OÖN-KulturAbo 2024/2025: We give art a stage

OÖN-KulturAbo 2024/2025: We give art a stage


OÖN-KulturAbo 2024/2025: We give art a stage | Nachrichten.at









































Saturday, 07.12.24 or Thursday, 19.12.24 or Tuesday, 14.01.25
Theater Phönix, 7:30 p.m.

Tempo

Higher, further, faster. The time we have passes every moment. We chase following it. The clock is ticking. The drums drive us forward. In this piece, director Felix Hafner, with the Phoenix Ensemble and live drummers, takes on the omnipresent acceleration and creates a musical-theatrical evening full of rhythm, drive and, above all, tempo.

“}”> Tempo


Bild: Zoe Goldstein Photography

Monday, 13 January 2025
Brucknerhaus Linz, Great Hall, 7.30 p.m.

Florian Boesch & Franui Musicband

Florian Boesch and the Tyrolean ensemble Franui, which transcends all musical boundaries, have joined forces for a very special song recital: with a polyphonic arrangement including tuba, dulcimer, accordion and harp, they give Schubert’s Die Schöne Müllerin a completely new, scenic and dramatic dimension in the Great Hall of the Brucknerhaus.

“}”> Florian Boesch & Franui Musicband


Photo: Andreas Weiss

Thursday, February 13, 2025
Music Theatre, Great Hall, 7.30pm

The Flying Dutchman

Romantic opera in three acts by Richard Wagner
The legend of the “Flying Dutchman” exerts an immense fascination on Daland’s daughter Senta. She feels chosen to redeem this man – who is forever condemned to sail the seas and search for true love. When the mysterious captain suddenly steps through the door accompanied by her father, fate takes its course, because Senta had already sworn eternal loyalty to someone else. After more than a quarter of a century away from the stage in Linz, artistic director Hermann Schneider will stage this work with powerful visuals.

“}”> The Flying Dutchman


Image: State Theatre

Monday, February 24, 2025
Music Theatre, Great Hall, 7.30pm

Sweeney Todd. Barber of Horrors of Fleet Street

Musical thriller by Stephen Sondheim (music and lyrics) and Hugh Wheeler (book)

Barber Sweeney Todd returns to Victorian London following years of exile. He seeks revenge on Judge Turpin, who once wrongfully convicted him, abused his wife and kidnapped his daughter. Sweeney finds the perfect business partner in the chronically unsuccessful pie baker Mrs. Lovett, whose business he uses to open a barber shop. His insatiable thirst for blood gives her such delicious fillings for her meat pies that people soon line up in Fleet Street. Mrs. Lovett is happy, while Sweeney is unmoved by the business success and Lovett’s affection – he is interested in nothing other than completing his plan of revenge.

“}”> Sweeney Todd


Image: State Theatre

Saturday, March 15, 2025
Posthof, Great Hall, 8 p.m.

Wim Vandekeybus & Ultima Vez: Void

The Belgian world star and his ensemble have received numerous awards for innovation and originality and are internationally renowned for their radical, gripping aesthetics between dance and theater. In his latest piece, Vandekeybus embraces emptiness, or even more – he seeks it. Austrian premiere. TanzTage 2025.

“}”> Wim Vandekeybus & Ultima Vez: Void


Image: PieterJanDePue

Thursday, April 24, 2025
Posthof, Great Hall, 8 p.m.

The Simon & Garfunkel Story

At the heart of the high-class homage from London’s West End to the legendary US folk pop duo are songs that continue to inspire with their distinctive and poetic character, from “The Sound Of Silence” and “Bridge Over Troubled Water” to “The Boxer” and “Cecilia”.

“}”> The Simon & Garfunkel Story


Bild: HamishGill MapleTreeEntertainment

Monday, April 28, 2025
Brucknerhaus Linz, Great Hall, 7.30 p.m.

The last days of humanity

The concert evening on April 28th combines excerpts from Karl Kraus’ “The Last Days of Mankind”, staged by the renowned local actor Karl Markovics, with the crazy yet serious wonder music of Werner Pirchner, one of the most important Austrian composers of the 20th century. The audience can look forward to the fusion of Kraus’ prophetic texts, which reflect the depths of human existence, with Pirchner’s musical genius, performed in the usual way by the wind ensemble Pro Brass.

“}”> The last days of humanity


Image: Private

Saturday, 03.05.2025 or Saturday, 17.05.2025 or Wednesday, 21.06.2025
Theater Phönix, 7:30 p.m.

Bunbury or the meaning of being serious

von Oscar Wilde

Since its premiere, Oscar Wilde’s groundbreaking comedy regarding hypocrisy and superficiality from 1895 has become an absolute classic of absurd reckoning with a self-proclaimed elite. The interplay of self-pretense and insane demands on everyone else still provides fodder for sharp-tongued and comical analyses of a society that believes itself to be better than it is.

“}”> Bunbury or the meaning of being serious


Bild: Zoe Goldstein Photography

Saturday, May 10, 2025
Posthof, Great Hall, 8 p.m.

Yllana: War Baby

Full of humor, visual gags and other crazy things, the legendary Spanish slapstick troupe always hits the nail on the head between breakneck mischief and man-made abyss. Austrian premiere. Black Humour Festival.

“}”> Yllana: War Baby


Image: Pablo Lorente

Monday, 02 June 2025
Brucknerhaus Linz, Great Hall, 7.30 p.m.

Minichmayr & Aurora Orchestra

Together with Birigt Minichmayr, the internationally acclaimed British Aurora Orchestra reinterprets Saint-Saëns’ famous Carnival of the Animals: a production transforms the concert into a museum visit in Paris around 1900, in which the musicians and the instruments are, in a sense, sounding exhibits. In addition, there are works newly composed for this purpose by Richard Ayres, who enriches the imaginary museum with further musical curiosities. The orchestra plays all of this from memory and uses this freedom for an impressive choreography including costumes and props.

“}”> Minichmayr & Aurora Orchestra


Image: Mark Allan
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