Haris Alexiou conquers new peaks – In the highest positions of the charts the album “Reworks” 2024-02-16 04:06:58

Thus, her album, “Reworks”, which was released regarding two months ago, which contains ten of her favorite songs, eight old ones in new production and two jokes, has managed to be loved by the public, giving it millions of streams and views, but also high positions in the charts.

“Reworks” has already exceeded 12 million streams and views in total, with the singles “You know me more” with Christos Mastoras and “Leave” with him LEX, have climbed to the top of the YouTube trends and Spotify charts. In addition, these two tracks are consistently in the top 30 of the Greek Shazam, as well as in the top 50 of the IFPI Airplay Chart – “You know me more” No5, “Fyge” No42.

At the same time, Haris Alexiou is the ambassador of Spotify’s global EQUAL campaign, with “Fyge” on both the Greek and global playlists.

With “Reworks” Haris Alexiou is once more dynamically present artistically, without, however, betraying herself, her statements and her decisions. Let’s not forget that in 2020 he had bravely announced that he was retiring from singing, as, as he had said, “I can’t hear my voice anymore”…

On the ‘Reworks’ album the top performer entrusted a team of new generation music producers, curated by her son, Manos Theofilos, who surrounded his mother’s songs with great respect, love, admiration, and knowledge, and she trusted him completely. The result was to give new life to the songs of our beloved Haroula and he succeeded.

The first singles that introduced the album were “The man of the cave”, “The tango of Nefelis”, to reach the most recent “You know me more”, which conquered the radio and digital charts. The album features Kid Moxiethe dynamically rising producer, composer and performer with great collaborations abroad and in Greece, such as the most recent with Depeche Modebut also her participation in the soundtrack of “Maestro”, which participates in “Full Moon”, and OPA, the favorite band of the 90s, in “Mes sa dou tha mai”.

The album, however, also contains two surprises, the anecdotal tracks “Fyge” and “White moon”. “Fyge”, in rap rhythms, with the participation of LEX, one of the most influential representatives of the rap scene today, with millions of views and streams and tens of thousands of people at his concerts. The second is “White Moon”, a usak ballad with the moving interpretation of Haroula Alexiou.

The orchestrations of “Reworks” are signed by Ermis Geragidis (Ermis) and o Isidoros Kiloudis (Issy Beats). Released on CD and digitally by Estia Recordings and Minos EMI, a Universal Music Company.

“It was an idea of Manos, I trusted him absolutely…”

Haris Alexiou with her son, Manos Theophilou.

“The idea of ​​making the songs more accessible to younger people was Manus’ idea. He started it and I was with him from the first moment”, he had declared to “ET”. on Sunday, Haris Alexiou on the occasion of the publication of “Reworks”. “I’m flattered by the thought of younger people listening to my songs, with the new breath given to them by Manos and his team.”

“I trusted Manos completely, because I have seen his aesthetics, his taste, his ethics. He also knows who I am, respects me and wants the best for me. He created a very nice group of talented musicians who breathed new life into my songs.”

Reapproach

“For many years, I had in my mind the thought of revisiting Haroula Alexiou’s repertoire”, Manos Theofilou had stated, for his part, to “ET”. of Sunday. “About two years ago, with some occasions that were given, such as the re-performance of “Dawn” with Onirama, I wanted to implement my idea. The goal was to re-introduce a repertoire, which may be completely unknown to the younger generations, who have not grown up with the same stimuli. Growing up I felt it was a bit of an obligation to me, not to my mother, I haven’t been pressured by her to do anything like that, under any circumstances. It was my personal need. Our logic was to freshen up the orchestrations and bring the songs closer to the younger generation, always respecting the originals”, points out Manos Theophilou.

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