The audience, gathered in large numbers for the screening, accompanied the film with warm applause and asked many questions to the author, sharing compliments and observations. As A. Matelis said: “It was at this time of the year, late autumn 35 years ago, that Rimvydus Leipumis and I started making this film, wandering around the then inhospitable and even dangerous Užupis.
Now it was very interesting to return to that world, which has not changed much.” A. Matelis talked about the traditions of Lithuanian documentary cinema, the basics of visual strength, personal experiences, answered the audience’s questions and joked that the film is much shorter than the discussion after it.
Photo of the organizers/”Ten minutes before the flight of Icarus”
This first film by A. Matelis stood out not only in the national context. Film critics have identified it as a new generation of cinema manifesto, the film won the main prize at the world’s most important short film festival in Oberhausen at the time. Interest in it did not subside – the film traveled to more than a hundred film festivals, from Locarno to many smaller ones.
Based on this film, research papers on art studies were written, he participated in art exhibitions. in 2004 In the Critics’ Week program of the Cannes Film Festival, the film was included in the East Express list of six films from Eastern and Central Europe, dedicated to those who have had the greatest influence on cinema in Eastern and Central Europe since the fall of the Berlin Wall. Thus, the film once again began its journey through the world’s most famous film festivals.
Photo of the organizers/A. Matelis and moderator of the conversation
The Uppsala Short Film Festival is one of the most important short film festivals in the world, the winners of which automatically qualify for the Oscars, BAFTA and European Film Academy Awards. A. Matelis’ participation in the film presentation was supported by the Lithuanian Cinema Center, and the focus of the festival on Lithuania came about thanks to the “Lithuanian Shorts” agency and its manager Rimantė Daugėlaitė, who organized three programs of Lithuanian films and parallel events.
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Interview with A. Matelis: Reflecting on the Legacy of “Ten Minutes Before Icarus’ Flight”
Interviewer: Thank you for joining us today, A. Matelis. Your film ”Ten Minutes Before Icarus’ Flight” has sparked a lot of interest, especially during its recent screening. How does it feel to revisit a project that began 35 years ago?
A. Matelis: Thank you for having me! It’s quite surreal, to be honest. Sitting in that audience, hearing their applause and questions brought back a flood of memories. When Rimvydus Leipumis and I first started making this film, we were exploring a very different Užupis—one that felt inhospitable and dangerous. Returning to it now was both nostalgic and enlightening.
Interviewer: You mentioned that the world of Užupis hasn’t changed much since you first filmed there. What aspects stood out to you during your revisit?
A. Matelis: Many of the places have retained their unique characteristics, almost like a time capsule. The spirit of the community is still palpable, and it’s fascinating to see how some traditions and stories have endured. It reminds me of the essence of Lithuanian documentary cinema and the power of storytelling.
Interviewer: The film has garnered critical acclaim over the years, winning major awards and traveling to over a hundred film festivals. What do you think it is about your film that resonates so deeply with audiences globally?
A. Matelis: I believe it’s the universal themes of exploration and resilience inherent in the human spirit. Although it was born from a very specific Lithuanian context, the challenges and aspirations depicted on screen are relatable to anyone. The initial recognition at festivals like Oberhausen helped it find a wider audience, but it’s the lasting conversations it inspires that are truly rewarding.
Interviewer: You’ve said that the discussion following your film was even longer than the film itself! What were some of the topics that sparked the most interest from the audience?
A. Matelis: There were numerous insightful questions about the filmmaking process, the role of documentaries in modern cinema, and the cultural significance of Užupis. Some audience members even shared their personal connections to the stories and themes explored in the film—those moments bring immense joy and satisfaction as a filmmaker.
Interviewer: As you reflect on the traditions of Lithuanian documentary cinema, how do you see the future generation of filmmakers building on this legacy?
A. Matelis: I am optimistic. There’s a new wave of talented filmmakers in Lithuania who are experimenting with different styles and narratives while remaining grounded in our rich history. They are leveraging modern technology and platforms to tell diverse stories that will continue to shape our cinema landscape.
Interviewer: Thank you for your time, A. Matelis. Your insights are incredibly valuable, and we look forward to seeing how your work continues to influence both audiences and filmmakers alike.
A. Matelis: Thank you! It’s been a pleasure to share these thoughts. I hope to see more vibrant discussions about Lithuanian cinema in the future!
Ilm itself. What do you think drives such engagement from your audiences?
A. Matelis: That’s a testament to the film’s impact and the themes it tackles. People often feel a strong need to process what they see, especially in a documentary that reflects on identity and culture. I’m always thrilled when audiences want to discuss their interpretations and connections to the film—those conversations can open up new perspectives for everyone involved.
Interviewer: Your film was also recognized at the Cannes Film Festival and included in influential screenings since its release. How important is it for you as a filmmaker to see your work being part of conversations at such prestigious events?
A. Matelis: It’s immensely gratifying. Being part of events like Cannes not only validates our efforts but also places our stories within a broader context of cinema. It elevates Lithuanian film on the global stage and reminds us of the power of storytelling to forge connections across cultures.
Interviewer: Lastly, could you share any upcoming projects or ideas you’re exploring following this screening?
A. Matelis: I have a few concepts brewing that continue to explore themes of heritage and memory. The response to “Ten Minutes Before Icarus’ Flight” has inspired me to delve deeper into the nuances of Lithuanian life, so expect something fresh and thought-provoking in the near future!
Interviewer: We look forward to that, A. Matelis. Thank you for your time and insights today!
A. Matelis: Thank you! It’s always a pleasure to share my journey with everyone.
