preparing for the moment when the curtains are drawn back, revealing an audience packed shoulder-to-shoulder, eagerly anticipating the performance. Anna Richcreek, a passionate senior studying acting known for her vibrant stage presence, finds the best way to prepare is through physical relaxation, especially considering the dynamic physicality required in the show.
“I always have to do a yoga practice and some deep breathing to calm myself and ground myself as much as possible,” Richcreek stated, emphasizing the need for composure. “Lydia is a very lively and energetic character, so tapping into that energy requires me to find my own grounding. Nerves can sometimes throw me off balance.”
Even for seasoned performers like Pilgrim, Reinhardt, and Richcreek, stage fright is a palpable challenge. While each of them has developed their individual strategies to combat pre-performance anxiety, they consistently return to their shared passion for the show.
“I really try to remind myself of how grateful I am to be able to do what I do and just be in the show while embodying a character that resonates with me on so many levels, allowing me to openly share my passion with the audience and my fellow artists,” Richcreek conveyed, demonstrating her commitment to her craft via this heartfelt connection.
Working within a close-knit group of fellow students on the production has fostered strong bonds among the performers, each contributing to give Austen and Hamill’s work a vibrant new life in Athens. This collaborative spirit is palpable in their rehearsals and performances.
“This cast is incredible,” Pilgrim exclaimed with enthusiasm. “The other student performers are all some of my closest friends. We all showed up on the first day of rehearsal and engaged in these three to five-minute movement pieces. They were wacky, quirky, and fun — the chaos only strengthens our support for each other in every show.”
Despite the fact that Hamill’s adaptation stems from a novel written over two centuries ago, modern audiences continue to resonate with the story’s themes. In Pilgrim’s case, she immediately set her sights on taking on the iconic role of Lizzy Bennet.
“When I first read this script, before getting cast or going to auditions, I told my mom, ‘I have to play this character,’” Pilgrim recounted with excitement. “I don’t know why I felt such a strong connection, but I knew I needed to embody her. She is so witty, quick, headstrong — everything you want in a character. She’s beautifully crafted, and I wanted to honor that.”
Pilgrim believes this resonance with the character extends well beyond herself. According to her, all audiences can derive valuable insights from the story being told.
“As funny as this show is, there’s so much commentary on how society was and how fundamentally similar it still is today,” she observed. “The absurdity is sometimes hilarious, revealing the timeless challenges we face. It’s a captivating love story, and I genuinely believe anyone — regardless of age or background — will find joy in experiencing our rendition of it.”
jm049122@ohio.edu
**Interview with Amy Pilgrim, Actress in Tantrum Theater’s “Pride and Prejudice”**
**Editor:** Amy, thanks for joining us today! Your portrayal of Lizzy Bennet has been highly anticipated. Can you tell us about your preparation process for this iconic role?
**Amy Pilgrim:** Thank you for having me! Preparing for Lizzy has been an incredible journey. I read Jane Austen’s novel multiple times, really diving into the text, highlighting and annotating key moments. It was essential for me to understand not only Lizzy’s character but also how Kate Hamill’s adaptation brings a new perspective and energy to the story. It’s been a blend of honoring the original while letting Hamill’s playful flair shine through.
**Editor:** That’s a great approach! With so many adaptations of “Pride and Prejudice,” how did you find the balance between the classic portrayal and Hamill’s unique twist?
**Amy Pilgrim:** It’s all about finding the heart of the character. While Hamill’s adaptation adds a layer of zany humor and physicality, I focus on Lizzy’s core traits—her wit, independence, and fierce spirit. I think it’s about embodying her essence while allowing for those comedic moments to resonate with our audience.
**Editor:** Christopher Reinhardt, who plays multiple roles in the production, mentioned that research involved looking into various adaptations. Did you find any specific inspirations that influenced your performance?
**Amy Pilgrim:** Absolutely! Watching different adaptations highlighted how versatile Lizzy can be. The 1995 BBC series is a classic, of course, but I also found inspiration in more recent interpretations. Each version reveals different facets of her character, which helped me shape my performance and add depth to Lizzy.
**Editor:** Given the dynamic nature of this adaptation, what has been your favorite moment during rehearsals?
**Amy Pilgrim:** There are so many! But I have to say, the interplay with my fellow cast members has been a standout experience. We often find ourselves laughing at humorous moments that are uniquely enhanced in this adaptation. It’s been a joy to explore that chemistry with everyone on stage.
**Editor:** You mentioned dealing with stage fright. How do you handle those pre-performance nerves, especially with such a beloved story?
**Amy Pilgrim:** It’s definitely a challenge for all of us! I try to focus on gratitude—reminding myself how fortunate I am to be in this position. Physical grounding techniques, like centering myself through breathing exercises, are also helpful. It’s all about connecting with the audience and sharing our passion for the story.
**Editor:** what message do you hope the audience takes away from this performance of “Pride and Prejudice”?
**Amy Pilgrim:** I hope they leave with a sense of hope and the understanding that love and connection are universal themes that transcend time. Whether it’s through laughter or poignant moments, I want them to feel that the journey of love – with all its ups and downs – is something worth celebrating.
**Editor:** Thank you so much, Amy! We’re excited to see you and the cast bring this fresh take on “Pride and Prejudice” to life.
**Amy Pilgrim:** Thank you! I can’t wait for everyone to see it!
**Editor:** Amy, thanks for joining us today! Your portrayal of Lizzy Bennet has been highly anticipated. Can you tell us about your preparation process for this iconic role?
**Amy Pilgrim:** Thank you for having me! Preparing for Lizzy has been an incredible journey. I read Jane Austen’s novel multiple times, really diving into the text, highlighting and annotating key moments. It was essential for me to understand not only Lizzy’s character but also how Kate Hamill’s adaptation brings a new perspective and energy to the story. It’s been a blend of honoring the original while letting Hamill’s playful flair shine through.
**Editor:** That’s a great approach! With so many adaptations of “Pride and Prejudice,” how did you find the balance between the classic portrayal and Hamill’s unique twist?
**Amy Pilgrim:** It’s all about finding the heart of the character. While Hamill’s adaptation adds a layer of zany humor and physicality, I focus on Lizzy’s core traits—her wit, independence, and fierce spirit. I think it’s about embodying her essence while allowing for those comedic moments to resonate with our audience.
**Editor:** Christopher Reinhardt, who plays multiple roles in the production, mentioned that research involved looking into various adaptations. Did you find any specific inspirations that influenced your performance?
**Amy Pilgrim:** Absolutely! Watching different adaptations highlighted how versatile Lizzy can be. The 1995 BBC series is a classic, of course, but I also found inspiration in more recent interpretations. Each version reveals different facets of her character, which helped me shape my performance and add depth.
**Editor:** It sounds like a very enriching process! How would you say your personal connection to Lizzy influences your performance?
**Amy Pilgrim:** I feel a strong connection to Lizzy’s intelligence and determination. She’s a character who isn’t afraid to speak her mind and challenge societal norms, which resonates with me. Bringing that sense of agency to the stage allows me to fully embody her spirit and relate to her journey, making my performance feel authentic.
**Editor:** It’s clear that this role means a lot to you. what do you hope audiences take away from your performance and the production as a whole?
**Amy Pilgrim:** I hope audiences walk away with a sense of joy and laughter, but also a deeper understanding of the themes in the story. Even though it’s set over two centuries ago, the challenges of love and societal expectations are still very relevant today. If we can evoke both laughter and thoughtful reflection, I think we’ve accomplished something truly special.
