Jolin Tsai’s “THE FIRST TAKE” zero NG perfectly sang “Rose Boy”

2023-06-05 13:50:44

Jolin Tsai appeared on the Japanese music channel “THE FIRST TAKE”. (Photo/Provided by THE FIRST TAKE)

Reporter Xu Ruilin / Taipei Report

Jolin Tsai appeared on the Japanese music channel “THE FIRST TAKE” and sang “Rose Boy”. She specially re-arranged the song and reinterpreted it with guitarist Luo Shaoen in a groovy style. Since the show only gives one chance to sing, it must be seen to the end , There is no room for NG at all, she admitted that when she stood in the all-white recording room, “I felt my heart beating, and I don’t know why, I don’t know whether it is excitement or nervousness.”

Jolin Tsai went on to say: “Maybe it’s because I’m in a confined space, and I’m rarely watched by so many cameras. Because when I’m recording, I usually have a lot of strange poses, and the lighting is also dim. So it was an interesting experience.” In the video, she took a headphone and walked towards the microphone, took a deep breath, confirmed that the guitarist was ready, and then began to sing with a smile, singing the free soul in the song with a penetrating voice the power of.

蔡依林獻唱〈玫瑰少年〉。(圖/THE FIRST TAKE提供)

Jolin Tsai sang “Rose Boy”. (Photo/Provided by THE FIRST TAKE)

After the successful singing, Jolin Tsai shared, “The arrangement of “Rose Boy” this time is to have a kind of lighting at home like turning on a very dim light, humming softly, and dancing for myself.” Because it is Participating in the recording of “THE FIRST TAKE” for the first time, she said: “So the arrangement has a little Motown, grooving, a little sexy, and then I can swing for myself, so I won’t be so nervous when I sing, I hope the dance can Help me relax a little bit.”

Regarding the biggest difference between normal and daily performances, Jolin Tsai shared: “The biggest difference is that I can interact with the audience in normal concerts, dance wildly, and control the distance of the microphone. Because there are many limitations in the recording studio, it is inevitable I am nervous or afraid of making mistakes. But this is also closer to my usual recording situation, that is, I can’t move too much, and try to enjoy interacting with myself in a small space.”

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