The name of the story of the journey of love and love, from love to mysticism, from mysticism to mysticism, is the name of ‘Enemy’.
How about love after mysticism? The question arises, but there is a dialogue in the play that ‘love continues to find its heir.’
Secondly, after mysticism, the wide view becomes the universe.
The yearning of Dadaji and Amma Wadi at the time of the murder of the heir was a reflection of the same thing.
The drama is the story of the heir of this love which is based on the ego of the landlord class of Saraiki culture.
Once Dadaji and Amma Vadi had fallen in love in their youth and they left home and went to live in the world of love, but they were caught on the land of Rajkot. Grandpa’s eyes were blinded and My Woody’s hair was cut off and bald and put in a cellar for life.
The enmity between the Rajkot and Malik clans started from here and the men of both clans became a graveyard on both sides.
Now there are only two boys alive in the third generation on both sides, in which the heir of Dadaji falls in love with Sasi from Rajkot. Since this marriage could not be done comfortably, both get married secretly so that the enmity between the two families ends, but Anna’s enmity increases with love.
My Woody’s head was cut off, shaved bald, and put in a basement for life. The role was played by Naila Jaffrey, who is no longer in this world (Video Screen Grab/YouTube)
Dadaji’s wise dialogue ‘Ishq waris janata rahe hai’ comes true as Sasi is widowed by her mother.
The fire of revenge and rule have the same temperament. It comes on men and women in the same color and that color is cruelty. Enmity also requires brutality, so women on both sides, be it Mai Lali or Malkani, show brutality.
A lover always has a heartache. Therefore, be it grandparents or heirs, they are soft-hearted people.
Zain’s mood is also suggesting that he will have a smoky love affair in the coming episodes.
It’s not about love, it’s about love. Love is the goal of mysticism and we think that when a person becomes a lover, he becomes a saint.
Naila Jaffrey played the role of Amma Wadi. As far as our forgotten memory is supporting, in her last interviews she was saying that she cut her hair for a role. Ama Vadi is the same character who had to suffer the punishment of love from Dada Sain of Malik Ghar for the rest of her life, but she is not bored. There is light in it.
When she recites the mystic words, the entire mansion is enthralled and the heartbroken yearns.
Tears are coming out of Amma’s eyes.
Every year on the same day that she left home, she is brought to the party and shaved on her head in front of everyone so that she is also punished and the future generations are also informed that love is punished. It is so serious in our Rajkot.
But what do they say that love should not ask caste!
When fluids were mentioned in the play, we remembered Heer Ranjha, Balhe Shah and some prediction of Baba Farid.
It occurred to me that why did you choose the desert and the river for love?
Dadaji’s eyes were cut out for love (Video Screen Grab/YouTube)
Then we remembered one of our Saraiki friends, Bina Bukhari. She is also a lover of Wasib, from whom we have learned to overcome many mysteries of love. It is impossible to have good will, beauty and not love.
Bina tells that Rohi Farid also has a story, which is going on from chest to chest. It is said that Farid spent the whole night in his relationship with Rohi and said that if your beauty is like this, then what will be the person who made you?
And when Dada Sain remembers My Woody while talking about his lack of eyes, Farid’s love story is remembered.
And when all the men of the Rajkot and Malik families are killed one by one so that their generations are destroyed, the incident of Moses and Pharaoh is remembered.
The story is about love at the last stage of romance where Waris Shah says, ‘Ranjha ranjha kar de ne mein ape ranjha hai.’
The music is amazing and complements the story. All the strings of the heart are ringing.
The camera work is top notch and the enjoyment of the big screen and the dedication to your craft speaks volumes.
The dialogues are also very high quality.
If there is a love story, mysticism has to be written. Irfanit is thought that the drama will flop in the commercial era but it didn’t.
How can a drama or a story flop if love on earth has not been destroyed by the tragic stories of lovers for centuries.
Naila Jafri and Sarfraz Ahmed are no longer in this world, in which this drama is playing on PT.
It’s been a long time since PTV has presented a drama, which is touching its first quality.
The same criteria as to what to highlight in the story and what to relegate to the lower ends.
Love, peace and tranquility are highlighted here.
Read more: Interesting story of PTV’s classic drama ‘Andhira Ajala’
Ayub Khoso and Nayar Abbas have appeared on screen after a long time. He is like a deep human being who is completely molded into the character, which is recognized by the name itself.
The most beautiful thing in the play is that the new generation wants to end this atmosphere of enmity, not because they are afraid of death but because it robs man of his dignity and peace.
The new generation on both sides is the prophet of love. Lover is an attribute and love reaches its destination, whether it is peace or life!
Looking at the play written by Ali Moin, I remembered Nida Fazli
What is rapture for those who are aware?
If you love then understand what life is!
It is true that love changes a person’s point of view and action.
#message #Enemy #love #understand #life
Interview with Playwright and Director of “Enemy”: A Journey Through Love and Mysticism
Interviewer: Welcome! Today, we have the pleasure of talking with [Name], the playwright and director of the thought-provoking drama “Enemy.” It takes the audience on a journey through love, mysticism, and the deep-seated enmities rooted in cultural history. Thank you for joining us!
Playwright/Director: Thank you for having me! It’s a pleasure to share the vision behind “Enemy.”
Interviewer: The narrative spans generations, rooted in the Saraiki culture’s landlord class. Can you explain how love and mysticism are interwoven in the story?
Playwright/Director: Absolutely! The story of ”Enemy” revolves around two lovers, Dadaji and Amma Wadi, who are punished for their love, leading to a legacy of enmity between their clans. This punishment shapes the next generation’s approach to love, creating a complex dialogue between love and mysticism. Love is portrayed as a continuous journey—one that seeks understanding and reconciliation even amidst intense conflict.
Interviewer: There’s a striking line in the play, “love continues to find its heir.” How does this theme manifest in the characters’ journeys?
Playwright/Director: That line encapsulates the essence of the story. The heir of Dadaji finds love in Sasi, a member of the rival Rajkot clan. Their secret marriage symbolizes the desire to end this cycle of hatred, but instead, it inflames the existing conflict. The idea is that love persists through generations, continuously seeking resolution despite the tumult.
Interviewer: Your characters go through great suffering—Dadaji losing his sight and Amma Wadi enduring a harsh punishment. What message do you hope to convey through their experiences?
Playwright/Director: Their suffering is a metaphor for the broader societal consequences of love and enmity. It reflects the notion that love can lead to both enlightenment and pain. Ultimately, I want the audience to ponder the sacrifices made in the name of love and the brutality of vengeance that often follows.
Interviewer: The dialogue and imagery in the play are poignant. Can you tell us more about your use of mysticism and cultural references?
Playwright/Director: Mysticism in the play is a gateway to understanding love’s deeper meanings. We draw on cultural references, such as the concepts from Waris Shah and Baba Farid, to explore love’s transcendental nature. The dialogue often blurs the line between earthly love and divine love, suggesting that true love can liberate the spirit.
Interviewer: How do you think the tumultuous relationships within the play resonate with modern audiences?
Playwright/Director: Love’s complexities—its joys, pains, and the weight of societal expectations—are timeless. Modern audiences can relate to the emotional depth and the exploration of love’s potential to heal or destroy. Even in contemporary contexts, the themes of loyalty, sacrifice, and the internal conflicts that arise from love endure.
Interviewer: what do you hope audiences take away from ”Enemy”?
Playwright/Director: I hope audiences walk away with a deeper appreciation for love in all its forms. “Enemy” challenges them to reflect on how love and enmity shape human experiences across generations. It’s a story of resilience, where love endures and ultimately seeks to conquer hate.
Interviewer: Thank you, [Name], for this enlightening conversation. We look forward to seeing how “Enemy” resonates with viewers as it continues its run on PTV.
Playwright/Director: Thank you! I hope everyone finds a piece of themselves in this story.
Qualities. These references serve to connect the audience with the profound, often painful realities of love that transcend time and space. They ground our story within the rich tapestry of Saraiki culture while allowing us to explore universal themes of longing, sacrifice, and redemption.
Interviewer: The juxtaposition of love and enmity is front and center in “Enemy.” How do you think this duality resonates with contemporary audiences facing similar themes in today’s world?
Playwright/Director: Absolutely, the duality is very much alive in present-day contexts. “Enemy” reflects the cycles of revenge that occur not only in personal relationships but also in broader societal conflicts. Audiences can relate to the characters’ struggles as they navigate their own experiences with love and conflict. The desire for peace in the face of hatred is a timeless theme that encourages viewers to reflect on their own lives and possibly inspire a more compassionate approach to resolving differences.
Interviewer: As “Enemy” deals with heavy themes, how do you balance the intensity of the drama with moments of hope and love?
Playwright/Director: It’s vital to maintain that balance. While the protagonist’s journey is fraught with challenges, moments of love, understanding, and unity act as beacons of hope. We emphasize that love is a transformative force. Even in suffering, there is an undercurrent of possibility—hope that ultimately love can prevail over enmity, which resonates deeply with the audience.
Interviewer: what do you hope audiences take away from experiencing “Enemy”?
Playwright/Director: I hope that viewers leave the theatre with a greater understanding of love’s complexity—its power to heal and its capacity to hurt. I also want them to reflect on the importance of breaking the cycles of hatred and enmity in their own lives. Ultimately, “Enemy” is about choosing love, peace, and reconciliation, reinforcing the idea that our shared humanity is more vital than our differences.
Interviewer: Thank you so much for sharing your insights with us today. “Enemy” sounds like a deeply moving exploration of love and conflict.
Playwright/Director: Thank you for having me! I hope everyone enjoys the journey we’ve crafted in “Enemy.”
