2023-12-14 16:11:58
The horizon behind the “Geometric Noise” and “Mathematical Chaos“: Those who always prepare their sound in such an adaptable way Fawn Limbs go for Vestigial Spectra to the fullest and merge with Nadia into a symbiotic unity.
Nadiathe legendary band of Aidan Baker and Leah Buckareff that specializes in drone experiments, and the extreme metal alchemists Fawn Limbs (Eeli Helin and Lee Fisher) succeed Vestigial Spectra is a prime example of collaboration records in which the parties involved both maintain their own identity and, at the same time, complement each other in a synergy (not limited to the lowest common denominator) that grows beyond the sum of the original parts – which, given the original location and The resulting result is certainly reminiscent of the two most recent joint ventures Full of Hell makes you think.
Without in the case of Vestigial Spectra To give preference to one of the input providers in terms of dominance or influence, the 41 minutes follow a round arc of tension, weigh the amplitudes of the spectrum fairly and add the building blocks to a new existence, even if the aesthetic component for this occasionally goes beyond (either from the technical virtuosity or instinctively serving the mood) songwriting itself – but this is absolutely clear, especially when you look at the big picture.
Isomerisch prepares the palette atmospherically as a harsh noise fluctuation, whose frequency waves boom subcutaneously and pulsate dullly before Black Body Radiation Curve as an insanely aggressive grindmath with chopped rhythms and infernal roars are covered by ambient synth textures, so that the cinematographic noise arrangements blur with the hateful basis of the song, dissolve in the spherical space cosmos and are not just a decorative symptom of human hatred. Cascading Entropy bursts out as atonal disso-chaos, lets electronically coiled circuits oscillate and growls and death-doomy spurts. The picturesque horror trickles down tragically from the catacombs of sludge, a heroic nightmare with symphonic tendencies that repeats the industrial in the hold of a mechanical sci-fi nihilism.
Redshifted is an interference-infected drone rattle with breathy vocals that rise and fall as if in reverb as ghostly waves of a premonition, as if the mystically sizzling Nadia-Seance haunted by bestial memories that form within one Swans‘s singsong dissolve.
Blueshifted Then, as a panting industrial in slow motion, it creates a strange, subtle fascination and even radiates hope for beauty, while the hatching becomes ugly and tends towards the abyss: the dose of avant-garde elements and structure-free, open-form passages is well placed in the flow and balanced the infernal attacks. The martial current of aggression emerges Distilled in Observance so freshly hard and merciless, extremely fast, flirting with the epic panorama, but then opting for the psychotic one Dillinger-Panic and neon-dark unease.
Metastable Ion Decay attacks with luxuriant passages, a hypnotizing oscillation over the abyss of hell, concentrated in stoicism between riffs and spherical textures, until following almost ten minutes of indoctrination the plug is abruptly pulled for a vague outro. What remains abstract in the texts, but draws clear lines in the statement – behind the previous combat zones of the two formations.
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