The silhouette of the voice that most brings together and moves the Mexican public was delimited 15 minutes after 9:00 p.m.; Luis Miguel slid down some stairs towards the center of the stage to the rhythm of Maybe you don’t love me y The applause from the public that filled the Mexico City Arena sounded spontaneous.
More than 22 thousand attendees gathered to enjoy one of El Sol’s most successful tourswho welcomed his fans with his characteristic smile and enviable strength.
Almost like an orchestra conductor, Luis Miguel used the first songs from his concert — love love love, Suave y Guilty or not — to direct the group of more than 14 musicians and singers that make up his orchestra, but, in the same way, guiding the technical team to adapt their technological support. Monitor up, keyboard up, microphone down… Everything accommodated to your needs.
Luis Miguel at the Mexico City Arena | Juan Carlos Bautista expand
In the audience there was everything: men and young people, children dressed as the performer, dark glasses and a suit, groups of fans uniformed in the same color.marked with tattoos or some obvious distinctive, and a slight majority of women, who responded with screams to each hitch of the hip and punch in the air of what is one of the most representative voices in the history of Mexican music.
“How do you say?!” Luis Miguel invited the audience in songs like I need you, until you forget me y Dame. At times, it even seemed that there were two voices in the Mexico City Arena: that of Luis Miguel, dynamic, creative and uncontrollable, and that of the public, punctual and emotional, always faithful to the melodies that are impregnated in the idiosyncrasy of the Mexican people. .
Luis Miguel at the Mexico City Arena | Juan Carlos Bautista expand
Armando Manzanero’s medley unleashed sighs among the audience. A white light distinguished the singer’s body among a starry stage while he performed under the table y I don’t know about you.
The same thing happened with the romantic arrangement of immortal songs like Just once, we are dating, How I loved you, Everything and nothing y Uswhich He performed while the sighs multiplied, as did the choirs.
This is how the idol began, his dates at the Mexico City Arena con Come Fly With Me, Smile, You can’t leave me like this y Now you can goin which he always found the echo of his fans.
Con The unconditional The Arena collapsed. The audience moved in their seats and others invaded the central aisles to get a better video. The enigmatic guitar line of Now you can go marked the beginning of the end of their concert.
At the close of this edition, Luis Miguel showed the audience that his absence from the stage was felt and reminded them that, after so many years of career, It continues to be an artistic guarantee for all the senses.
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