2023-07-04 16:11:14
Horror
Article reserved for subscribers
By signing the new opus of the saga started in 2011, Patrick Wilson is ambitious but a little too cautious in its realization.
Fifth part, already, of this Hellraiser of suburban suburbs which has been trying, for ten years now, to bring together the world of the dead – its dreamlike limbo, its hysterical demons, its cosmic purgatories – and the model American family – its absent fathers , his anxious mothers, his sons secretly tormented by corpses. A business that has been thriving gently since the inaugural box of Insidious (James Wan, 2011), scattering into various sequels and extrapolations introducing new characters and new temporalities. And it should continue like this for a while yet, since a spin-off, Threads, has already been announced for 2024 and Jason Blum, producer of the franchise, evokes the possibility of a future crossover with the Sinister universe.
Insidious: The Red Door also prepares the ground by concluding the narrative arc started with the first two parts. Return therefore of the original characters, of the actors who interpreted them and even of James Wan, to the production this time. Time passed and the Lambert family took a hit in the wing – the grandmother died, the parents divorced and little Dalton, not the best with
1688488088
#Red #Door #scares #Liberation